The magic collection edge effect is a phenomenon observed in the world of magic and illusion. It refers to the concept of selectively shifting the attention of the audience towards the edges of an object or performance, creating an illusory effect. In magic and illusion performances, magicians often rely on misdirection and manipulation of the audience's attention. By strategically distracting the audience towards the edges, they divert attention away from crucial aspects of their performance. The magic collection edge effect can be achieved through various techniques. One common approach is to incorporate movement or elaborate gestures near the edges of the object or performance.
The funniest and by far the most lasting thing I’ll take away from Curse III is the creature that appears at the end of the film. It’s the physical manifestation of the ocean spirit invoked by the witch doctor and it looks like a cross between a fat gremlin and a Power Rangers “dude in a suit” villain, and in a way it also kinda resembles a man-sized kaiju creature. This is too low-budget of a movie to show him much, but the flashes you get are pretty funny. His death is the best, though. Elizabeth is trapped inside a shed or something and the creature is trying to get in the front door. She opens a gas can, pours it out in the middle of the room for some reason and then goes to light it while she slips out the back door.
And then, in a show of mercy, the creature apparently got tired of his struggle to kill Elizabeth and presumably of the movie itself , so he literally just steps into the fire and stops walking. While Elizabeth is on the way to visit neighbor Anthea Zoe Randall and her young granddaughter Olivia Dyer , and to drop Cindy and Robert off at the beach for a picnic, they come across a local ritual sacrifice of a goat for the son of a village woman who has been killed.
One common approach is to incorporate movement or elaborate gestures near the edges of the object or performance. By performing actions or motions towards the edges, the magician effectively steers the audience's gaze away from the central focus of the trick. Another technique used in the magic collection edge effect is the use of contrasting colors or shapes.
Curse iii blood sacrifife
Christopher Lee, Jennilee Harrison, and a Chris Walas sea monster are the new "Three's Company" in the direct-to-video horror film CURSE III: BLOOD SACRIFICE, on Blu-ray from Scorpion Releasing.
In post-war West Africa, American Elizabeth (Harrison) has wed sugar cane plantation owner Geoff Armstrong (BLACK SAILS' André Jacobs) and is expecting a child. She feels uneasy in her new surroundings and her visiting younger sister Cindy (Jennifer Steyn, NIGHT OF THE CYCLONE) spends most of her time in the company of Geoff's layabout nephew Robert (future WOLVERINE director Gavin Hood). While Elizabeth is on the way to visit neighbor Anthea (Zoe Randall) and her young granddaughter (Olivia Dyer), and to drop Cindy and Robert off at the beach for a picnic, they come across a local ritual sacrifice of a goat for the son of a village woman who has been killed. Cindy interrupts the ceremony and takes the goat. Against the advice of Geoff's trusted foreman Mletch (SHAKA ZULU's Henry Cele), Elizabeth intercedes and the Nyonga (Dumi Shongwe) lays a curse on her which Mletch translates as "you had a baby… past tense." When Elizabeth suffers an abdominal attack, Dr. Pearson (Lee) attends and is as visibly disturbed as Geoff upon hearing about them interfering in the sacrifice, telling them about Ooma Omubai, a "ritual killer" who can be summoned from the sea by Nyongas. As a powerful electrical storm moves in on the countryside, someone or something wielding a machete starts stalking Elizabeth and her loved ones.
A British/South African production, CURSE III: BLOOD SACRIFICE – originally known as PANGA (referring to the cane-cutting machete) – wants to be a Val Lewton-esque horror film combining the likes of I WALKED WITH A ZOMBIE and THE LEOPARD MAN but it is also a late eighties/early nineties horror film with concessions to the body count formula and the demand to show an onscreen monster. Although not everything to do with the former succeeds. The film boasts an excellent atmosphere but the attitudes of racism and exoticism that are of-the-time feel blunted to the point of seeming to accept them uncritically, while the extended stalking sequences through the cane fields utilize light and shadow nicely but ultimately lack any real tension. The reveal of the monster is the film's other great disappointment, with Walas' creature looking like it was recycled from the suit he created for the Roger Corman-produced prologue for the SCREAMERS cut of Sergio Martino's ISLAND OF THE FISHMEN. Lee maintains his usual professional level of performance, given a chance to stand out with a monologue during the climax, while Harrison is at least written as a tougher than average heroine for the both the period of the story and the horror genre (screaming when she discovers a decapitated body in a jeep but then shoving it out the door and slipping into the driver's seat herself). The film was the only directorial effort of editor Sean Barton who edited mainstream films like RETURN OF THE JEDI and JAGGED EDGE but also Lindsey C. Vickers' underrated arty horror film THE APPOINTMENT.
