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With three guitars all being held by equally distinctive vocalists, the band have a wealth of textures and flavours at their disposal, giving the album variety on top of the remarkable sense of cohesion. It’s very easy to forget that Curse These Metal Hands is a side project squeezed into the already hectic schedules of two disparate and busy bands. However, this in turn may be a major contributory factor to the immediate and playful ambience of the music. This is not music that has been written to satisfy a hungry, expectant fanbase, or to meet the demands of a recording contract – but more the product of five like-minded individuals setting themselves up in a rehearsal room, locking the door, shouting “GO!” and seeing what comes out. In an age where music is increasingly written by individuals hunched over laptops on their own, the difference is both startling and refreshing. Despite this apparently fluid, jam-based approach, they have still worked in some neat flourishes. In particular, during a loud-to-quiet transition in “The Pall” the guitar motif is gradually transferred from electric to acoustic. After the truly epic outro riff of “Sunday”, there’s even the briefest little reprise of the main riff from “High Spirits” to neatly close the loop on the album.
Both Conjurer and Pijn in their separate respects paddle the thin creek of genre definitions, giving my two inner demons performative Harvard-style debate headaches. Neither conforms to any one particular genre that easily, but both toy around with very specific production and stylistic choices that just beg to be labelled.
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Pijn & Conjurer – “Curse These Metal Hands”
Peanut butter and jelly. Bert and Ernie. Pijn and Conjurer? Yes . Love these two bands, and I was very curious to see what the Holy Roar labelmates could do. They really come together on Curse These Metal Hands, a project I terribly mistook as a split at first. This is not a split! It’s a collaborative effort with members of each band writing, producing, and performing across all four songs of this album.
What I wanted to be a stylistic tug-of-war between the close-but-not-that-close post-metal bands turned into something else entirely. Go figure, right? Artists coming together to create something different. Conjurer trend heavier with a doomed, almost blackened aesthetic, while Pijn are more closely aligned with the atmospheric side of the post-metal sound. Meld the two together and throw them in a direction that neither band have explicitly tread before and you get zealous comparisons to bands like Baroness that aren’t totally unfounded, but too simplistic all the same.
The album isn’t thematically linked in any way I can properly decipher, but I can’t help but apply a theme with the sonics of this album. From the opening, teasing licks of “High Spirits”, to the absolutely triumphant, final flourish of notes that close out “Sunday”, it’s as if Curse These Metal Hands is a blazing sun that creeps into existence at the start, blazes hot and heavily in the middle, then bids a vivid farewell to cap things off.
True to life, this album, like the sun, showcases some of its prettiest moments in the beginning with “High Spirits”, when the rays are reaching out to usher in a new, bright beginning. Conjurer and Pijn start slow and playfully with light guitars that gradually work in drums, vocals and so forth. You’re heard it all before… but have you heard it done this well? Listen to it – hear that burly-ass beat drop when all instruments slam into the mix about a third of the way in. Take in the groovy-as-hell instrumental bridge after the first verse. Bask in the calm interlude, which provides some welcome cloud cover from the scorching riffs and blazing vocals. Couple this with the lyric video’s cute inclusion of closed captions-esque tags like ‘’ or ‘’ during the parts where those are actually employed and you can just feel the character radiating out from this music.
This is all part of the charm of Curse These Metal Hands – the two bands went out of their way to not only distance themselves from their own established sounds, but also to not sound like what you would assume they should sound like together. This album could have been produced under a completely different name and no one would bat an eye, but attributing this to each of their names – together – shows the breadth of expression, and the variety of sound which both bands are willing to explore. It hints to a future where both bands can go, and even to places they haven’t even been yet, individually or collectively.
Both Conjurer and Pijn in their separate respects paddle the thin creek of genre definitions, giving my two inner demons performative Harvard-style debate headaches. Neither conforms to any one particular genre that easily, but both toy around with very specific production and stylistic choices that just beg to be labelled. Most distinctly, Conjurer broke out onto the scene with ferocious performances, deliberate pace and intense fusion of all sorts of metal’s darkest and slowest subtypes. Combine that with co-singer Dan Nightingale’s ability to growl louder than the backing instruments without a microphone and you got yourself a reputation to put others to shame. Their 2018 output ‘Mire’ saw an enormous cross-platform engagement from people, quite unexpectedly for an independent metal band’s debut. Pijn started out the same year with ‘Loss’, a more instrumentally laced, contemplative record that veered into metal only ever so slightly, staying firmly engaged in every major “post-“ prefix genre (hello, Demon N.2).
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Reviews for "Awakening the Magic Within: The White Chrome Daily Charmr"
- Jane123 - 2/5 - I was really excited to try the Magic white chrome daily charmr, but I was quite disappointed with the results. The product claims to give a shiny chrome finish, but it barely showed up on my nails. I followed the instructions precisely, but the polish was streaky and didn't adhere well to the nail. Additionally, it chipped within a day, which was really disappointing. I will not be repurchasing this product.
- Sarah789 - 1/5 - This product did not meet my expectations at all. First of all, the application process was difficult and messy. The consistency of the polish was too thick and made it hard to apply evenly. Secondly, the color was nothing like what was advertised. Instead of a white chrome finish, it turned out to be a dull grayish shade. Lastly, the polish started chipping off within hours of application. I would not recommend this product to anyone.
- NikkiG - 2/5 - I had high hopes for the Magic white chrome daily charmr, but unfortunately, it fell short. The application was messy and the polish didn't dry evenly, leading to streaks and an overall unappealing result. The color also appeared much darker on my nails compared to the marketing images. It started chipping within a couple of days, which was disappointing. Overall, I was not satisfied with this product.