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Witch Zango Rym is a term often used in folk tales and folklore to describe a powerful witch or sorceress. The origin of the term is unknown, but it has been used in various cultures and societies throughout history. In many stories, Witch Zango Rym is depicted as a cunning and dangerous figure who possesses incredible magical abilities. She is often portrayed as having dark powers and using them for nefarious purposes, such as casting spells on unsuspecting villagers or causing harm to those who cross her. The character of Witch Zango Rym can differ in each tale or legend, but she is often depicted as an old woman with long, unkempt hair and a wrinkled face. Some stories describe her as living in a secluded hut deep in the forest, while others place her in a hidden cave or mystical realm.


One more, just because we need more animation. Michel Ocelot’s Kirkou and the Sorceress (1998) is a unique West African adventure about a tiny boy battling a powerful witch.

A Russian religious scholar tangles with a witch on a fateful cold night and is demanded to hold vigil over her dead body for three nights in Viy 1967 , based on a story by Nikolai Gogol. Häxan was banned in the US, it was re-edited by Christensen twenty years after its release, thus taking advantage of the appearance of the sound; here, he appears in the intro, like Lars von Trier in The Kingdom , to explain what the film is about.

Technicolor elevated witch

Some stories describe her as living in a secluded hut deep in the forest, while others place her in a hidden cave or mystical realm. The powers of Witch Zango Rym are said to be vast and terrifying. She is often described as being able to transform into various animals, control the elements, and communicate with supernatural beings.

Witch Movies for October

I love a story about a traveling circus that happens to be evil incarnate. Based on a Ray Bradbury novel, this lesser known Halloween flick features Jonathan Pryce as a mysterious warlock ringleader and Jason Robards as an aging father. But Something Wicked This Way Comes (1983) is really all about the kids.

Angelica Huston about to slip into something more comfortable at the witch convention.

For me, Angelica Huston will always be either Morticia Addams or the Grand High Witch from Nicolas Roeg’s adaptation of Roald Dahl’s The Witches (1990). Watch this one again before you see the remake. Some great and creepy Jim Henson creature effects! Also Mr. Bean.

Kiki flies high above her new seaside home.

Hayao Miyazaki makes films that are sublime and fresh and wholly original. Kiki’s Delivery Service (1989) is a charmingly beautiful story about a 13 year old witch in training. Eschewing a few typical witchy tropes, there’s nothing spooky or wicked in this movie.

The fun these ladies are clearly having onscreen is contagious.

Fine. Hocus Pocus (1993) is a glorified Disney Channel movie, but Bette Midler, Kathy Najimy, and Sarah Jessica Parker are a lot of fun as the three witches.

A unique animation style brings this folktale to life.

One more, just because we need more animation. Michel Ocelot’s Kirkou and the Sorceress (1998) is a unique West African adventure about a tiny boy battling a powerful witch.

Witches From Europe

Never underestimate silent films.

The mother of all witch movies has got to be Swedish-Danish silent pseudo-documentary horror flick, Haxan (1922). A bit of history, some gnarly re-enactments, and wild visions of hell. Lick the devil’s butthole and boil up some babies. This is a movie to put on in the background at your Halloween party or turn the lights out and watch attentively.

Joan is shorn in preparation for her execution.

You may think this is a stretch, but she was tried as a heretic and a witch so Carl Theordor Dreyer’s The Passion of Joan of Arc (1928) counts. And it is a mesmerizingly beautiful and tragic film, compassionately depicting the torturous trial and spiritual torment of Joan of Arc (played compellingly by Maria Falconetti). Dreyer would again extend some sympathies to persecuted witches in The Day of Wrath (1943).

Never cross a witch.

A Russian religious scholar tangles with a witch on a fateful cold night and is demanded to hold vigil over her dead body for three nights in Viy (1967), based on a story by Nikolai Gogol. Each night her evil powers grow stronger and she conjures more horrors to plague the scholar. Flying coffins and gargoyles galore!

A villager awaits the devil at a wooded crossroads.

The beautifully shot Estonian folk horror November (2017), directed by Rainer Sarnet, is a sumptuously realized tale with tragedy, humor, and lore to spare. A witch is caught in an unrequited love triangle with a farm boy and a foreign noblewoman.

Miscellaneous

Margaret Hamilton absolutely stealing the show.

Perhaps the most iconic and legendary witch of all time can be found in the Technicolor musical based on the L. Frank Baum novel, The Wizard of Oz (1939). Magic and whimsy aside, the villain and her legion of flying monkeys were spectacularly menacing.

Mia Farrow beholds the unspeakable.

Mia Farrow stars as a woman who dreams she has been impregnated by the Devil in Roman Polanski’s Rosemary’s Baby (1968). As she spirals into paranoia and begins to question her own sanity, the coven of witches next door grows ever closer to their diabolical ends. Also features Ruth Gordon, John Cassavetes, and more.

I know there’s not much love for the oddball Michael Meyers-less Halloween III: Season of the Witch (1982), but I kind of love this movie. It’s got haunted masks, evil witchy schemes, and Tom Atkins. Slasher films are a bit boring to me so this was a welcome change of pace for the series.

Robert Eggers’ The Witch (2015) is an eerie slow-burn folk horror that does a pretty good job of recreating the feel of Puritanical life in the 17th century New World frontier. Rich themes of family strain, the forces of evil, and cosmic nihilism. Beautifully shot and deeply unsettling, if you have a taste for witch flicks, this one one should definitely make your list.

Double Feature Remake

Jessica Harper darts around Argento’s funhouse of horror.

Arguably Dario Argento’s Suspiria (1977) is the insane giallo Italian filmmaker’s finest work. It’s wild, weird, and colorful. This phantasmagoric tale of a strange European ballet school operates on pure dream logic and is punctuated by some ridiculous, Rube Goldbergian, splattery kills. And it’s all set to an unyielding, rhythmic musical score by Goblin. Style over substance never looked or sounded so great.

Tilda Swinton instructs Dakota Johnson on how to use her body.

I love the original, but Luca Guadagnino does remakes right with Suspiria (2018). This witchy yarn uses the architecture of the 1977 film to craft a horror that is tonally, stylistically, and thematically different (but in all the best ways). Witch politics and bizarre dance rituals abound. More mature and atmospheric than schlocky and psychedelic, this remake explores its characters and their world more deeply to paint a truly haunting portrait of power shifts and female relationships. Goblin’s bombastic, groovy synth pulse is replaced with melancholic Thom Yorke compositions.

1) Your job is to screw over your enemy's options. You mess with them. Force them to make choices they don't want to make. First you debuff their saves, and then you hit them with spells that force them onto defense or to waste their actions. If you want to have fun as a witch, don't concentrate on killing your enemies. Instead, concentrate on messing with them. Your allies will make short work of them after that.
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Her spells and curses are said to be nearly impossible to break, and those who fall victim to her powers are often left with tragic fates. Despite her malevolent nature, Witch Zango Rym is sometimes portrayed as a complex character with a tragic backstory. Some legends suggest that she was once a normal person who was wronged or betrayed, leading her to turn to dark magic for revenge or protection. This adds depth and complexity to her character, making her more than just a one-dimensional villain. In conclusion, Witch Zango Rym is a powerful and notorious witch or sorceress often featured in folklore and tales. While her character can vary in each story, she is typically portrayed as a dangerous figure with incredible magical abilities. Whether seen as a purely evil entity or a tragic figure driven by revenge, Witch Zango Rym remains an enduring and captivating character in folklore..

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goldem globes

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