Released direct-to-video in the United States courtesy of RCA/Columbia under the title CURSE III: BLOOD SACRIFICE as an unrelated sequel to the Ovidio G. Assonitis productions THE CURSE and THE BITE – and in the United Kingdom from Columbia as WITCHCRAFT – PANGA showed up under its original title on television when it became part of the MGM library and more recently in an HD master that MGM released on DVD-R as part of their manufactured-on-demand limited edition series. The same master has been used for Scorpion's 1080p24 MPEG-4 AVC 1.85:1 widescreen Blu-ray. More apparent here than on the compressed streaming and digital TV presentations are the white specks that pop up around the reel changes, but the presentation generally looks quite clean with the higher resolution making visible more of the opening sequence. Grain is heavy in the night exteriors, although the presentation suggests that some of the cane field stalking sequences may have been shot on a sound stage as they boast cleaner blacks than the exteriors. The Dolby Stereo soundtrack is rendered in DTS-HD Master Audio 2.0 with the spread given to the synth-heavy score, the killer's rasping noises, machete slashes, and the atmospheric effects of the electrical storm. Optional English SDH subtitles are also provided. There are no extras apart from a theatrical trailer (2:09) that is not terribly inspiring, as well as trailers for DEEP SPACE, SHREDDER, NOTHING BUT THE NIGHT, and THE DEVIL WITHIN HER. The disc is available exclusively from Ronin Flix . (Eric Cotenas)
So without a good story or filmmaking, what else does an audience have to hang their hope on? If the characters are loveable, interesting and fun to be around they can make up for a lot of other shortcomings. The characters of Curse III might as well all have been gravediggers because all they did was dig a deeper hole.
By incorporating vibrant or attention-grabbing elements near the edges, magicians create a visual diversion that keeps the audience's attention focused away from the central area where the trick is being executed. Additionally, magicians often utilize the element of surprise in the magic collection edge effect. By unexpectedly introducing elements or performing actions near the edges, they catch the audience off guard and increase the illusionary impact of the trick. The magic collection edge effect is not limited to physical objects but can also be applied to performances involving people. Magicians can use the same principles of misdirection and attention manipulation to create an edge effect within an entire magic routine or act. In conclusion, the magic collection edge effect is a powerful tool used by magicians to manipulate the audience's attention and enhance the illusionary impact of their tricks. By selectively shifting attention towards the edges, magicians create a captivating and immersive experience for their audience..
Reviews for "The Magic Collection's Edge Effect: A Catalyst for Breakthrough Thinking"
1. John - 2 out of 5 stars - I was really excited to try the Magic Collection Edge Effect, but I was ultimately disappointed with the results. The product claims to lay down the edges of my hair, but it just left them looking greasy and weighed down. It also didn't hold the edges in place for very long, so I had to reapply throughout the day. Overall, I wouldn't recommend this product if you're looking for something to keep your edges sleek and in place.
2. Sarah - 1 out of 5 stars - This product was a complete waste of money for me. I have natural curly hair, and the Magic Collection Edge Effect did absolutely nothing to help tame my edges. It left a weird residue on my hair and made it look even frizzier. I found it difficult to apply and it didn't provide any hold or control. I ended up throwing it away after a few uses. I would not recommend this product to anyone with curly or frizzy hair.
3. Michelle - 2 out of 5 stars - I had high hopes for the Magic Collection Edge Effect, but it just didn't live up to my expectations. While it did provide some hold for my baby hairs, it left a sticky residue that was hard to wash out. It also didn't work well with my hair type, which is thick and coarse. The edges still looked frizzy and unruly, even with the product applied. I will be looking for a different edge control that works better for my hair.