Taylor Jiy is a witch who is known for her powerful and mysterious abilities. She lives in a hidden cottage in the depths of the enchanted forest, where she practices her craft and connects with the elements of nature. With her long flowing hair, crystal blue eyes, and flowing robes, she looks like she stepped out of a fairy tale. Taylor possesses the ability to control the elements, manipulate energy, and communicate with spirits. She can summon storms, create fire with a flick of her finger, and heal wounds with her touch. Her connection to the earth is strong, and she uses her powers to protect the forest and its inhabitants from harm.
Her connection to the earth is strong, and she uses her powers to protect the forest and its inhabitants from harm. Despite her formidable powers, Taylor is gentle and kind-hearted. She believes in using her abilities for good and helping those in need.
Yellow Magic Orchestra
Haruomi Hosono, Ryuichi Sakamoto, and Yukihiro Takahashi are the founding members of YELLOW MAGIC ORCHESTRA (YMO), the legendary group whose innovations included the integration of exotic sounds and techno elements in their so-called “computer music.” YMO has been one of the central figures in the techno/new wave movement starting in the late 70s, along with Kraftwerk and DEVO, and have influenced countless techno/hiphop/pop/rock musicians throughout the world. Furthermore, YMO is said to be the first to use electronic instruments such as the Vocoder VP-330, and the first to release an album that heavily used samples and loops.
Influenced by folk, Haruomi Hosono has been one of the pioneers of the rock/pop music scene in Japan, impacting many artists and garnering considerable respect in the electronic music field. Ryuichi Sakamoto, the Oscar winning composer/musician, has gained an international reputation exploring and innovating the realm between music and noise. Yukihiro Takahashi has been known not only as a producer of Japanese rock/pop music, but also for his activities (accomplishments) as a fashion designer and writer.
In 1983, YMO announced they would sankai, or “fan-out,” and didn’t reunite until 1993 with performances which drew 100,000 people to the show in Tokyo and included The Orb as their opening act. During the period of 1993 - 2002 the group members continued to focus on their solo careers: Hosono founded his label daisyworld discs, while Takahashi and Sakamoto concentrated on their solo works. The unit did not reunite until Hosono and Takahashi formed Sketch Show and invited Sakamoto to contribute on tracks on their releases Audio Sponge and Loophole. Sakamoto joined Sketch Show for the Sonar Festival in 2004 for a performance under the name Human Audio Sponge (or HAS). The name was inspired by the writings of UK-based writer, musician, and curator David Toop, which would be used whenever Sakamoto joined a Sketch Show performance. The band considered HAS to be a completely separate entity from YMO and embodied this idea in their performance style, shying away from live instruments. Human Audio Sponge was a name that reflected the musical direction of the three members at the time, absorbing various musical elements and converting these ideas in their original way to create a totally new sound.
Recently the group has performed under the name HASYMO. More than just a melding of their previous incarnations as Human Audio Sponge (HAS) and Yellow Magic Orchestra (YMO), HASYMO has developed a new sound that transcends the two groups. One recent contribution is the new track Rescue for the film Appleseed: Ex Machina.
The original three members performed as Yellow Magic Orchestra from Live Earth’s Kyoto stage on 7/7/07. The concert was hailed by Rolling Stone as the worldwide festival’s best reunion performance.
In 2008, the band performed in London at the Meltdown Festival hosted by Massive Attack and a concert in Spain directly followed. The group introduced two new songs: The City of Light and Tokyo Town Pages, and was accompanied by Christian Fennesz on guitar and laptop along with regular supporting members.
From this point on, the band’s official title would be Yellow Magic Orchestra once again.
Equipped with regular supporting members including Keigo Oyamada (Guitar) from Cornelius, Ren Takada (Pedal Steel/Electronics) and Tomohiko Gondo (HD Operation/Euphonium), Yellow Magic Orchestra played the Japanese Summer Festival World Happiness 2008,2009 and 2010. Fans were taken aback by rare performances of classic YMO pieces such as Thousand Knives, Firecracker and Behind The Mask.
