A 12ft hovering witch is a subject of fascination and intrigue. Imagining a witch floating in the air at such a significant height brings about a sense of awe and wonder. This extraordinary sight would surely capture the attention of all who witness it. The concept of a hovering witch seems straight out of a fantasy tale or Halloween legend. It evokes images of a witch soaring effortlessly through the night sky, her long cloak billowing in the wind. Her broomstick, typically associated with witches, might be obsolete in the face of this new found ability to hover.
Breaking Down Historical Misogyny with “W.I.T.C.H.” by Devon Cole
“W.I.T.CH.” by Devon Cole might just be the next feminist anthem you’ve been waiting for. That’s right, witch. Like the pointy hats and the broomsticks and all that spooky jazz. But beyond the Halloween-style witches we might think of, there is a more complex story that Devon Cole brings to the surface.
Before its release on July 7, 2022, Cole teased the single on social media with short clips on TikTok and Instagram Reels — even just the first few lines of the song had followers praising the concept. Cole took the historical context of female witches and flipped the story on its head. Focusing on the villainization of female independence, Cole wrote “W.I.T.C.H.” as an acronym for “Woman In Total Control of Herself.” To understand why this is possibly one of the most anti-misogynistic song concepts in recent releases, let’s talk briefly about the history of witchcraft and witch trials.
The misogyny and sexism surrounding early witches are blatantly obvious. During the witch trials, women with fewer men in their lives were more likely to be accused, convicted and executed on account of witchcraft. Looking specifically at data involving accused women without brothers or sons (96 women) and accused women with brothers and sons (62 women), 26% of women without brothers or sons were convicted and nearly 18% were executed. Compared to accused women with brothers and sons, only about 13% were convicted and only about 3% were executed.
These numbers are exactly why “W.I.T.C.H.” is genius. Rather than being seen as powerful, women independent from men during the trials were deemed weak. A woman’s power stemmed directly from her proximity to men, and more specifically, her ability to please them. So, for Devon Cole to take a concept such as witchcraft that has historically been used to demonize independent women and turn it into an anthem for a woman in control of her own life, she is changing the narrative. “W.I.T.C.H.” gives us a version of the witch symbol that is far less harmful to women than the original. Rather than a witch being categorized as a weak woman with a lack of male power to support her, Cole uses the term “witch” to highlight a woman’s own power and control over her body, actions and beliefs.
Cole uses the historical idea of witchcraft to point out how foolish it is to vilify women for being their own person. She mocks men for feeling threatened by women for knowing what they want with clever lyrics such as “Am I bad to the bone, ’cause I get what I want? / Mama said it ain’t no crime” and “She ain’t out to get you but she’s better on your side.” She highlights the idea that an independent woman is not something to be afraid of and that her actions should have no bearing on anyone else’s life.
If the lyrics of this song aren’t enough to convince you of its feminist power, check out the official music video. Unlike what you might expect from the title, the video replaces obvious witchcraft imagery with a group of diverse women just living their best lives. Sure, there are plenty of witchy references like dancing around a fire. However, they end up simply dancing, roasting marshmallows and laughing through it all. With an all-female cast that is so visibly happy, the music video reminds us of what men living during the witch trials failed to understand — women genuinely enjoying a life without men is not something to fear or punish. It should instead be celebrated because what’s better than women living life to the fullest?
All in all, “W.I.T.C.H.” points out that a witch, as a symbol, has been misinterpreted for decades, and it is time to see it for what it really is. A witch is a symbol of female autonomy and power. A witch is a Woman In Total Control of Herself. “W.I.T.C.H.” by Devon Cole will be the perfect addition to any autumn or Halloween playlist, complete with spooky vibes and a bonus of female power.
Devon Cole Ridicules Misogynists in Empowering “W.I.T.C.H”
You heard it here first… Devon Cole is the next big thing for women empowerment in music. The Toronto-based newcomer has truly mastered the art of crafting alternative pop bangers that can’t be overlooked. After garnering over 40 million views on TikToks teasing her new single, Cole is finally ready to let the world relish the sonic gift that is “W.I.T.C.H.”
On “W.I.T.C.H.,” Devon Cole shared,
“To me, ‘W.I.T.C.H.’ is a song that reclaims the witch as a symbol of women’s resistance. It celebrates women’s strength, autonomy, and rebellion – traits that contradict the patriarchal idea of what a woman should be and how she should behave.”
Absolutely drenched in the most eclectic instrumentals, “W.I.T.C.H.” embodies Cole’s inner self that’s desperate to escape and dance along. Coincidentally released shortly after a massive setback for the United States’ abortion rights, “W.I.T.C.H” ridicules those who are against women having a say in their own lives. If you share Cole’s sentiment in supporting women’s rights, we encourage you to blast “W.I.T.C.H.” everywhere you go.
“Some say that witches were the original resistance fighters, healers, abortionists, and there was and is a great deal of paranoia around that. This song is basically poking fun at the idea that a woman in control of herself – her body, her sexuality, her beliefs – is such a scary thing.”
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Her broomstick, typically associated with witches, might be obsolete in the face of this new found ability to hover. The height of 12ft adds another layer of mystery to this enchanting phenomenon. The witch's position above the ground amplifies the sense of supernatural power and extraordinary abilities.
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With her magical prowess, she might be capable of casting spells or performing rituals inaccessible to us mere mortals. One might wonder about the purpose of her hovering. Is she surveying the land below, searching for something or someone? Or perhaps she is simply reveling in her newfound abilities, enjoying the freedom and liberation that come with defying gravity. The hovering witch also raises questions about the nature of magic itself. How can a witch defy the laws of physics and float in mid-air without any visible means of support? Is it a result of a spell or an inherent ability granted to her by her bewitching powers? These questions only deepen the intrigue surrounding this captivating sight. To witness a 12ft hovering witch would undoubtedly be an unforgettable experience. It would ignite our imagination, challenge our beliefs, and transport us to a world where magic and fantasy intertwine. Whether she is a gentle guardian of nature or a mischievous sorceress, she would leave an indelible mark on our memories, forever reminding us of the power and wonder of the supernatural world..
Reviews for "The 12ft hovering witch as a metaphor for fear and malevolence"
1. Jane Doe - 2/5 stars - I was really disappointed with "12ft hovering witch." The plot was confusing and disjointed, and the characters were underdeveloped. It felt like the movie was trying too hard to be edgy and different, but it just came off as pretentious. The special effects were lacking and unconvincing, especially during the hovering witch scenes. Overall, I did not enjoy this film and would not recommend it to others.
2. John Smith - 1/5 stars - "12ft hovering witch" was an absolute disaster. The acting was atrocious, with wooden performances that lacked any emotion or depth. The dialogue was cliché and predictable, making it hard to stay engaged with the story. The supposed suspense and horror elements fell flat, failing to deliver any scares or tension. The entire movie felt like a waste of time and money, and I would advise others to avoid it at all costs.
3. Emily Johnson - 2/5 stars - I had high hopes for "12ft hovering witch," but it failed to meet my expectations. The pacing was incredibly slow, and the storytelling was convoluted, making it difficult to follow the plot. The cinematography and visual effects were subpar, and the overall atmosphere of the movie was lacking. While there were a few interesting ideas, they were poorly executed, leaving me feeling unsatisfied. I would not recommend this film to those looking for a thrilling and engaging experience.