Pouszda magic city is a fictional city that exists in the realm of fantasy literature. It is often depicted as a mystical and enchanting place, filled with wonder and marvels. The city is home to a diverse array of magical beings and creatures, from wizards and witches to fantastical creatures such as dragons and unicorns. Pouszda magic city is often described as a place where magic is celebrated and embraced. The city is adorned with stunning architecture and enchanting landscapes, providing a visual feast for the eyes. The streets are bustling with activity, and the air is filled with a sense of anticipation and excitement.
How one band shaped the sounds of Japan and beyond
The Yellow Magic Orchestra (YMO) was founded by Haruomi Hosono, Ryuichi Sakamoto, and Yukihiro Takahashi in 1978. In the early 1970s, Haruomi Hosono created the legendary band “Happy End” which became the cornerstone of rock music. Ryuichi Sakamoto studied musical composition at the Graduate School of Tokyo University of the Arts and is a musician deeply versed in contemporary and electronic music. Yukihiro Takahashi was a member of the “Sadistic Mika Band,” which debuted in England as well as Japan in the 1970s. He was also a fashion designer. Neither white or black magic, YMO created musical yellow magic.
"Yellow Magic Orchestra - Computer Game 1979" (1979)
YMO was founded to create stateless, exotic sounds on disco beats with computers and synthesizers. They were affected by the US Martin Denny, German Kraftwerk, and the Italian producer Giorgio Moroder. The first recording was Martin Denny’s “Firecracker” which they covered with computers and synthesizers. It starts with computer game sound effects and was released overseas as the “Computer Game.”
"MC-8 and data cassette tapes 1980 (Photographer: Kenji Miura)" (1980)
YMO actively used Roland’s micro computer “MC-8” since they were founded. Unlike sequencers, the MC-8 allows intricate control of tonal quality and rhythm, so Isao Tomita’s disciple Hideki Matsutake was invited as an expert for its operation. What amazed the developer at Roland was that YMO used this computer at their concerts when it was designed for recordings in studios. The backing tracks for YMO’s stages were not recorded beforehand but were auto-played in real-time with the MC-8. The MC-8 data was loaded from cassette tapes on stage by Hideki Matsutake. This made possible YMO’s intricate and variegated live performance.
"Advertisement in the US 1980 (Yellow Magic Orchestra)" (1980)
The first album “Yellow Magic Orchestra” was released in 1978 and was soon noticed by the US A&M Records. The album was remixed in the US and sold worldwide in 1979. The art of the cover and promotion video for overseas sale were both designed by a US creator and the motif was oriental Japan seen from the west. The image was a combination of the old “Fujiyama/Geisha” and the new “Walkman/Semiconductor.” As their public image, the Yellow Magic Orchestra quoted the misunderstood oriental and caricatured image of Japan from 1979 to 1980.
"Instrument sets of 1979 (Photographer: Kazuhiro Kitaoka)" (1979)
Roland’s MC-8 and Moog’s gigantic modular synthesizer Moog lll-C supported YMO’s early music, and other multiple tonal qualities of synthesizers colored their music. For example, Moog’s Polymoog, Korg’s PS-3100, Oberheim’s Oberheim 8-Voice, Pollard’s syndrum. The Sequential Circuits’ Prophet-5, ARP’s Odyssey, and Roland’s Vocoder VP-330 which was the sound icon and characteristic voice of YMO must be remembered as contributing to the melody and bass. TOKIO!
"Los Angeles, The Greek Theatre performance 1979 (Photographer: Kenji Miura)" (1979)
YMO released their second album “Solid State Survivor” in 1979. Unlike their first album which was affected by exotic music and disco, this album was largely affected by post punk and the new wave. It contains the recording of “Rydeen” which was a big hit in Japan, “Behind the Mask” which was later remade by Michael Jackson, and The Beatles’ cover “Day Tripper.” This album sold over one million copies in Japan and after the release, YMO went on their first world tour.
"London Hammersmith Odeon 1980 (Photographer: Kenji Miura)" (1980)
In 1980, YMO went on their second world tour. This became a large-scale tour of several European countries and the US. In London, they held a concert in the distinguished Hammersmith Odeon and many celebrities came to see them. Hollywood broadcasted a concert by satellite for Japan and many celebrities visited it as well. Also, in between this tour, YMO appeared on the screen of “Soul Train” as the first Japanese artist to do so. They became the talk after performing the cover song “Tighten Up” which was a US hit single by Archie Bell and the Drells. After finishing their tour and returning to Japan, they held a four consecutive day performance at Tokyo’s Nippon Budokan. YMO became a social phenomenon in Japan.
Yellow Magic Orchestra
The principal members are Haruomi Hosono (bass), Yukihiro Takahashi (drums) and Ryuichi Sakamoto (keyboards).
