littlw nightmares 2

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The concept of a repugnant witch and an aerial primate may seem strange and unrelated, but upon closer examination, these two subjects share some interesting parallels. Both witchcraft and primates, specifically those that have the ability to fly, have captivated the human imagination for centuries. When we think of a witch, the image that comes to mind is often one of a haggard, old woman with mysterious powers and a cauldron. The term "repugnant" suggests a sense of disgust or aversion, adding to the idea of a witch being an unsightly and unpleasant figure. Throughout history, witches have been viewed with fear and suspicion, often associated with dark magic and malevolent intent. Similarly, the concept of an aerial primate evokes a sense of wonder and awe.



UNCLE MAGIC

At family gatherings, Uncle Roy is Jackie's favorite—with quick good humor, he can pull a walnut out of her ear or make the mashed potatoes speak, but best is the rabbit he keeps in his pocket. Jackie truly believes it's alive until the night she falls asleep in the coats on the bed and wakes to find the rabbit puppet limp on the floor; it takes all ``Uncle Magic's'' ample gifts of persuasion for her to see that magic is something to meet halfway by believing in it. Gauch tells her story with warmth and lively turns of phrase that recommend it for sharing aloud; Ray sets it in the 40's, when kids were more credulous- -though this one looks too old to be fooled by a puppet. Still, the art glows with family camaraderie and is well sized for a group. An appealing portrait of a typical family character. (Picture book. 4-8)

Pub Date: Oct. 15, 1992

ISBN: 0-8234-0937-6

Page Count: 32

Publisher: Holiday House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1992

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More by Patricia Lee Gauch

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I WISH YOU MORE

by Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld ‧ RELEASE DATE: April 1, 2015

Although the love comes shining through, the text often confuses in straining for patterned simplicity.

A collection of parental wishes for a child.

It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.

Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)

Pub Date: April 1, 2015

ISBN: 978-1-4521-2699-9

Page Count: 40

Publisher: Chronicle Books

Review Posted Online: Feb. 15, 2015

Kirkus Reviews Issue: March 1, 2015

UNCLE MAGIC

At family gatherings, Uncle Roy is Jackie's favorite—with quick good humor, he can pull a walnut out of her ear or make the mashed potatoes speak, but best is the rabbit he keeps in his pocket. Jackie truly believes it's alive until the night she falls asleep in the coats on the bed and wakes to find the rabbit puppet limp on the floor; it takes all ``Uncle Magic's'' ample gifts of persuasion for her to see that magic is something to meet halfway by believing in it. Gauch tells her story with warmth and lively turns of phrase that recommend it for sharing aloud; Ray sets it in the 40's, when kids were more credulous- -though this one looks too old to be fooled by a puppet. Still, the art glows with family camaraderie and is well sized for a group. An appealing portrait of a typical family character. (Picture book. 4-8)

Pub Date: Oct. 15, 1992

ISBN: 0-8234-0937-6

Page Count: 32

Publisher: Holiday House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1992

Categories:

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More by Patricia Lee Gauch

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BUNNY MONEY

Similarly, the concept of an aerial primate evokes a sense of wonder and awe. While primates are typically associated with being terrestrial creatures, the idea of a primate that can fly completely challenges our preconceived notions. This notion of an airborne primate often takes on mythical proportions, with tales of winged monkeys or bat-like creatures that defy the laws of gravity.

From the Max & Ruby series

by Rosemary Wells & illustrated by Rosemary Wells ‧ RELEASE DATE: Sept. 1, 1997

In the siblings' latest adventure, their grandmother is having a birthday (again! see Bunny Cakes, p. 67), so Ruby takes Max shopping. A music box with skating ballerinas is Ruby's idea of the perfect present; Max favors a set of plastic vampire teeth. Ruby's $15 goes fast, and somehow, most of it is spent on Max. The music box of Ruby's dreams costs $100, so she settles for musical earrings instead. There isn't even a dollar left for the bus, so Max digs out his lucky quarter and phones Grandma, who drives them home—happily wearing her new earrings and vampire teeth. As ever, Wells's sympathies are with the underdog: Max, in one-word sentences, out-maneuvers his officious sister once again. Most six- year-olds will be able to do the mental subtraction necessary to keep track of Ruby's money, and Wells helps by illustrating the wallet and its dwindling contents at the bottom of each page where a transaction occurs. Younger children may need to follow the author's suggestion and have an adult photocopy the ``bunny money'' on the endpapers, so they can count it out. Either way, the book is a great adjunct to primary-grade math lessons. (Picture book. 4-7)

Pub Date: Sept. 1, 1997

ISBN: 0-8037-2146-3

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1997

Uncle Majic

Uncle Majic, self dubbed "The Hip Hop Magician", is an entertainer from the New Jersey area. Uncle Majic specialties in birthday parties and magic shows, and brings party essentials such as inflatables, popcorn machines, etc.

This commercial aired in 2010, particularly during the late night hours of television.

Littlw nightmares 2

Despite their differences, both the repugnant witch and the aerial primate share a common fascination with the unknown and the fantastical. They both exist in the realm of folklore and imagination, evoking a mixture of fear, intrigue, and curiosity. The repugnant witch represents the dark side of human nature and the potential for evil, while the aerial primate embodies the unexplored possibilities of the natural world. In both cases, these concepts have permeated various cultures and artistic expressions. The image of a repugnant witch has been depicted in literature, theater, and film, while legends of aerial primates have found their way into myths and legends around the world. These enduring symbols have left an indelible mark on our collective imagination, reminding us of the boundless possibilities of the human mind and its capacity for inventing and reinventing stories. In conclusion, the idea of a repugnant witch and an aerial primate may seem strange at first, but they both share a remarkable ability to captivate and intrigue. Both concepts tap into our deepest fears and desires, pushing the boundaries of what we believe to be possible. Whether it be through tales of witches' spells or myths of airborne primates, these subjects continue to inspire and spark the imagination of generations to come..

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littlw nightmares 2

littlw nightmares 2