The Uoma Black Magic Eyeshadow Palette is a highly acclaimed and sought-after makeup product that offers a stunning range of colors and finishes. With its richly pigmented shades and versatile formula, this eyeshadow palette is perfect for creating bold and sophisticated looks. The palette consists of 10 shades, including intense mattes, dazzling shimmers, and metallics, allowing for endless possibilities in eye makeup. What makes the Uoma Black Magic Eyeshadow Palette truly unique is its focus on inclusivity, with shades specifically curated to complement all skin tones. This palette is perfect for anyone looking to add a touch of glamour and mystique to their makeup routine..
A band whose take on garage punk has a heavily psychedelic flavor, Frankie & the Witch Fingers play rock & roll rooted in '60s and '70s influences, but with an edgy energy and broad range of flavors to go along with the trippy but elemental melodies. Along with the usual fuzzy guitars and buzzy keyboards, Frankie & the Witch Fingers season their music with plenty of reverb and period-appropriate studio effects, and their dedication to the sounds of the past is impressive. But the group has songs to go along with their retro style, and the fierce passion of their performances gives their music a kick that adds a contemporary sheen to their attack. The band's garage rock leanings were at their peak on their debut album, 2013's Sidewalk, while their freak flag took center stage on 2016's Heavy Roller and 2017's Brain Telephone. The band's first several albums were sterling examples of home-brewed production, but 2019's ZAM revealed that a studio approach only added to the impact of their music. Frankie & the Witch Fingers were founded in Bloomington, Indiana. Guitarist Josh Menashe, bassist Alex Bulli, and drummer Glenn Brigman first crossed paths in 2009 when they were freshman at Indiana University, and in 2011, they joined a group called Prince Moondog, fronted by a guitarist and singer named Alex Barrett. Prince Moondog dissolved in 2013 when Barrett left Indiana for New York City, and after the breakup, Brigman began jamming with guitarist and singer Dylan Sizemore. (Sizemore had already been playing with Brigman and Menashe in another project, Triptides.) While Brigman and Sizemore briefly entertained the idea of forming a guitar-and-drums duo, they decided a full band would better suit their musical ideas, and Menashe and Bulli came on board. They named themselves Frankie & the Witch Fingers (Frankie being Sizemore's cat), and in September 2013, they released their first recordings, an 11-song cassette called Sidewalk that was recorded using Brigman's home-recording setup. In 2014, the band left Indiana behind and relocated to Los Angeles, and they struck up a relationship with Permanent Records, which issued their second album, Frankie & the Witch Fingers, in 2015. The band were prolific, releasing a single ("Merry Go Round" b/w "Manta" and "Mystical Rapture") and an album (Heavy Roller) in 2016, with another full-length, Brain Telephone, following in 2017, along with extensive live work in the United States and abroad. In 2018, Glenn Brigman left the band following a tour of Europe to devote more time to Triptides, and Shaughnessy Starr, who had previously played with the group Hooveriii, took over on drums. Entering Silverlake's Studio 666 with engineers Zachary James and Kevin Mills, Frankie & the Witch Fingers released their fifth album, Zam, through Greenway Records in March 2019. The group toured hard in support, and once they returned home, bassist Alex Bulli left the lineup. For the recording of their next album, Josh Menashe and Dylan Sizemore took turns on bass during their five days in the studio. The LP, Monsters Eating People Eating Monsters. appeared in October 2020, and Nikki Pickle (of Death Valley Girls) signed on as their full-time bassist. ~ Mark Deming
But the group has songs to go along with their retro style, and the fierce passion of their performances gives their music a kick that adds a contemporary sheen to their attack. Prince Moondog dissolved in 2013 when Barrett left Indiana for New York City, and after the breakup, Brigman began jamming with guitarist and singer Dylan Sizemore.
