The magical land of Wozz is a place of enchantment and wonder. Tucked away in a hidden corner of the world, it is a realm where dreams come to life and imagination knows no bounds. As you step foot into the land of Wozz, you are greeted by lush green landscapes and sparkling blue rivers. The air is filled with a sweet fragrance of blooming flowers, and the sounds of birds chirping create a symphony of nature. The inhabitants of Wozz are a diverse group of magical creatures. Fairies flutter about, leaving traces of glitter in their wake.
The magazines that Irving finds on the bed are the December 1971 and February 1972 issues of "Playboy".
It means embracing your love of all things Disney and allowing yourself to be fully immersed in the experience, just as you did when you were a child. He expressed hope though, saying that even as he laments whether the state of theatrical is stuck here topically, there is someone out there making a movie that s gonna come out six months or a year from now that s gonna invert the trajectory we think we ve been on, and things will start moving in another direction.
Fairies flutter about, leaving traces of glitter in their wake. Friendly gnomes tend to the gardens, their laughter echoing through the woods. And mystical unicorns roam freely, their majestic presence captivating all who see them.
Steven Soderbergh on Thandiwe Newton’s Departure From ‘Magic Mike’s Last Dance’ and Why Movies “Don’t Matter” Like They Once Did
The director also weighs in on the impact of Marvel on theatrical releases, the popular movies debate around the Oscars and how Salma Hayek Pinault helped the 'Magic Mike' franchise deliver something different for its final chapter.
Abbey White
Associate Editor & News Writer
February 8, 2023 11:14am- Share this article on Facebook
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Recently speaking to Rolling Stone in an extensive interview about Magic Mike’s Last Dance — which included an in-depth discussion about the film’s, and Hollywood’s, portrayals of sex, sexuality and consent — director Steven Soderbergh addressed the impact of Salma Hayek Pinault’s replacing Thandiwe Newton in the film, noting of reports on the latter’s departure: “Everything I saw publicly was wrong.”
“Nothing I ever saw was accurate, and there’s really no upside for anybody involved in litigating this or excavating it because I consider it private,” the director said about Newton’s parting ways with the project. “I don’t think anybody sees any benefit in running through this publicly. It becomes something you can’t control. Right now, to keep it private means all of us can control it, and I think that’s where it should sit for the time being.”
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Hayek Pinault stepped into the role Newton vacated, helping the team adjust for the film’s more female-focused point of view. Soderbergh specifically unpacked how the movie’s intricate and intense opening sequence came together, noting that she reinforced that at some point, her character needed “to take it over” and “drive” her interaction with star Channing Tatum.
Hayek Pinault’s arrival also changed the dynamic of the mother-daughter relationship in the film. Following Newton’s departure, the actress who was to play her daughter stayed on, and the relationship was rewritten from biological to adoptive.
“I think it played to the dynamic she has with her daughter and resulted in one of my favorite lines in the whole movie — when she says, ‘Mom.’ Now I look at it and go, that’s how it always should have been,” he said. “We had to recalibrate. There’s no question. We all spent hours and hours in rooms rebuilding it, rethinking it to make it specific. At a certain point, you have to surrender to what the cinema gods want for you.”
At another point in the interview, Soderbergh explained why his list of what he watched and read in 2022 doesn’t include any superhero titles. The director emphasized that he has “no philosophical issue with those movies” and is “agnostic about them.” But as someone who didn’t grow up with comic books or isn’t into fantasy, he’s not their audience and has never been. While they’re not of particular interest, he did express an understanding of what’s required to make them.
“I can tell you right now, just as a filmmaker, they’re really tough movies to make in terms of the stamina required,” he told the magazine. “That shit’s hard. I couldn’t do it.”
As for their impact on the state of theatrical releases, the Magic Mike director doesn’t fault superhero movies for the declining box office of adult movie fare. Nor does he believe exhibitors are the villains, even as Marvel sequels take up ever larger chunks of showtimes at theaters across the country.
