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Spies are mostly just toys for late game. Usually other knights are better but you can do neat stuff with them like consuming entire kingdom at once. Late game 1 spy for that + witch hunt to protect you from enemies spies is OK.
Certainly not ourselves for we seek to overpower when we feel threatened, which sounds like a futile manoeuvre; we cannot undo a wound by pretending it does not exist. If i m trying to push a big kingdom out of the great power list, it s a lot easier to just send a spy there to cause trouble instead of having to go across half the map and slowly conquer his stuff.
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Are witches the ultimate feminists?
M en have always feared powerful women, Kristin J Sollee argues in her new book, Witches, Sluts, Feminists: Conjuring the Sex Positive, and the witch is the ultimate personification of that terror. “Witches, sluts, and feminists are the trifecta of terror for the patriarchy,” Sollee explains. “To me, the primal impulse behind each of these contested identities is self-sovereignty … witches, sluts, and feminists embody the potential for self-directed feminine power, and sexual and intellectual freedom.”
Sollee’s book positions itself as a whirlwind history of the witch in America and her shared history with sexually liberated women and radical liberationary politics. It’s a bite-sized grimoire than spans centuries, name-checking mythological menaces like Hecate, the Greek goddess of witchcraft, alongside historical heroines such as Joan of Arc and modern-day figures such as Malala Yousafzai. There’s also plenty of space for midwives, satanists, sex workers and the wise brujas holding court at local botánicas. Sollee guides the reader through centuries of mania, magic and malice. She also unreservedly dives into the thornier political issues of intersectionality, sex workers’ rights and the unique oppression faced by witches of color.
In the chapter Hex Sells: Feminist, Capitalism, and the Witch, Sollee sojourns to a vast Urban Outfitters in southern California, counting up black lace shawls and artisan smudge sticks while navigating the complexities of appropriation and its functionality as a gateway for would-be witches. “There will always be capitalist appropriation of identities and movements that were once relegated to the fringes. I believe the first line of defense is raising awareness about where these symbols originated from, and why they ring hollow when co-opted for corporate gain,” Sollee says.
The Wicked Witch of the West and Hillary Clinton. Composite: Rex Features
Hillary Clinton – the Wicked Witch of the Left – is given her own chapter. During the contentious 2016 presidential campaign, the Democratic candidate was dubbed “a witch with a B” by the conservative talkshow host Rush Limbaugh, taunted by Trump supporters who vilified her “vagenda of manocide”, and maligned by Bernie Sanders supporters who cried out to “Bern the Witch!” Clinton’s flaws as a candidate have been discussed to death, but the vehement hatred which she was shown was undeniably owed in part to her gender and to her perceived audacity in grasping for power.
The rampant misogyny, white supremacy and bigotry of her opponent’s campaign and current administration have won Trump few friends on the left – or on the left-hand path, as the Women’s March (where some black robe-clad protesters carried “Witches for Black Lives” and “Hex the Patriarchy” signs) and the phenomenon of mass hexings that followed his inauguration showed. Groups of witches across the country gathered to cast spells of resistance against Trump, re-upping their efforts on 20 June, the summer solstice. While many of these gatherings were largely symbolic, their intent was deadly serious. In an interview with Broadly, Lucien Graves, the founder of the Satanic Temple, characterized these spell-casting sessions as a form of protest, referring to them as “symbolic expressions of ritualized discontent”.
Sollee sees this kind of magical community building as a positive outlet for collective catharsis. “Regardless of whether you believe in magic or the collective consciousness or any of that, these mass hexings create community through shared intention,” she explains.
Kristin J Sollee. Photograph: courtesy of Kristin Sollee
“Witches have always been politically radical, in my opinion, but it seems that even more American witches are these days because the internet allows for a new kind of organizing on a larger scale.
“It’s no coincidence that the reclamation of the witch as a symbol of female power and persecution started with the suffragettes, and later saw a renaissance in the women’s liberation movement of the 1960s,” she continues. “In this new age of sexist turmoil, it’s fitting she be resurrected once more to teach us, inspire us, and remind us how far we’ve come – and how much further we have to go.”
My journey with The Morrigan is a constant cycle of defining and redefining what personal Sovereignty means – it is the unpicking of arrogance and privilege, neither of which are nourishing to the soul or helpful to the path. Arrogance and privilege are instead the vehicles of oppression, weapons of weakness that are easy to hide behind when one feels wounded or attacked.
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Reviews for "The Art of Crafting Witch Soaq Opefa Talismans and Charms"
1. John - 1 star - I did not enjoy "Witch Soap Opera" at all. The storyline was convoluted and hard to follow, making it difficult to connect with the characters. The acting was also subpar, with most of the performances feeling forced and inauthentic. Additionally, the special effects were poorly executed, making the fantasy elements of the show seem cheesy rather than captivating. Overall, I found "Witch Soap Opera" to be a disappointing and lackluster experience.
2. Sarah - 2 stars - "Witch Soap Opera" left much to be desired. The plot was promising, but it quickly became messy and confusing, leaving me feeling disjointed throughout the entire show. The dialogue was lacking depth and substance, with most interactions feeling forced and unrealistic. The pacing was also off, with moments of intense action followed by prolonged periods of mundane conversations. While the concept had potential, the execution fell flat, resulting in a forgettable and underwhelming viewing experience.
3. Emily - 2.5 stars - I had high hopes for "Witch Soap Opera", but unfortunately, it fell short of my expectations. The characters lacked depth and development, making it difficult to care about their journey. The plot was unoriginal and predictable, offering little surprises or intrigue. Additionally, the production value felt cheap, with noticeable green screens and low-quality special effects. While the show had its moments, overall, I found it to be a mediocre effort in the realm of witch-themed soap operas.
4. Mark - 1.5 stars - "Witch Soap Opera" was a major disappointment for me. The acting was cringe-worthy, with wooden performances and overacting that made it difficult to take the show seriously. The dialogue was filled with clichés and lacked any real depth, leaving me uninterested in the characters' plights. The pacing was also inconsistent, with some episodes feeling rushed and others dragging on without purpose. Overall, "Witch Soap Opera" failed to captivate me and left me feeling frustrated with its lack of quality storytelling.