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Despite being the dreaded sophomore album, Melodrama surpasses Pure Heroine creatively. The persona of Lorde has outgrown her teenage ennui and has developed into a thoughtful, tender young adult unafraid to embrace her experience. While songs off Pure Heroine repeat a similar theme in a different manner, Melodrama offers a complete experience of thought, emotion and expression.

Other moments reveal Lorde s flirtatious and adventurous side, as written on Homemade Dynamite See me rolling, showing someone else love Hands under your t-shirt Know I think you re awesome, right. While songs off Pure Heroine repeat a similar theme in a different manner, Melodrama offers a complete experience of thought, emotion and expression.

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Solar Power: Carefree ditty, or is Lorde manipulating us all?

OPINION: It was a dark and stormy night when I remembered Lorde had done something new. The train screeched to a halt.

“I hate the winter, can’t stand the cold,” Lorde sang into my ear. “I tend, to cancel, all the plans.”

Look I’m not going to go over the next three minutes in minute detail. I’ll skip to the end, where I felt the overwhelming urge to listen again. I bopped. I swayed. I blinked three times and I felt it kicking in.

“I’m kind of like a prettier Jesus,” we sang.

Six times on my drive home. A couple more as I did the dishes. “Did you hear the new Lorde song?” I asked my husband. “Nah,” he said, and we put on the video.

In it, a group of frightening millennials dance like brainwashed marionettes on a bleached-out beach. Lorde, who is resplendent as every hot pop singer you’ve ever seen but with a Grecian twist, cavorts like a North Shore girl hitting Splore for the weekend.

There was silence. “Yeah,” he said. “That was. average?”

To understand what Lorde has done with this new song, her first after a four-year hiatus, is to try and chase a trail of Little & Friday raspberry donut crumbs down a rabbit hole studded with Instagrammable houseplants while trying to escape from an ever-tightening bodycon dress.

NME called the first single off Lorde’s impending new album a “sun-kissed rebirth.” Teen Vogue said it had a “relaxed, beachy vibe.” The Independent said it was a “sun-splashed and of-the-moment return,” continuing: “a summer breeze feels like a lovely new chapter for Lorde – and the rest of us.”

Pitchfork called it “a soft-touch anthem for the season’s simple pleasures: warm sun, warm sand, a boyfriend who will take your picture for the ’gram, and the impunity to turn down plans you weren’t excited about anyway.” The New York Times labelled it “about the last thing to be expected from a songwriter as moody and intense as Lorde. a carefree ditty.”

On social media, fans are split between loving every word, and feeling betrayed. This is not the mysterious, angsty, and introspective Lorde the world has grown accustomed to since the 16-year-old burst onto the scene with Pure Heroine.

Pure Heroine-era Lorde (Ella Yelich-O’Connor) performs at Horncastle Arena in Christchurch in October 2014.

The girl who once told us she was kinda tired of being told to throw her hands up in the air is now quoting A Tribe Called Quest; “Can I kick it? Yeah, I can!”

The “voice-of-a-generation” has embraced a full feelgood pop vibe, and the result is. disquieting.

There are arguments for and against this being a long con. Surely there’s more to the album, whose title surely points to a generational concern for climate change? Could the woman who wrote a book on Antarctica really hate the winter? Does she actually want this album to be our summer companion, “the one you pump on your drive to the beach”?

Or is it possible she’s just a normal 24-year-old with a phenomenal voice, who is happy being off the internet, hanging with her friends, tanning her midriff, reading astrology, and taking the odd hit of weed?

Since the single dropped four days ago, I have listened to it dozens of times. I am consumed with asking people if they like it. I have devoured columns, Reddit threads, Tiktoks.

I’ve tortured myself wondering if I should just tune out and tune in to the natural world, seeking my highest and most transcendent self, but then worry when I get there Lorde will be waiting, smiling unnervingly and handing me a golden horn-shaped chalice full of god-knows-what.

I mean to be honest, I don’t care. The song is a balm.

Pass the fennel bong. I’ll go where she’s going.

The work is so f. ing good, my friends.

The work is so f. ing good, my friends.

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