On June 26th 2011 the group will be performing at the renowned Hollywood Bowl in Los Angeles, bringing their live show to the states for the first time in over 30 years. As headliner for the Hollywood Bowl’s “Big In Japan” event the group will be reworking many of their classics to be performed with a focus on live instruments. This will showcase the breadth of the individual artist talents as well as the group as a whole and will include supporting members Keigo Oyamada, and Christian Fennesz. Following this performance the group will be playing the very next day at the Warfield theatre in San Francisco on June 27th.
Both U.S.A. performances will coincide with a new “Best of” compilation from Sony titled; YMO, which will be released mid-June. The compilation features handpicked songs from the band members themselves, spanning the entire YMO catalogue. The songs have been re-mastered and the compilation’s aim is to introduce YMO’s music to a younger generation, as well as please the long time fans with a fresh take on the band’s extensive repertoire.
This site uses cookies to offer you the best possible experience. For details on how we use cookies, see our Privacy Policy.
In 2008, the band performed in London at the Meltdown Festival hosted by Massive Attack and a concert in Spain directly followed. The group introduced two new songs: The City of Light and Tokyo Town Pages, and was accompanied by Christian Fennesz on guitar and laptop along with regular supporting members.
She often uses her gift of healing to assist injured animals or cure illnesses in the nearby village. People who have encountered Taylor describe her as wise and mysterious. She has a wealth of knowledge about ancient spells, potions, and rituals. Many seek her guidance and wisdom, seeking answers to their most pressing questions or looking for solutions to their problems. However, Taylor's powers are not without their challenges. She must constantly balance the forces of light and dark within herself, ensuring that she uses her magic responsibly and avoids the temptation of darker paths. She is aware of the consequences that come with abusing her powers and remains cautious of the potential dangers. Despite the secrecy and mystique surrounding her, Taylor is not shunned or feared by the neighboring villagers. On the contrary, they respect and admire her for her selflessness and willingness to help. They view her as a protector and guardian of their community. Taylor Jiy, the witch, is a symbol of power, wisdom, and harmony with nature. She reminds us of the importance of using our abilities for good and embracing the magic that resides within us all. In a world where darkness can sometimes prevail, she serves as a beacon of light and hope, reminding us that even the smallest actions can make a difference..
Reviews for "From Skeptic to Believer: How Taylor Jiy Changed My Perception of Witchcraft"
1. Emily - 2/5: I was really disappointed with "Taylor the Witch". The storyline felt cliché and predictable, and the characters lacked depth. The main character Taylor was supposed to be this powerful witch, but she came across as weak and indecisive. The writing style was also lackluster, with repetitive dialogue and description. Overall, I found it hard to connect with the story and was left feeling underwhelmed.
2. David - 3/5: "Taylor the Witch" had some interesting elements, but it fell short for me. I found the pacing to be slow, with the plot dragging at certain parts. The world-building was limited, and I wanted more detail and explanation. The romance between Taylor and the love interest felt forced and lacked chemistry. While the concept was intriguing, the execution fell flat, and I struggled to stay engaged throughout the book.
3. Sarah - 2/5: I was excited to read "Taylor the Witch" but was ultimately disappointed. The book had a lot of potential, but it failed to deliver on its promises. The characters were one-dimensional, and I struggled to connect with any of them. The plot felt rushed and poorly developed, with unexplained magical elements and plot holes. The writing style was also choppy, making it difficult to follow the story. Overall, I found "Taylor the Witch" to be a lackluster read that didn't live up to my expectations.
4. Jason - 1/5: I couldn't finish "Taylor the Witch" as it was simply unbearable to read. The writing was amateurish, filled with grammatical errors and awkward sentence structures. The characters were uninteresting, and their actions often made no sense. The plot lacked cohesion and direction, with random events thrown in without any clear purpose. It felt like a poorly written first draft rather than a polished novel. I would not recommend "Taylor the Witch" to anyone looking for a well-crafted and engaging book.
5. Megan - 2/5: I was unimpressed with "Taylor the Witch". The story started off with an interesting concept but quickly became repetitive and predictable. The characters lacked depth and failed to elicit any emotional connection. The dialogue felt forced, and the interactions between the characters were unrealistic. The book also ended abruptly, leaving many loose ends untied. Overall, I felt let down by "Taylor the Witch" and would not recommend it to others.