Rotten Tomatoes Noroi the curse review Noroi: The Curse is a Japanese horror film that has received critical acclaim from many sources, including the popular review aggregator Rotten Tomatoes. The film, directed by Kôji Shiraishi, is presented as a documentary-style found footage movie. It follows the story of a paranormal investigator who becomes entangled in a series of supernatural occurrences while investigating a mysterious curse. The film was released in 2005 and quickly gained a cult following due to its unique blend of found footage and traditional storytelling. It received positive reviews from both audiences and critics, with many praising its eerie atmosphere and chilling storyline. Rotten Tomatoes, a website known for aggregating professional reviews from critics, gave Noroi: The Curse a very high rating of 100% based on 14 reviews.
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Just as choosing to perform at the beach during the day is entirely different to at night, there s very VERY big differences with the phases of the moon. Sirens appear in Homer s Odyssey book 12 , Apollonius of Rhodes s The Argonautica, Dante s The Divine Comedy, where they are symbols of sensual pleasure, William Morris s The Life and Death of Jason, and E.
Rotten Tomatoes, a website known for aggregating professional reviews from critics, gave Noroi: The Curse a very high rating of 100% based on 14 reviews. The success of Noroi: The Curse can be attributed to several factors. Firstly, its documentary-style format creates a sense of realism that draws viewers into the story.
Siren witchcraft tales
The image of the siren is synonymous with Greek Mythology and of course, the epic of the Odyssey. The siren is a strong figure, a temptress of the sea who encourages even the most moralistic of men to cast aside their virtues and partake in a less than holy ritual. They are the Hellenic figure of temptation; a reminder of sin.
First you will come to the Sirens who enchant all who come near them. If any one unwarily draws in too close and hears the singing of the Sirens, his wife and children will never welcome him home again, for they sit in a green field and warble him to death with the sweetness of their song. There is a great heap of dead men's bones lying all around, with the flesh still rotting off them (Homer).
While also a symbol of temptation to some degree, the mermaid has become a figure of a weakened femininity that is solely reliant on the world of men.
Her skin was as soft and tender as a rose petal, and her eyes were as blue as the deep sea, but like all the others she had no feet. Her body ended in a fish tail (Hans Christian Anderson).
There is a clear change is imagery between Homer’s Sirens and Hans Christian Anderson’s mermaid. Though Anderson draws upon the mythology already created by the Greeks, he does not use the strong female image like Homer. Instead he portrays a beautiful girl unable to stand on two feet. She is granted her feet later in the story by magic, she does not earn it nor does she take it. Homer’s sirens on the other hand are able to make their own choices, even if they are seen as sinful.
Skip forward to the twenty-first century and we see another change in the mythos of the siren. We have begun to see the emergence of strong female characters unmarred by their sinful label of the past. Women are no longer the temptresses of old, nor are they solely reliant on men. Women are becoming products of their own making, destroying the tattered paths of old and building new identities. But this does not mean that all female characters in literature are written as strong, independent women. No, for the most part they mimic the reality of society; women can be strong, but they can also be weak, just as their male counterparts can be.
Kate Forsyth’s Dancing on Knives is an example of sirens in twenty-first century literature. The novel creates a discourse on the role of women in society. Women are complicated; they cannot be pigeonholed into one category. Dancing on Knives explores the idea of women as sexual objects, the property of men. But it also aims to break free of this ideology. Like Anderson’s mermaid, the main female protagonist in Dancing on Knives feels trapped, but unlike the mermaid her predicament is self-inflicted. She put herself in that situation and she is the only one who can get herself out of it. There is a sense that women have finally been accepted as being able to make their own choices. However, Dancing with Knives still questions how much control women have over themselves, particularly in terms of sexual identity.
Forsyth’s work also brings up the more modern image of the male siren. This figure is just as much a temptress as the feminine siren, but it is not plagued with social contempt in the same way the female character is. The male siren is often congratulated on their conquests, rather than condemned for their loose morals. The male siren, though flawed in his own way, is often a figure of strength and masculinity. He is a message to men that leading a woman away from her virtues is an admirable plight and something to aspire to.
The siren has been reconstructed many times throughout history, from the Greek temptress, to the reliant on men mermaid, to the complex modern female. Though the character of the siren is becoming more inclusive and questioning of social norms, the figure is still one cast beneath its male companion. The siren is yet to break free from its social and gender shackles.
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The use of handheld cameras and non-professional actors adds to the film's authenticity and makes the supernatural events feel even more unsettling. Secondly, the film's slow-burn approach to horror allows tension to build gradually, creating a sense of dread that lingers long after the credits have rolled. The storyline of Noroi: The Curse is complex and intertwines multiple narratives, making it a engrossing watch. The viewer is drawn deeper into the mystery as they follow the main character's investigation and unravel the layers of the curse. The film is filled with eerie imagery and unsettling moments that leave a lasting impression. Overall, Noroi: The Curse is an outstanding example of Japanese horror cinema and has rightfully earned its positive reviews. Its creative storytelling, realistic presentation, and chilling atmosphere make it a must-watch for any horror fan. The film's success on Rotten Tomatoes highlights its critical acclaim and is a testament to its quality. If you're in the mood for a genuinely terrifying and atmospheric horror film, Noroi: The Curse is definitely worth checking out..
Reviews for "Rotten Tomatoes reviews Noroi the curse: find out why it's become a cult favorite."
1. John Doe - 2 stars - I found "Rotten Tomatoes: Noroi The Curse" to be incredibly underwhelming. The supposed "curse" in this film lacked any real sense of terror or suspense. The scares were cheap and predictable, and the storyline felt disjointed and confusing. I was expecting a gripping horror film based on the positive reviews, but instead, I was left bored and disappointed. The found footage style also did not add anything to the overall experience. Overall, I cannot understand the hype around this film and would not recommend it to fellow horror enthusiasts.
2. Sarah Smith - 1 star - I don't understand why "Rotten Tomatoes: Noroi The Curse" has received such positive reviews. The plot was convoluted and made very little sense. It felt like the filmmakers were trying to cram in as many scary elements as possible without focusing on a coherent storyline. The scares were cliché and lacked any genuine fear factor. Additionally, the characters were forgettable and lacked depth, making it difficult to become invested in their fates. I was left feeling confused and frustrated by the end of the film. If you're looking for a truly terrifying horror experience, I would suggest looking elsewhere.
3. David Thompson - 2 stars - "Rotten Tomatoes: Noroi The Curse" failed to live up to the hype, in my opinion. The pacing was incredibly slow, and I found myself struggling to maintain interest throughout the film. While some scenes were mildly creepy, they were overshadowed by long stretches of boredom. The found footage aspect, which is often used effectively in horror films, felt forced and unnecessary in this case. The lack of character development also made it difficult to care about the outcome. Overall, I was left unimpressed and would not recommend this film to others who seek a truly chilling horror experience.
4. Emily Johnson - 2.5 stars - "Rotten Tomatoes: Noroi The Curse" had its moments, but overall, I found it to be underwhelming. The documentary-style approach was an interesting concept, but it often felt disjointed and repetitive. While there were a few genuinely creepy scenes, they were few and far between, and the slow pacing made it difficult to stay engaged. The lack of a satisfying resolution only added to the disappointment. I expected more from a film that received such positive reviews. It had its potential, but it failed to deliver the scares and suspense that I was hoping for.