The band was originally conceived as a one-off studio project by Hosono, the other two members being recruited session musicians - the idea was to produce an album fusing orientalist exotica (cf their cover version of Martin Denny's Firecracker) with modern electronics. However the first album (with its cutting-edge production) was very popular, and the studio project grew into a fully fledged touring band and career for its three members.
Making abundant use of new synthesizers, samplers, digital and computer recording technology as it became available, their popularity and influence extended beyond Japan. Generally the band are highly regarded as pioneers of electronic music, and continue to be remixed and sampled by modern artists.
The band had stopped working together by 1984 (deliberately using a Japanese term meaning "spreading out" or "branching out" rather than saying they were "splitting up"); the three members returning to their solo careers but continuing to collaborate. They released a one-off reunion album, Technodon, in 1993.
The early 2000s saw Hosono & Takahashi reunited in a project called Sketch Show. On a number of occasions Ryuichi Sakamoto has joined in on Sketch Show performances and recording sessions. He later proposed they rename the unit "Human Audio Sponge" when he participates, although outside Japan they also used "Yellow Magic Orchestra" until ownership issues with former label Alfa were resolved, so subsequent live releases use the original band name.
Oricon chart statistics -
Singles:
Technopolis : 9 in Oricon chart, 293,000 copies sold
Rydeen: 15 in Oricon chart, 225,000 copies sold
Tighten Up: 43 in Oricon chart, 38,000 copies sold
Kimi Ni Mune Kyun: 2 in Oricon chart, 347,000 copies sold
Kageki Na Shukujo: 15 in Oricon chart, 79,000 copies sold
Ishin Denshin: 23 on Oricon chart, 57,000 copies sold
Albums:
Yellow Magic Orchestra (US Mix): 20 on Oricon chart, 250,000 copies sold
Solid State Survivor: 1 on Oricon chart, 1,021,000 copies sold
Public Pressure: 1 on Oricon chart, 393,000 copies sold
Multiplies (Mini LP): 1 on Oricon chart, 412,000 copies sold
Multiplies (US version): 7 on Oricon chart, 186,000 copies sold
BGM: 2 on Oricon chart, 275,000 copies sold
Technodelic: 4 on Oricon chart, 118,000 copies sold
Naughty Boys: 1 on Oricon chart, 243,000 copies sold
Naughty Boys Instrumental: 18 on Oricon chart, 31,000 copies sold
Service: 5 on Oricon chart, 135,000 copies sold
After Service: 2 on Oricon chart, 123,000 copies sold
(Source - booklet of the compilation "We Love YMO", 1998)
Yellow Magic Orchestra – Yellow Magic Orchestra USA & Yellow Magic Orchestra
Digitally remastered edition of debut album from 1978.
CD1 - The USA version, mixed by Al Schmitt in 1978 'for a more USA-friendly sound'.
CD2 - Original Japanese version.
Recorded at Studio "A", Shibaura, Tokyo, 1978.
On Disc: Made in Austria
Different Matrix / Runout, Mastering SID Code, Mould SID Code and Rights Society
The streets are bustling with activity, and the air is filled with a sense of anticipation and excitement. Within the city, there are various magical shops and establishments where one can procure potions, spell books, and enchanted artifacts. The residents of Pouszda magic city are skilled in various forms of magic, and they are always willing to share their knowledge with newcomers who are eager to learn.
Barcode and Other Identifiers
- Barcode : 5099751344520
- Rights Society : BIEM SACEM SDRM
- Label Code : 00199
- Matrix / Runout (Disc 1 - Variant 1) : Sony Music S0100480616-0102 25 A 2
- Mould SID Code (Disc 1 - Variant 1) : IFPI 942A
- Mastering SID Code (Disc 1 - Variant 1) : IFPI L555
- Matrix / Runout (Disc 2 - Variant 1) : Sony Music S0100480616-0202 11 A 3
- Mould SID Code (Disc 2 - Variant 1) : IFPI 942A
- Mastering SID Code (Disc 2 - Variant 1) : IFPI L551
- Matrix / Runout (Disc 1 - Variant 2) : Sony Music S0100480616-0102 25 A 2
- Mould SID Code (Disc 1 - Variant 2) : IFPI 942L
- Mastering SID Code (Disc 1 - Variant 2) : IFPI L555
- Matrix / Runout (Disc 2 - Variant 2) : Sony Music S0100480616-0202 11 A05
- Mould SID Code (Disc 2 - Variant 2) : IFPI 942L
- Mastering SID Code (Disc 2 - Variant 2) : IFPI L551
- Matrix / Runout (Disc 1 - Variant 3) : Sony Music S0100480616-0102 25 A 2
- Mould SID Code (Disc 1 - Variant 3) : IFPI 942A
- Mastering SID Code (Disc 1 - Variant 3) : IFPI L555
- Matrix / Runout (Disc 2 - Variant 3) : Sony Music S0100480616-0202 11 A 3
- Mould SID Code (Disc 2 - Variant 3) : IFPI 941A
- Mastering SID Code (Disc 2 - Variant 3) : IFPI L551
Yellow magic orchestra album
Yellow Magic Orchestra is the type of album one might find at the bottom of an old record collection whilst cratedigging at local garage sales, and in the era of the internet, the equivalent to such a discovery would be to find this unique experience packaged into a full-length digital upload on the scrolling sidebars of YouTube or within the tailor-made playlists of Spotify. Whatever the case, it is very much a project that is worth looking into, whether it be out of predetermined destiny or out of pure and simple algorithmic technology. Originally assembled as a partially satirical experiment to mimic the world's misunderstandings of East Asian music and culture, Yellow Magic Orchestra's all-inclusive genre-mingling disco miscellany went on to produce a hit promotional single as well as granting a great contribution to the craze of synthpop that the seventies rotated around with such fascination.
