moonslice beauty

An amulet of ancient age has long been a fascination for archeologists and historians alike. These small objects hold a mysterious aura and intrigue as they have been found in various cultures throughout history. The concept of an amulet itself dates back to ancient times, with civilizations such as the Egyptians, Greeks, and Romans valuing their protective qualities. The amulet is believed to possess magical or spiritual powers that can bring good luck, protection, or even healing to its wearer. The amulet of ancient age is thought to carry the wisdom and energy of the past, making it a coveted item for those seeking a connection to history. The materials used to create these amulets also vary greatly, depending on the culture and time period they originate from.

This dissertation examines the use of the dark areas of the occult in the lives of six adolescents who have been involved with black magic, satanic ritual, or other occult practices. All but one of the subjects were connected to the community helping system because of divorce, abuse and/or neglect, delinquency, and substance abuse. Data was collected by means of an interview concerned with the ethnic, economic and religious background of the subjects' family, the subjects' relationships with family, community and state agencies, and the duration of involvement with the occult. The interview and data analysis drew from two perspectives: The first five stages of Erik Erikson's "Eight Stages of Man" identity development model and the existential psychological examination of the "problems of youth" by Paul Goodman in Growing Up Absurd (1960). The study provides an examination of the historical and current use of the occult as a social-strain gauge and disturbing parallels of despairing behavior between the youth culture of Weimar Republic Germany and that of the United States. A strong connection is made between the involvement with dark areas of the occult and the loss of meaning, hope and faith. The subjects came from circumstances that hampered healthy negotiation of Erik Erikson's first five stages of identity development. The subjects grew up in circumstances that led to despairing beliefs and behaviors, as described by Goodman. The data suggests that the nature of the use of magic during early adolescence depends on the nurturent (physical, psychological and ideological) circumstances of infancy, and latency. If the child despairs because of insufficient family/community nurturence then the dark, deviant and depraved element of the occult is more likely to manifest itself. The subjects represent a larger despairing population (uninvolved with the occult or the helping system) that puts society at risk politically and economically. The current youth culture parallels with Weimar Republic youth culture suggest that this larger despairing population threatens society because they could be manipulated by historical circumstance and charismatic personalities to commit widespread depravity in the name of political change.

The interview and data analysis drew from two perspectives The first five stages of Erik Erikson s Eight Stages of Man identity development model and the existential psychological examination of the problems of youth by Paul Goodman in Growing Up Absurd 1960. The Witch of Despair 絶望の魔女 , also known as the Giant Cosmic Witch 巨大宇宙魔女 , is a huge Witch appearing in the last episode of the Puella Magi Madoka Magica anime.

The materials used to create these amulets also vary greatly, depending on the culture and time period they originate from. From carved stones to engraved metals, each amulet of ancient age tells its own story. These materials were often chosen for their symbolic meaning, with certain gemstones being believed to hold specific powers.

Despair and Hope A Cycle

When you read the series, the state of despair and hope is almost like a cycle. I know that @gp often likes to emphasize on what state of hopelessness Narnia is in yet in the end everything turns out alright (shout out to @gp if you are reading this).

Here how it's played out chronologically-

The Magician's Nephew- Digory is in a hopeless situation. His mother is sick and is about to die, his father is away in India. Now the world of Narnia had been newly created. However, it's already been marred by evil. So it may have seemed like a despair, but Aslan says, "I will see to it that the worst of it falls on myself" (He was foreshadowing His own death on the Stone Table in The Lion, The Witch, And The Wardrobe). So He was reassuring that even though the world of Narnia has been marred by evil, it's going to turn out alright in the end. Aslan even rewards Digory for his obedience to bring back the silver apple and planting a Tree of Protection by giving him a silver apple. Digory takes it back to our world, and uses it that heal his dying mother.

The Lion, The Witch, And The Wardrobe- The world of Narnia is in a state of hopelessness. The eternal winter is despair. When the White Witch took Christmas out, the "always winter and never Christmas" is a picture of a world without joy and hope. But the hope is that prophecy is about to be fulfilled when the Pevensies arrive, Aslan has returned to Narnia, and it's the return of spring. Christmas has to come first before spring could come. There is a despair when Aslan dies on the Stone Table, then there's hope that He came back to life. Shortly after, Aslan frees the statues at the White Witch's castle, and not long after, the prophecy is fulfilled.

