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The Chronicles of Narnia: The Lion, The Witch, and The Wardrobe is a classic children's fantasy novel written by C.S. Lewis. Published in 1950, it is the second book in the Chronicles of Narnia series, but it is also often read as a standalone novel. The story follows four siblings, Peter, Susan, Edmund, and Lucy, who stumble upon the magical land of Narnia through a wardrobe in an old country house. In Narnia, the siblings learn that it is under the rule of the White Witch, Jadis, who has cursed the land with eternal winter.

There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.
-- Johann Sebastian Bach

Frick produces such rich melodious tones here, especially in the lower register, without ever getting carried away with the sound of his own beautiful voice listen to In diesen Heiligen Hallen for example. I agree that the Klemperer is a good one with the greatest cast of all, including gorgeous Guldula--but if we are going to recommend it to Seán we need to make clear that it lacks the dialogue between arias.

In Narnia, the siblings learn that it is under the rule of the White Witch, Jadis, who has cursed the land with eternal winter. As they meet talking animals, mythical creatures, and an enigmatic lion named Aslan, they become embroiled in an epic battle between good and evil. The children are eventually dubbed the Kings and Queens of Narnia and must fulfill a prophecy to defeat the Witch and restore peace to the land.

Met Opera Live in HD - Potsdam

From classic to contemporary, the 16th season of The Met: Live in HD will bring exciting productions from the Metropolitan Opera back to the movie screen in Potsdam again this year.

The 2021-22 Met Live in HD season will feature 11 transmissions, offering a significant portion of the Met season to opera lovers around the world. Local screenings are sponsored through a partnership between SUNY Potsdam’s Crane School of Music and J.S. Cinemas.

“As the Potsdam host for the Met Opera broadcasts, I am so grateful to again be organizing The Met: Live in HD, as the new season opens across the country and around the world. After a really challenging 18 months in the arts and in our community, to have live music and theatre again is uplifting. I offer huge thanks to the Roxy Theater for voluntarily upgrading their ventilation system and agreeing to more stringent masking protocol for the Met performances. Our audience members are of all ages, and we want everyone to feel comfortable to attend our movie house, still a local beacon of family entertainment,” said Dr. Deborah Massell, a Crane professor of voice.

The Met: Live in HD brings the magic of the Metropolitan Opera to movie theaters across the globe. Opera stars serve as hosts for the high definition series, with behind-the-scenes features and live interviews with cast, crew and production teams. Robotic cameras, strategically placed around and behind the stage, capture the beauty and power of live performance from striking angles, and heighten attention to both performance and production. Intermission features and English subtitles will once again bring the stories to life.

“This season’s offerings are incredibly exciting, and I’m especially eager to hear the opera ‘Fire Shut Up in My Bones,’ the first opera in the Met’s history written by an African American composer,” Massell said. “Please come and safely enjoy the best singing and orchestral playing in the world, live from Lincoln Center via satellite, right in our little town.”

All productions will be shown live worldwide on Saturdays. There will also be encore presentations offered locally on Sundays.

The 2021-22 Met Live season schedule is as follows:

• Modest Mussorgsky’s “Boris Godunov”: Live on Oct. 9 at 12:55 p.m., with an encore screening on Oct. 17 at 6:30 p.m.
• Terence Blanchard’s “Fire Shut Up in my Bones”: Live on Oct. 23 at 12:55 p.m., with two encore screenings at 6:30 p.m. on both Nov. 7 and Nov. 21. (Content Advisory: ‘Fire Shut Up in My Bones’ addresses adult themes and contains some adult language.)
• Matthew Aucoin’s “Eurydice”: Live on Dec. 4 at 12:55 p.m., with an encore screening on Dec. 12 at 6:30 p.m.
• Wolfgang Amadeus Mozart’s “The Magic Flute”: Live on Dec. 11 at 12:55 p.m., with an encore screening at 6:30 p.m. on Jan. 23, 2022
• Jules Massenet’s “Cinderella”: Live on New Year’s Day, Jan. 1, 2022, at 12:55 p.m., with an encore screening on Jan. 30 at 6:30 p.m.
• Giuseppe Verdi’s “Rigoletto”: Live on Jan. 29 at 12:55 p.m., with an encore screening on Feb. 6 at 6:30 p.m.
• Richard Strauss’s “Ariadne auf Naxos”: Live on March 12 at 12:55 p.m., with an encore screening on March 20 at 6:30 p.m.
• Giuseppe Verdi’s “Don Carlos”: Live on March 26 at noon, with an encore screening on April 3 at 6 p.m.
• Giacomo Puccini’s “Turandot”: Live on May 7 at 12:55 p.m., with an encore screening on May 8 at 6:30 p.m.
• Gaetano Donizetti’s “Lucia di Lammermoor”: Live on May 21 at 12:30 p.m., with an encore screening to be announced in Fall 2022
• Brett Dean’s “Hamlet”: Live on June 4 at 12:55 p.m., with an encore screening to be announced in Fall 2022

Ticket prices are the lowest available in the nation. Met Live tickets are $18 for adults, $15 for senior citizens, $12 for students and $9 for youth aged 18 and under. Discounts are available for groups by contacting the box office.

Tickets are available online at cpspotsdam.org/purchase. You can also purchase tickets in person at the Roxy Theater, at the Community Performance Series Box Office in the lobby of SUNY Potsdam’s Performing Arts Center, or at Brick & Mortar Music in downtown Potsdam. You can also reserve tickets over the phone by calling the CPS Box Office at (315) 267-2277, Monday to Friday, from 12:30 to 4:30 p.m.

North Country Public Radio is the media sponsor for The Met: Live in HD.

For more information on the 2021-22 season of The Met: Live in HD, visit the Metropolitan Opera website, at www.metopera.org/hdlive

Copyright 2021 WWNY. All rights reserved.

The wardrobe, through which the children enter Narnia, serves as a metaphorical portal between the mundane world of reality and the magical realm of Narnia. It represents the power of imagination and the possibility of hidden wonders in the ordinary. The concept of a wardrobe as a gateway to another world has captivated readers for generations and is emblematic of the allure of escapism found in fantasy literature. One of the prominent themes explored in The Lion, The Witch, and The Wardrobe is the clash between good and evil. The White Witch embodies tyranny, cruelty, and deception, while Aslan represents sacrificial love, redemption, and spiritual guidance. Through various trials and challenges, the children must confront their own flaws and learn to make the right choices in order to overcome evil. The novel also touches upon Christian allegory, with Aslan symbolizing Jesus Christ and his sacrifice on the Stone Table mirroring the crucifixion. Lewis, a devout Christian, weaves religious undertones throughout the story, making it a testament to his faith. Bones of the Witch in the Wardrobe is a humorous parody of the original book title, showcasing the enduring popularity and cultural impact of The Lion, The Witch, and The Wardrobe. This playful alteration underscores the imaginative and whimsical nature of the story, which has captivated readers of all ages for decades..

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