The supernatural on screen: black magic in horror television

By admin

Black magic is a term often associated with supernatural or occult practices that harness dark forces to achieve various goals. This concept has been explored and depicted in various forms of media, including television. In the context of television studios, black magic refers to the use of supernatural entities or powers to manipulate or influence the outcome of a television production. Black magic in television studios is often portrayed in fictional shows or movies, where characters possess special abilities or knowledge to control the outcome of events. These abilities may range from mind control and telekinesis to summoning spirits or casting spells. The presence of black magic in a television studio can add an element of mystery, suspense, and intrigue to the storyline, captivating the audience and keeping them engaged.


12 Months Limited Manufacturer's Warranty.

This ensures you can accurately select your source and transition type before triggering the action, so you always know what is going to happen and there s much less chance of mistakes going to air. You can select stills from the media pool in the panel LCD menus and simply pressing the media button lets you access the media player and change which image in the media pool is sent to the media player as a video source.

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The presence of black magic in a television studio can add an element of mystery, suspense, and intrigue to the storyline, captivating the audience and keeping them engaged. The depiction of black magic in television studios is not limited to supernatural or fantasy genres. It can also be explored in the context of reality TV shows or documentaries, where the use of occult practices is depicted as a means to achieve fame, success, or influence.

ATEM Television Studio 4K8

ATEM Television Studio 4K8 is a powerful Ultra HD live production switcher with a built in broadcast control panel. Get a fully featured broadcast quality live production studio with 8 12G-SDI inputs, 10 12G-SDI aux outputs for external recorders, 4 port 10G Ethernet switch, built in streaming, master recorder, multiview, USB webcam support, 2 DVEs, SuperSource, 4 ATEM Advanced Chroma Keyers, 2 media players, talkback and more!

Price

Connections

SDI Video Inputs

SDI Video Outputs

SDI Rates

HDMI Video Outputs

Total Audio Inputs

2 x XLR balanced analog audio,

1 x BNC 32 Ch MADI digital audio,

2 x RCA stereo analog audio,

1 x 5 pin XLR Talkback.

Total Audio Outputs

4 x 1/4 inch Jack analog audio,

1 x BNC 64 Ch MADI digital audio, up to 50 active,

1 x 5 pin XLR Talkback.

SDI Audio Inputs

4 Ch embedded audio on all SDI inputs.

SDI Audio Outputs

16 assignable channels.

Timecode Connections

1 x BNC In, 1 x BNC Out.

Reference Input

1 x BNC In, 1 x BNC Out.

Tri-Sync or Black Burst.

Video Input Re-Sync

On all 8 inputs.

Frame Rate and Format Converters

On all 8 inputs.

SDI Aux Outputs

SDI Program Outputs

Webcam Output

2 x USB-C supporting 720p or 1080p at PGM frame rate.

Total Multi Views

Remote

RJ12 supports RS-422

Control Panel Connection

Ethernet. Direct connection between panel and chassis, or via network.

Internal Timecode Generator

Talkback

RJ45 for 3rd party talkback systems.

Tally Output

Added via ethernet connection to Blackmagic Design GPI and Tally Interface product. (Not included).

Ethernet

4 x RJ45 with internet network switch. Supports 10/100/1000/10G BASE-T.

Computer Interface

2 x USB-C supports USB 2.0 for external drive recording, webcam out, software control, software updates and switcher connection.

Standards

SD Video Standards

HD Video Input Standards

720p50, 720p59.94, 720p60
1080i50, 1080i59.94, 1080i60
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60

Ultra HD Video Input Standards

2160p23.98, 2160p24, 2160p25, 2160p29.97
2160p30, 2160p50, 2160p59.94, 2160p60

SDI Compliance

SMPTE 292M, SMPTE 296M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081-1, SMPTE 2081-10, SMPTE 2082-1 and SMPTE 2082-10.

Video Sampling

Color Precision

Color Space

REC 709, REC 2020

SDI Auto Switching

Automatically detects between 1.5G-SDI, level A or level B 3G-SDI, 6G-SDI and 12G-SDI.

Product Specifics

Number of Mix Effects Rows

Direct Cross Points

Shifted Cross Points

Crosspoint Button Type

Crosspoint Label

6 rows 24 character LCD

Preview Transition

Source Select Bus

Dedicated Macro Buttons

10 plus shift 10

Transition Type Buttons

Transition Rate

Set via system LCD menu display

Key Buttons

AUX Buttons

Fader Bar

Record Buttons

Stream Buttons

DSK Transition Selectors

Fade to Black Buttons

System LCD Displays

Numeric Keypad

3 Axis Joystick

Upstream Keyers

Downstream Keyers

Advanced Chroma Keyers

SuperSource

DVEs

Linear/Luma Keyers

Transition Keyer (Stinger/DVE)

1 Stinger, 1 DVE.

Total Number of Layers

Pattern Generators

Color Generators

Control Panel

Integrated panel with full control of switching and settings.

Routable Windows

Windows Source Labels

Tally

Red for program and green for preview indication.