The Horse And His Boy- Now this is a book that takes place during The Lion, The Witch, And The Wardrobe. It's a hopeless situation for Shasta and Aravis. For Shasta, he's been abused by a fisherman Arsheesh whom he calls father though not really his father so constantly. And he's about to be sold as a slave to Anradin Tarkaan, who is the original owner of Bree. For Aravis, she is about to be married of to a much older guy, Ahoshta at the suggestion of her stepmother who actually hated her (I know, a lot of stories about stepmothers who are not fond of their stepdaughters). At the time they get to Archenland, Shasta realizes that he was meant to save Narnia and Archenland from Calormene invasion. Spoilers: he's actually Prince Cor of Archenland. So it's like he rose to a higher power, making him realize that this is what he was meant to do. Aravis learn so much about humility, and even gets a lesson from Aslan Himself who scratch her back (ouch!) She needed to know what it felt like for her stepmother's maid who was most likely beaten. Yet she learns that there is so much more to life.

Prince Caspian- Narnia is in state of hopelessness again. Telmarines have taken over, the old days are gone, and even Old Narnians living in hiding began to doubt that Aslan was even real. Caspian X, with the help of the Pevensies, bring back the old days to help change the path of Narnia's history. Aslan even tells Lucy, "Now Narnia will be renewed." When Aslan makes a roar, the dryads and naiads wake up from their long sleep, and frees the school children. There's also a moment where Caspian and his nurse are reunited after years of separation.

The Voyage of the Dawn Treader- There isn't a lot about despair and hope in this book. The darkest moment is The Dark Island, where "worst nightmares come true". This unseen world with total darkness where dreams become reality. It's a hopeless situation to be in. However, Lucy calls out to Aslan, and Aslan answers her by coming in form of a albatross, leading them to the light. He even destroys the Dark Island once and for all. So out of darkness into the light.

The Silver Chair- There's a hopeless situation for Eustace and Jill at school. There are bullies, and there's nothing anyone will do about it. When they get to Narnia, Narnia is in state of despair. Caspian was about to die without an heir, and they've already lost many of their bravest Narnians trying to find Prince Rilian. There is hope when Prince Rilian is back in Narnia and reunited with his father for a brief moment. Caspian dies, and even Aslan mourns for him. Soon after, Aslan instructs Eustace to pluck a thorn, drive it into Aslan's paw, and Aslan use's his blood bring Caspian back to life.

The Last Battle- Narnia is in a state of despair once again. Shift is taking over Narnia by conspiring with the Calormenes, claiming that this is the "will of Aslan", Calormenes are taking over Narnia as they have been wanting to for a long time, Tirian is tied up to a tree, and Cair Paravel is ransacked by the Calormene navy. However, as Tirian is tied up to the tree, he holds on to the hope by remembering what had happened in Narnia's past- "When things were at their worst, it came out alright in the end." Though Aslan brings an end to the world of Narnia, the hope is that all of those from Narnia's past (and there's a whole list of them) are together again in the new Narnia. So it shows that death is not the end of the story, but a new beginning.

"And this is the marvel of marvels, that he called me beloved."
(Emeth, The Last Battle)

When you read the series, the state of despair and hope is almost like a cycle. I know that @gp often likes to emphasize on what state of hopelessness Narnia is in yet in the end everything turns out alright (shout out to @gp if you are reading this).

Throughout history, amulets were worn by both men and women, and their designs often reflected the beliefs and practices of the culture in which they were created. From protective amulets shaped like animal figures to intricate symbols representing gods and goddesses, the amulet of ancient age was as diverse as the civilizations that valued them. In addition to their protective qualities, amulets of ancient age were also seen as a form of self-expression and adornment. They were often worn as jewelry, allowing the wearer to showcase their beliefs and connect with the energies of the past. Amulets were passed down through generations, becoming treasured family heirlooms and carrying with them the wisdom of their ancestors. Today, the fascination with amulets of ancient age continues, with collectors, historians, and enthusiasts seeking to understand the symbolism and power behind these objects. They are appreciated not only for their historical significance but also for their artistic value and ability to connect us to a time long past. The amulet of ancient age serves as a reminder of our connection to history and the universal human desire to seek protection, luck, and healing. It invites us to explore the beliefs and practices of ancient civilizations and allows us to marvel at the ingenuity and creativity of our ancestors. Above all, the amulet of ancient age remains a tangible link to the past, a bridge between our modern world and the mysteries of ancient times..

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