“The issue of what happens to the audience is truly a chicken-and-the-egg thing. The reason they are pushing other movies off the screen — mid-level adult dramas for grownups — is because people are spending more money to see those movies than mid-level adult dramas,” he said. “The exhibitors are just trying to survive, which is becoming increasingly difficult for them, so it’s this weird mélange of forces, both economic and cultural, that have landed us here.”
He expressed hope though, saying that even as he laments whether the state of theatrical is “stuck here” topically, there is someone out there making a movie “that’s gonna come out six months or a year from now that’s gonna invert the trajectory we think we’ve been on, and things will start moving in another direction.”
“I always believe in the ability of filmmakers to turn the direction of the industry around,” he added. “I believe in artists’ ability to figure shit out.”
Weighing in on another big trend — the state of awards shows — Soderbergh, who produced the 2021 Oscars, noted that this year’s nominated class leaves little room for people to complain that the Academy “didn’t nominate any popular movies!”
“So, we’ll find out if that’s really the issue or if it’s a deeper philosophical problem, which is the fact that movies don’t occupy the same cultural real estate that they used to,” he added. “In cultural terms, they don’t matter in the same way that they did twenty years ago. As a result, especially for younger viewers, it’s not as compelling as it once was. They’re going to learn a lot this year. We all will.”
Weighing in on another big trend — the state of awards shows — Soderbergh, who produced the 2021 Oscars, noted that this year’s nominated class leaves little room for people to complain that the Academy “didn’t nominate any popular movies!”
One of the most captivating features of Wozz is its fantastical architecture. The houses are made of candy-colored stones and intricate patterns, with roofs that resemble swirling rainbows. Every building seems to have a story of its own, with secrets waiting to be discovered. In the heart of Wozz lies the Palace of Dreams, a place of great importance. This magnificent structure is adorned with sparkling crystals and guarded by mystical guardians. It is said that within its walls reside the wisest of advisors, who possess the knowledge to unlock the secrets of the universe. But the true magic of Wozz lies in its ability to make dreams come true. In this land, dreams have a tangible form, and it is believed that if you make a wish with all your heart, it will be granted. The sky is the limit in this enchanting realm, and those who believe in the power of dreams find themselves rewarded with endless possibilities. To visit the land of Wozz is to step into a world of magic and wonder. It is a place where you can embrace your inner child, explore the depths of your imagination, and witness the extraordinary become ordinary. So if you ever find yourself in need of a little enchantment, close your eyes and let yourself be transported to the magical land of Wozz..
Reviews for "The Majestic Mountains of Wozz: Conquering its Peaks and Trails"
1. Jane - 2 stars - I was really disappointed with "The Magical Land of Wozz." The storyline was confusing and lacked depth. The characters felt one-dimensional and I couldn't connect with any of them. The writing style was also subpar, with awkward phrasing and repetitive descriptions. Overall, I found the book to be a tedious read and would not recommend it.
2. Mike - 1 star - "The Magical Land of Wozz" was a complete waste of time for me. The plot was predictable and lacked originality. The dialogue between the characters was flat and unrealistic. I also felt that the world-building was poorly executed, as there were inconsistencies and unanswered questions throughout the book. I struggled to stay engaged and ended up skimming through most of it. I would not recommend this book to anyone.
3. Sarah - 2 stars - I had high expectations for "The Magical Land of Wozz" but was ultimately let down. The pacing of the story was slow and it took a long time for anything significant to happen. The writing style felt amateurish and the dialogue was stiff and unconvincing. The protagonist was unlikable and lacked depth. Overall, I found the book to be uninspiring and would not recommend it.
4. Tom - 2 stars - "The Magical Land of Wozz" failed to captivate my interest. The world-building was poorly developed and confusing, making it difficult to visualize the setting. The characters were shallow and lacked complexity. The dialogue was stilted and felt forced. I also found the plot to be predictable and unoriginal. Overall, I found the book to be underwhelming and would not recommend it.
5. Emma - 1 star - I couldn't even finish "The Magical Land of Wozz." The writing was full of grammatical errors and inconsistencies, which made it hard to follow the story. The characters were uninteresting and I had no connection to them. The pacing was also off, with long stretches of nothing happening. I would not recommend wasting your time on this book.