"Magic to Do" is a famous song from the Broadway musical "Pippin" composed by Stephen Schwartz. The song serves as the opening number of the show and sets the magical and mystical tone for the entire performance. "Magic to Do" introduces the audience to a mysterious and mesmerizing world where spells are cast, tricks are performed, and illusions come to life. The lyrics of the song speak of the transformative power of magic, promising that there is "magic in what we do." The song is performed by the Leading Player, a charismatic and enigmatic character who acts as the master of ceremonies throughout the show. The Leading Player is a captivating performer who guides the audience through the story of Pippin, a young prince searching for meaning and fulfillment in life.
The accused Mary Easty, arrested on April 21, had been released from jail after about a month when the afflicted girls could no longer definitively identify her as their tormentor at a subsequent examination. Only Mercy Lewis continued to accuse her. Writhing and choking in bed at the Constable’s home, and crying out “Pray for the salvation of my soul,” Mercy was visited by some of the other girls – Ann Putnam Jr., Abigail Williams, and Mary Walcott – who identified Easty and John Willard as her tormentors. More neighbors gathered around to keep vigil, fearing Mercy would die from her seizures. She survived, slowly recovering after Mary Easty was re-arrested and placed in chains, after only a few days of freedom. According to historian Mary Beth Norton, in her book In the Devil’s Snare: The Salem Witchcraft Crisis of 1692, “Essentially, single-handedly, Mercy Lewis had prevented Easty from being freed, a development that underscores her leadership of the sufferers.”
Born on October 18, 1679 in Salem, Ann Putnam, Jr, was the oldest of 10 children born to Ann Carr Putnam and Thomas Putnam, a sergeant in the local militia who had served in King Phillip s War. Nurse and her husband, Francis, had a long-standing dispute with their neighbors, the Putnam family, in Salem village about the boundary of their adjoining land, and it is believed that the Putnam s spurred accusations against Rebecca Nurse as retaliation.
The Leading Player is a captivating performer who guides the audience through the story of Pippin, a young prince searching for meaning and fulfillment in life. The upbeat and energetic melody of "Magic to Do" matches the exuberant and enchanting atmosphere of the musical. It sets the stage for the magical journey that Pippin embarks on, full of adventure, love, and self-discovery.
Anm putna salemn withd trials
During the 17th century, mass hysteria over the fear witches plagued Europe. This resulted in various witch hunts all over Europe. These witch hunts were based on only accusations; there was never a witch hunt based on facts. People were punished for being “witches” by being burned, stoned, beaten and drowned to death. With the immigration of Puritans to America in 1630, the mass hysteria was brought to “The New World.” The Salem Witch Trials were a series of witchcraft cases that began in 1692 and ended in 1693(Salem Witch Trials History Channel). During this time 200 people were accused, and 20 were executed. The Devil and witches who did his work for him were very prominent at the time, and they feared that the Devil was constantly trying to infiltrate and destroy the Christian community. The community had a heightened sense of fear and then experienced a “trigger” when Tituba, one of the accused witches, confessed that she and others were included in witchcraft(Weiser). This induced panic and hysteria quickly aroused a massive witch hunt. The other women who were a part of Tituba’s confession were Sarah Good and Sarah Osburn.
"Putnam Family of Salem." Legends of America. N.p., 2003. Web. Feb.-Mar. 2017.In addition to its theatrical context, "Magic to Do" has become a popular and often-performed song in various musical revues and performances. Its catchy tune and catchy lyrics make it a favorite among performers and audiences alike. Overall, "Magic to Do" is a captivating and spellbinding song that entices the audience into the world of "Pippin." It perfectly sets the stage for the spectacle of magic and wonder that awaits the audience throughout the rest of the musical..
Reviews for "The Art of Stage Magic: Mastering the Performance and Presentation"
1. Anna - 2 stars - I was really disappointed with "Magic to do lisy". The plot was confusing and all over the place, and I couldn't connect with any of the characters. The acting felt forced, and the dialogue was cringe-worthy at times. Overall, I found it to be a waste of my time and money.
2. David - 1 star - "Magic to do lisy" was a complete disaster. The music was unbearable, and the choreography was lackluster. The set design was cheap and uninspiring, and the costumes were laughably bad. I couldn't wait for it to be over. Save yourself the torture and skip this one.
3. Sarah - 2 stars - I had high hopes for "Magic to do lisy", but unfortunately, it fell flat for me. The storyline was predictable and unoriginal, and the songs were forgettable. The performances were lackluster, lacking any real passion or energy. Overall, it was a forgettable experience that I wouldn't recommend to anyone.
4. Michael - 1 star - "Magic to do lisy" was a trainwreck from start to finish. The script was poorly written, with clichéd and unrealistic dialogue. The performances were wooden, and the chemistry between the actors felt forced and awkward. I couldn't wait for the curtain to fall on this disaster. Do yourself a favor and avoid it at all costs.