Salem, Massachusetts is infamous for its witch trials in the late 17th century. During this time, many innocent people were accused of witchcraft and faced intense scrutiny and punishment. Today, Salem embraces its dark past and has become a popular tourist destination for those interested in witchcraft and the occult. One popular attraction in Salem is the witchy portraits that can be found throughout the city. These portraits depict women who were accused of being witches during the trials. **These portraits serve as a haunting reminder of the hysteria and injustice that occurred during that time.
Judge Samuel Sewall was a prominent figure in the colony and presided over many of the trials. Though initially a believer, he would later see the err of his ways and apologize for his involvement. Sewall would go on to serve as a judge for many years. Like many people involved in the trials, he had to go on with his life and try to reckon with the role he played in persecuting innocent people. Today Sewall is also remembered for his essay from 1700 denouncing slavery, The Selling of Joseph.
They re now home to the world s largest collection of materials related to the trials, which are showcased in a new exhibition, The Salem Witch Trials 1692. The Jonathan Corwin House - aka The Witch House - was the home of Judge Jonathan Corwin 1640-1718 and is the only standing structure remaining in Salem directly linked to the Salem Witch Trials of 1692.
**These portraits serve as a haunting reminder of the hysteria and injustice that occurred during that time.** Tourists can visit various museums and galleries in Salem to see these portraits up close and learn more about the individuals they represent. The witchy portraits often show the accused women in traditional Puritan clothing, with stern expressions and broomsticks at their side.
The Salem Witch Trials' Art and Artifacts
Tompkins Harrison Matteson, Trial of George Jacobs, Sr. for Witchcraft, 1855. Oil on canvas.
The Peabody Essex Museum (PEM) takes a more personal look at the Salem Witch Trials this fall. Located in Salem and continuously operating since 1799, PEM is in the unique position to understand the history of the trials and their ongoing legacy. They’re now home to the world’s largest collection of materials related to the trials, which are showcased in a new exhibition, The Salem Witch Trials 1692.
© 2020 Peabody Essex Museum, Photograph by Kathy TarantolaSamuel Parris and John Hathorne, Examination of Martha Cory, March 21, 1692.
From June 1692 to March 1693, hysteria swept through the Massachusetts Bay Colony, leading to the execution of twenty-five men, women, and children. One of the most fascinating and frightening episodes in American history, the Salem Witch Trials have inspired innumerable books, movies, and televisions shows, and continue to live large in our imaginations. At PEM, courtroom paintings by Tompkins Harrison Matteson capture the drama of this period and the sensationalized way we tend to view those tragic events today.
But through smaller articles and artifacts, this exhibition shows the humanity both of those who lost their lives and those who miscarried justice. The handwritten account of the examination of Martha Cory is one such document, showing us through her own words, and the hand-written account of others, the minute details that culminated in this tragic episode.
Judge Samuel Sewall was a prominent figure in the colony and presided over many of the trials. Though initially a believer, he would later see the err of his ways and apologize for his involvement. Sewall would go on to serve as a judge for many years. Like many people involved in the trials, he had to go on with his life and try to reckon with the role he played in persecuting innocent people. Today Sewall is also remembered for his essay from 1700 denouncing slavery, The Selling of Joseph.
Courtesy of Peabody Essex Museum, Photo by John KozaJohn Smibert, Portrait of Judge Samuel Sewall, 1733. Oil on canvas.
Many of these portraits were created long after the actual trials took place, but they still capture the fear and uncertainty that surrounded the accusations. **They offer a visual representation of the lives destroyed by the witch trials and act as a form of remembrance for those who suffered.** Visitors to Salem can also find modern interpretations of witchy portraits, created by local artists who are inspired by the town's dark history. These contemporary portraits often feature women with flowing hair, black clothing, and mystical symbols. **They reflect the ongoing fascination and fascination with witches and the occult in popular culture.** Overall, the witchy portraits in Salem hold a significant historical and cultural significance. They remind us of a dark chapter in American history and the danger of hysteria and prejudice. **These portraits serve as a powerful reminder to learn from the past and fight against injustice in our society.** Whether you believe in witches or not, these portraits provoke thought and reflection on the actions of our ancestors and the importance of tolerance and understanding..
Reviews for "The Witches' Gaze: Witchy Portraits from Salem's Witch Trials"
1. Emily - 2/5 rating - Unfortunately, I was left disappointed by "Witchy Portraits in Salem." While the concept seemed intriguing, the execution fell flat. The book lacked depth, and the characters felt one-dimensional. Additionally, the pacing was off, with the story dragging in some places and rushing through others. Overall, I found it difficult to connect with the plot or any of the characters, making it a forgettable read for me.
2. Sarah - 1/5 rating - I had high hopes for "Witchy Portraits in Salem," but it turned out to be a major letdown. The writing style was bland and lacked creativity, making it hard to engage with the story. Furthermore, the plot felt disjointed and poorly developed, leaving me confused about the direction of the narrative. The characters were underdeveloped and lacked depth, feeling more like caricatures than real individuals. I would not recommend this book to anyone seeking a captivating paranormal read.
3. Michael - 2/5 rating - "Witchy Portraits in Salem" was a book that failed to captivate me. The story felt predictable and lacked originality, making it difficult to stay invested. The author's attempt to intertwine historical elements with witchcraft fell flat, as it felt forced and unrealistic. Additionally, the pacing was inconsistent, with long stretches of boredom followed by rushed and unclear sections. Overall, I found the book to be uninteresting and would not recommend it to fans of paranormal fiction.
4. Jessica - 3/5 rating - While "Witchy Portraits in Salem" had an interesting premise, it fell short of my expectations. The writing style was mediocre, lacking the descriptive elements needed to bring the setting and characters to life. The plot had potential, but it failed to deliver on the promised excitement and mystery. The pacing was slow at times, making it difficult to stay engaged. Overall, I was left feeling underwhelmed by this book and would not consider it a standout paranormal read.