Grover Washington Jr. was an American jazz-funk and soul-jazz saxophonist, composer, and producer. He was born on December 12, 1943, in Buffalo, New York, and passed away on December 17, 1999, in New York City. Washington is considered one of the pioneers of the smooth jazz genre and played a significant role in popularizing jazz fusion during the 1970s and 1980s. Washington's musical journey began at a young age when he started playing the saxophone. He quickly developed his talent and pursued formal music education at the University of Buffalo.
Vividly detailed and highly readable, this classic history of witchcraft and demonology provides a thorough exploration of sorcery, Satanism, and every variety of the black arts. Reflecting popular folklore and theological opinions of the late medieval and early Renaissance periods, this survey of necromancy traces witchcraft from ancient times to the twentieth century, describing the link between heresy and the occult. Threaded with dramatic accounts of witch trials and devil's pacts, this time-tested reference offers a compelling look at The Worship of the Witch, Demons and Familiars, the Sabbat, and Diabolic Possession and Modern Spiritism. It also offers fascinating insight into the role of the Witch in Dramatic Literature.
A prolific occult historian, Montague Summers wrote numerous books, and he edited and translated such important early demonology and witchcraft texts as the Malleus Maleficarum . An intriguing perspective on the development of the black arts and their heretical interpretations by society, church, and state, The History of Witchcraft and Demonology will capture the attention of the general reader as well as the occult enthusiast. Eight meticulously reproduced illustrations from the original publication are included in this unabridged edition.
The way to overcome demonological prejudices was an attempt to clear the obsessed of guilt, to prove that they are the victims of the devil whom they are unable to fight because of their impaired fantasy and because the devil is found of melancholic juice. A prolific occult historian, Montague Summers wrote numerous books, and he edited and translated such important early demonology and witchcraft texts as the Malleus Maleficarum.
He quickly developed his talent and pursued formal music education at the University of Buffalo. While in college, he was exposed to various musical styles, including jazz and R&B, which greatly influenced his sound. After graduating, Washington moved to Philadelphia, where he began his professional career as a sideman and session musician.
The History of Witchcraft and Demonology
Vividly detailed and highly readable, this classic history of witchcraft and demonology provides a thorough exploration of sorcery, Satanism, and every variety of the black arts. Reflecting popular folklore and theological opinions of the late medieval and early Renaissance periods, this survey of necromancy traces witchcraft from ancient times to the twentieth century, describing the link between heresy and the occult. Threaded with dramatic accounts of witch trials and devil's pacts, this time-tested reference offers a compelling look at The Worship of the Witch, Demons and Familiars, the Sabbat, and Diabolic Possession and Modern Spiritism. It also offers fascinating insight into the role of the Witch in Dramatic Literature.
A prolific occult historian, Montague Summers wrote numerous books, and he edited and translated such important early demonology and witchcraft texts as the Malleus Maleficarum . An intriguing perspective on the development of the black arts and their heretical interpretations by society, church, and state, The History of Witchcraft and Demonology will capture the attention of the general reader as well as the occult enthusiast. Eight meticulously reproduced illustrations from the original publication are included in this unabridged edition.
Reprint of Kegan Paul, Trench, Trubner & Co., Ltd., London, 1926 edition.
| Availability | Usually ships in 24 to 48 hours |
| ISBN 10 | 0486460118 |
| ISBN 13 | 9780486460116 |
| Author/Editor | Montague Summers |
| Format | Book |
| Page Count | 384 |
| Dimensions | 5 1/2 x 8 1/2 |
NCBI Literature Resources
He quickly gained recognition for his soulful tone and versatility on the saxophone, leading to collaborations with notable artists such as Melvin & Mervin Smith and The Delfonics. In 1971, Washington released his debut album, "Inner City Blues," which showcased his unique blend of jazz, funk, and R&B. The album was well-received by both critics and audiences, establishing Washington as a talented solo artist. Throughout the 1970s and 1980s, he continued to release successful albums, including "Mister Magic," "Feels So Good," and "Winelight," the latter earning him a Grammy Award for Best Jazz Fusion Performance. Washington's music is characterized by his smooth, melodic saxophone playing, often accompanied by funky rhythms and soulful grooves. His ability to seamlessly blend various musical genres and improvisation techniques attracted a diverse fan base and helped him reach a wider audience beyond traditional jazz enthusiasts. Washington's music was often featured in film soundtracks and commercials, further enhancing his popularity. In addition to his successful solo career, Washington also collaborated with several notable musicians, including Bill Withers, Grover Washington Sr., and vocalist Phyllis Hyman, among others. His unique sound and contribution to the jazz-funk and smooth jazz genres continue to inspire and influence musicians today. Unfortunately, Washington's life and career were abruptly cut short when he suffered a heart attack on December 17, 1999, while performing at a television studio in New York City. His untimely death was a great loss to the music industry, but his legacy lives on through his timeless recordings and contributions to the genre. Grover Washington Jr.'s impact on jazz and popular music cannot be overstated. His innovative fusion of jazz, funk, and soul continues to resonate with listeners worldwide. Whether playing smooth ballads or uptempo grooves, Washington's music remains a testament to his immense talent and lasting influence on contemporary jazz..
Reviews for "Nr Magic Grover Washington: A Saxophonist with Soul"
1. John - 1/5 - I was really disappointed with "Nr magic grover washington". The music was repetitive, and I found it hard to stay engaged throughout the entire album. The saxophone solos were not as captivating as I had hoped, and the overall sound felt dull and unoriginal. I was expecting more from such a renowned artist like Grover Washington, but unfortunately, this album fell flat for me.
2. Sarah - 2/5 - While I appreciate Grover Washington's talent as a saxophonist, "Nr magic grover washington" did not resonate with me. The songs lacked depth and failed to evoke any strong emotions. I didn't find any standout tracks or memorable moments, which made the listening experience quite forgettable. Overall, I think this album lacked innovation and failed to leave a lasting impression.
3. Mike - 2/5 - "Nr magic grover washington" didn't live up to my expectations. The songs felt repetitive and lacked variety. The album as a whole felt like it lacked direction, and I found myself losing interest after a few tracks. It's disappointing because I know Grover Washington is capable of creating amazing music, but this release just didn't hit the mark for me.