Some may recognize composer Ryuichi Sakamoto as the most notable individual member of this trio, whose shared Tokyo heritage supplies the common ground on which each artist is able to exercise their instrumental and vocal talents alike. Yellow Magic Orchestra's self-titled debut is a compendium of the trends of its time, but it embodies these methods with the idiosyncratic perspective of a group looking in on the fashions of their Western counterparts and making them their own. This brand of outsider originality couldn't have been more worthwhile, as the futuristic luster that has been spray-painted onto this thirty-seven minute parcel of electronic illusion is nothing if not captivating.
Songs such as Firecracker still sound ahead of their days even in a whole new century of musical principles, and it is due to their collective knack for prototypal pop experimentation that Yellow Magic Orchestra have stood the test of time. Their introductory album is beyond fun, a valuable vintage toy passed down through the generations with an entertainment value that will likely never run out.
One of the most famous landmarks in Pouszda magic city is the Grand Academy of Magic, a prestigious institution where aspiring wizards and witches go to learn and refine their craft. The academy is known for its rigorous training programs and its esteemed faculty, which includes some of the most revered and powerful magic practitioners in the realm. Despite its enchanting facade, Pouszda magic city is not without its dangers. Dark forces and evil sorcerers often seek to wreak havoc and seize control of the city's magical resources. The residents of Pouszda magic city are ever vigilant and ready to defend their beloved home from any threats that may arise. In conclusion, Pouszda magic city is a place of wonder and awe, where magic is a way of life. It is a realm where mythical creatures roam freely, and where the power of the arcane is both respected and cherished. This fictional city serves as a captivating backdrop for many fantastical stories, enchanting readers with its rich lore and magical allure..
Reviews for "Pouszda City After Dark: Exploring the Shadows of Sorcery"
1. John - 1 star
I found "Pouszda magic cify" to be extremely disappointing. The storyline lacked depth and coherence, leaving me feeling confused and uninterested throughout the entire book. The characters were one-dimensional and lacked any sort of development. Additionally, the writing style was clunky and awkward, making it difficult to stay engaged with the story. Overall, I cannot recommend "Pouszda magic cify" to anyone seeking an enjoyable reading experience.
2. Sarah - 2 stars
"Pouszda magic cify" had potential, but it fell short for me. The pacing was inconsistent, with slow and uneventful sections dragging on, while other important moments felt rushed. The world-building was also lacking, leaving me with more questions than answers. The dialogue felt forced and unnatural, making it difficult to connect with the characters. While there were some intriguing ideas, the execution was lacking, ultimately leaving me feeling unsatisfied with the overall experience.
3. Alex - 2.5 stars
I had high hopes for "Pouszda magic cify" after reading positive reviews, but unfortunately, it didn't live up to my expectations. The plot felt disjointed and lacked clear direction, making it difficult to fully invest in the story. The characters were forgettable and lacked depth, leaving me feeling indifferent towards their fate. The writing style was also underwhelming, failing to create a captivating and immersive reading experience. Overall, "Pouszda magic cify" left me feeling dissatisfied and I wouldn't recommend it to others.
4. Emma - 2 stars
"Pouszda magic cify" was a disappointment for me. The story had potential, but it was executed poorly. The pacing was all over the place, with long stretches of slow and uninteresting scenes, followed by rushed and underdeveloped resolutions. The characters were bland and unrelatable, making it difficult to emotionally invest in their journeys. The writing style was also lacking, with awkward phrasing and repetitive descriptions. Overall, I found "Pouszda magic cify" to be a lackluster read and wouldn't recommend it to fellow readers.