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Frankie and the Witch Fingers
A band whose take on garage punk has a heavily psychedelic flavor, Frankie & the Witch Fingers play rock & roll rooted in '60s and '70s influences, but with an edgy energy and broad range of flavors to go along with the trippy but elemental melodies. Along with the usual fuzzy guitars and buzzy keyboards, Frankie & the Witch Fingers season their music with plenty of reverb and period-appropriate studio effects, and their dedication to the sounds of the past is impressive. But the group has songs to go along with their retro style, and the fierce passion of their performances gives their music a kick that adds a contemporary sheen to their attack. The band's garage rock leanings were at their peak on their debut album, 2013's Sidewalk, while their freak flag took center stage on 2016's Heavy Roller and 2017's Brain Telephone. The band's first several albums were sterling examples of home-brewed production, but 2019's ZAM revealed that a studio approach only added to the impact of their music. Frankie & the Witch Fingers were founded in Bloomington, Indiana. Guitarist Josh Menashe, bassist Alex Bulli, and drummer Glenn Brigman first crossed paths in 2009 when they were freshman at Indiana University, and in 2011, they joined a group called Prince Moondog, fronted by a guitarist and singer named Alex Barrett. Prince Moondog dissolved in 2013 when Barrett left Indiana for New York City, and after the breakup, Brigman began jamming with guitarist and singer Dylan Sizemore. (Sizemore had already been playing with Brigman and Menashe in another project, Triptides.) While Brigman and Sizemore briefly entertained the idea of forming a guitar-and-drums duo, they decided a full band would better suit their musical ideas, and Menashe and Bulli came on board. They named themselves Frankie & the Witch Fingers (Frankie being Sizemore's cat), and in September 2013, they released their first recordings, an 11-song cassette called Sidewalk that was recorded using Brigman's home-recording setup. In 2014, the band left Indiana behind and relocated to Los Angeles, and they struck up a relationship with Permanent Records, which issued their second album, Frankie & the Witch Fingers, in 2015. The band were prolific, releasing a single ("Merry Go Round" b/w "Manta" and "Mystical Rapture") and an album (Heavy Roller) in 2016, with another full-length, Brain Telephone, following in 2017, along with extensive live work in the United States and abroad. In 2018, Glenn Brigman left the band following a tour of Europe to devote more time to Triptides, and Shaughnessy Starr, who had previously played with the group Hooveriii, took over on drums. Entering Silverlake's Studio 666 with engineers Zachary James and Kevin Mills, Frankie & the Witch Fingers released their fifth album, Zam, through Greenway Records in March 2019. The group toured hard in support, and once they returned home, bassist Alex Bulli left the lineup. For the recording of their next album, Josh Menashe and Dylan Sizemore took turns on bass during their five days in the studio. The LP, Monsters Eating People Eating Monsters. appeared in October 2020, and Nikki Pickle (of Death Valley Girls) signed on as their full-time bassist. ~ Mark Deming
HOMETOWN Bloomington, IN, United States FORMED June 2013
The penultimate, and fantastically titled Mild Davis, evidently an homage to Miles Davis’ early ‘70s improvisational, funk-psych-freakouts, does its job well. This track is all over the place, in a good way, just like Miles Davis’ albums like Bitches Brew and On The Corner, but of course, Sizemore and Menashe add their patented garage-psych riffage and shred to the proceedings, making it all their own.
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Reviews for "Achieve Intense and Vibrant Eyes with Uoma Beauty's Black Magic Palette"
1. Emily - 2/5 stars - I was really excited to try out the Uoma black magic eyeshadow palette, but sadly, it didn't live up to my expectations. The pigmentation was quite weak, and I had to keep layering the shades to get any intensity. Even then, the colors didn't blend seamlessly and ended up looking patchy on my eyelids. Additionally, I found the formula to be a bit chalky, which resulted in fallout throughout the day. Overall, I was disappointed with this palette and wouldn't recommend it.
2. Sarah - 1/5 stars - I have to say, the Uoma black magic eyeshadow palette was a complete letdown for me. The colors looked beautiful in the pan, but they didn't translate well onto my eyelids. The shades turned out to be much sheerer than I anticipated, and no matter how much I packed on, they never achieved the desired intensity. Moreover, the shimmer shades lacked the sparkle and dimension I was hoping for. The lasting power was also quite disappointing, as the shadows creased and faded within a couple of hours. Unfortunately, I won't be reaching for this palette again.
3. Ashley - 3/5 stars - While I had high hopes for the Uoma black magic eyeshadow palette, it fell short in a few aspects. The color selection is quite unique and intriguing, but the pigmentation left me wanting more. The matte shades required a lot of building up to show up on my medium skin tone, which was a bit frustrating. The metallic shades performed better, but they weren't as intense as I had hoped. However, I will say that the formula blended effortlessly and didn't cause any irritation. Overall, I think this palette could work better for someone with a lighter skin tone, but it didn't meet my expectations.