Talkback Support

Mix Minus Support

Streaming

Direct Streaming

Supports direct live streaming using Real Time Messaging Protocol (RTMP) over ethernet or a shared internet connection over USB‑C.

Recording

Direct Recording Video and Audio

Direct recording to optional internal M.2 flash memory or to external media via USB-C expansion ports.

Video Recording

HD programs recorded as a H.264 .mp4 file at the streaming quality setting and at the ATEM video HD standard with AAC audio.

Ultra HD programs recorded as a H.265 HEVC file at the streaming quality setting and at the ATEM video Ultra HD standard with AAC audio.

Media Format

Supports media formatted ExFAT (Windows/Mac). APFS or HFS+ (Mac).

Multi View Monitoring

Multi View Monitoring

1 x multi view via SDI and HDMI configurable to 16, 13, 10, 7 or 4 up views. Includes monitoring of Program, Preview, Inputs, Media Players, DSKs, SuperSource, Clean Feed with optional labels and audio meters.

Multi View Video Standard

Display Minimum Resolution

Media Player

Media Players

Channels

Fill and key for each media player.

Media Pool Still Image Capacity

Media Pool Still Image Format

PNG, TGA, BMP, GIF, JPEG and TIFF.

Media Pool Clip Capacity

2 x up to 2160p60.

Media Player Clip Length in 720 HD

Media Player Clip Length in 1080 HD

Media Player Clip Length in 2160 HD

Media Pool Video File Format

Media Pool Audio File Format

WAV, MP3 and AIFF.

Processing

Processing Delay

Audio Mixer

58 Channel mixer.

Level and Peak metering.

Master gain control.

6 band parametric EQ, Dynamics including Expander, Gate, Compressor and Limiter.

Camera Control

When used with most Blackmagic Design cameras, ATEM can control focus, iris and zoom of compatible lenses and camera settings including gain, white balance, tint, shutter, ND filter, color corrector, tally and record start/stop.

Down Conversion

Software

Control Panel Included

ATEM Software Control Panel included free for Mac 12.0 Monterey, Mac 13.0 Ventura or later. and Windows 10 or 11.

Software Updates

Using USB or Ethernet connection directly connected to Mac OS or Windows computers. Includes ATEM Setup Utility.

Operating Systems

Mac 12.0 Monterey,
Mac 13.0 Ventura or later.

Windows 10 and 11.

Power Requirements

Power Supply

1 x Internal 100 - 240 AC 50/60Hz with IEC C14 socket.

1 x 4 pin XLR 12V DC In for external power supply or battery use.

Power Usage

Physical Specifications

Physical Installation

Physical Installation

Desktop or in-desk mount.

Environmental Specifications

Operating Temperature

0° to 40° C (32° to 104° F)

Storage Temperature

-20° to 60° C (-4° to 140° F)

Relative Humidity

0% to 90% non-condensing

What's Included

ATEM Television Studio 4K8

Welcome wallet with QR code for software download

Warranty

12 Months Limited Manufacturer's Warranty.

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In these cases, the portrayal of black magic can be seen as a criticism or commentary on the power dynamics and deceptions often prevalent in the entertainment industry. However, it is essential to note that black magic is a fictional concept and does not have any basis in reality. The portrayal of black magic in television studios is purely for entertainment purposes and should not be confused with actual occult practices or beliefs. The use of black magic in television studios is a creative device used by writers and directors to enhance storytelling and create an engaging narrative. In conclusion, black magic in television studios refers to the use of supernatural or occult practices to manipulate or influence the outcome of television productions. This concept is often explored in fictional shows or movies, but can also be depicted in reality TV shows or documentaries. It is important to understand that black magic in television studios is purely a work of fiction and should not be mistaken for real occult practices..

Reviews for "From voodoo spells to mystical incantations: black magic on TV crime dramas"

1. Name: Sarah
Rating: 2 stars
Review: I was really disappointed with "Black Magic Atem Television Studio". The interface was confusing and not user-friendly at all. It took me a while to figure out how to connect my external devices and even longer to navigate through the different settings. The video quality was also subpar, with noticeable pixelation and poor color accuracy. Overall, I found it to be a frustrating and underwhelming experience.
2. Name: John
Rating: 1 star
Review: I regret purchasing the "Black Magic Atem Television Studio". The build quality was extremely poor, with parts feeling cheap and flimsy. The software provided was also buggy and unreliable, often crashing during live broadcasts. The lack of customer support made it even worse, as I was left to troubleshoot the issues on my own. I would not recommend this product to anyone looking for a dependable and high-quality broadcasting solution.
3. Name: Emily
Rating: 2 stars
Review: I had high expectations for "Black Magic Atem Television Studio", but unfortunately, it fell short. The switching functionality was not smooth, resulting in awkward transitions during live broadcasts. The audio quality was also problematic, with frequent static and distortion. Additionally, the lack of advanced features made it feel limited and outdated compared to other broadcasting equipment available on the market. I would advise exploring other options before investing in this device.

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