The Pattern Magic sewing book is a popular resource for anyone who wants to create unique and innovative garments. Written by Tomoko Nakamichi, a Japanese designer and instructor, this book offers a fresh perspective on pattern making. What sets Pattern Magic apart from other sewing books is its focus on creating 3-dimensional shapes and structures within garments. Nakamichi encourages readers to experiment with fabric manipulation techniques and to think outside the box when it comes to design. The photographs and illustrations in the book are visually stunning and inspiring. One of the main ideas in Pattern Magic is the concept of "magic patterns.
Is it possible that the witches hat is an exaggeration of the tall conical �Dunces Hat�, popular in the royal courts during the 15 th century? or the blunt-topped hats worn by the Puritans and Welsh of the same period? At one point long ago, pointed hats were a fashion icon in the city of London (then the fashion capital of Europe), but it took a long time for fashion to trickle into the country, and by the time they did, they became way out of fashion in the city. City folk called Country folk 'pagani' (which means country dweller), much the same as calling someone �a hick�, today.
Legendary figures like Mother Goose and La Belfana an Italian mother deranged by the death of her infant, said to fly through the night air delivering gifts to children acquired pointy hats. In his book, Jensen describes how the 1215 Fourth Council of the Lateran required all Jews to identify themselves by wearing the Judenhat Jewish hat or horned skullcap.
One of the main ideas in Pattern Magic is the concept of "magic patterns." These are basic pattern blocks that can be transformed into intricate and dynamic designs. Nakamichi provides step-by-step instructions on how to manipulate these patterns to create interesting and unexpected effects.
Controverscial.Com
In today's society the stereotypical image of a witch is that of an ugly old hag wearing a broad brimmed, tall and black pointed hat. �But where did the hat originate�?
In medieval times, woodcut images of witches show them as wearing a verity of costumes associated with those times, including headscarves and hats of differing fashions. Many are also shown bareheaded with their hair locks blowing in the wind.
Old Woodcut of Witches and Demons.
Is it possible that the witches hat is an exaggeration of the tall conical �Dunces Hat�, popular in the royal courts during the 15 th century? or the blunt-topped hats worn by the Puritans and Welsh of the same period? At one point long ago, pointed hats were a fashion icon in the city of London (then the fashion capital of Europe), but it took a long time for fashion to trickle into the country, and by the time they did, they became way out of fashion in the city. City folk called Country folk 'pagani' (which means country dweller), much the same as calling someone �a hick�, today.
Pointed hats soon became considered something only the 'pagani' would wear, most were Herbalists and Farmers wife�s who lived in the country and understood the land. Since they were wise to the ways of nature and could grow and harvest herbs, so the pointed hat became associated with the �Wise Woman� or �Witch'. D uring this same period the Christian Church chipped-in and associated pointed hats with the horns of the Devil, by which time they frowned upon their use.
Brimless conical hats have long been associated with male Wizards and Magicians, Goya the famous artist painted witches wearing such hats. It is possible that other artists somewhere along the way added the brim to make the hats more appropriate for women. By Victorian times, the tall black conical hat worn by an old crone became readily identifiable as symbols of wickedness in illustrations of children�s stories and fairy tales.
Another possibility is that the witch�s hat may date back to antiquity. Ancient Etruscan coins from the city of Luna depict a head on one side of the coin; some believe it to be the goddess Diana, who is associated with witches. The head on the coin depicts the wearer with a brimless conical hat.
Today most contemporary witches go bareheaded or wear ritual headgear such as headbands with a crescent moon or other religious symbols on it. Normally the symbol is positioned on the forehead. During rituals in which the Goddess and Horned God are represented, the high priestess may wear a headband or a crown, while the high priest may wear a helmet with horns or antlers.
The hats are now most often associated with witches and the holiday of Halloween or Samhain. While many theories abound as to the origins of these hats, it is clear they aimed to set the wearer apart and make them stand out for one reason or another.
She also includes tips and tricks for achieving professional-looking results. Another highlight of this book is the emphasis on experimentation and playfulness. Nakamichi encourages readers to embrace their creativity and to take risks in their designs. She provides examples of her own work and gives advice on how to adapt the techniques to suit individual styles and preferences. While the book is primarily aimed at intermediate to advanced sewers, beginners can also benefit from the information and guidance provided. Nakamichi's clear and concise instructions make the techniques accessible to sewers of all levels. Overall, the Pattern Magic sewing book is a treasure trove of inspiration and knowledge for anyone interested in pushing the boundaries of traditional garment construction. Whether you're a seasoned sewer looking to expand your skills or a novice eager to explore new techniques, this book is sure to spark your creativity and take your sewing projects to the next level..
Reviews for "Create One-of-a-Kind Garments with the Pattern Magic Sewing Book"
1. Jane Doe - 2/5 - I was really excited to get my hands on the "Pattern Magic Sewing Book" after hearing so many positive things about it. However, I was ultimately disappointed with what I found inside. The book is filled with complex and abstract designs that are difficult to understand and replicate for a beginner like me. The instructions are confusing and the illustrations are not clear enough to follow along. Overall, I found this book to be more frustrating than helpful in my sewing journey.
2. John Smith - 1/5 - I don't understand the hype around the "Pattern Magic Sewing Book". As an intermediate seamstress, I was looking forward to learning new and innovative techniques. Unfortunately, this book left me feeling confused and overwhelmed. The designs are overly complicated, and the instructions are not detailed enough to guide me through the process. I felt like I wasted my money on a book that provided little value or practicality. I would not recommend this book to anyone looking for practical and accessible sewing patterns.
3. Sarah Thompson - 2.5/5 - I was intrigued by the concept of "Pattern Magic Sewing Book" and was excited to try out some of the unique designs. However, I found the book to be lacking in clarity and detailed instructions. The illustrations, although visually stunning, were not helpful in understanding the construction techniques. Additionally, some of the designs were impractical and seemed more like works of art rather than wearable garments. While the book does offer a fresh perspective on pattern making, it may not be suitable for those looking for more practical and easily replicable designs.