Hansel and Gretel: Witch Hunters is a fantasy action-horror film that was released in 2013. The film serves as a continuation of the classic fairy tale, Hansel and Gretel, with the siblings growing up to become skilled witch hunters. In the film, Hansel and Gretel are hired by a town to track down and kill a powerful witch who has been kidnapping children. The film follows their journey as they battle against witches, using their specialized weapons and knowledge to outsmart and defeat them. For those interested in watching Hansel and Gretel: Witch Hunters for free, there are various options available. One common way to watch movies for free is through online streaming platforms.
This new production (Opera North’s first Rigoletto in 15 years!) is directed by British-Nigerian theatre artist Femi Elufowoju jr, and depicts the society he was born into, and continues to live in, as a Black man.
is directed by British-Nigerian theatre artist Femi Elufowoju jr , and depicts the society he was born into, and continues to live in, as a Black man. On discovering that the Duke has got his hands on Gilda, Rigoletto is distraught, and approaches the assassin Sparafucile to help him wreak his revenge.
One common way to watch movies for free is through online streaming platforms. Websites such as 123movies, Putlocker, and YesMovies may have the film available to stream at no cost. However, it is important to note that using such websites may not always be legal or safe, as they often host pirated content and could expose users to malware.
Rigoletto in a nutshell
The opera is set in the world of the Duke of Mantua – a morally corrupt, womanising ruler. We begin at the Duke’s party, during which he mentions having his eye on a mystery beauty. His jester Rigoletto – who is despised for being different – mocks all the guests, including a statesman, Monterone, who is furious that his daughter has been molested by the Duke. In retaliation, Monterone places a curse on Rigoletto.
Back at Rigoletto’s safehouse, we meet his beloved daughter Gilda, whom he fiercely protects. Even so, she has managed to fall in love with a mystery man she has seen (who turns out, of course, to be the Duke). Later that night, Gilda is abducted and delivered, much to the Duke’s delight, to his bedroom!
On discovering that the Duke has got his hands on Gilda, Rigoletto is distraught, and approaches the assassin Sparafucile to help him wreak his revenge. However, the plan goes terribly wrong, and we see Monterone’s curse come to pass in a devastating way…
Jasmine Habersham as Gilda and Eric Greene as Rigoletto © Clive Barda
Who are the main characters?
The Duke – ruler of Mantua (tenor)
Rigoletto [ri-go-LE-tto] – the Duke’s jester (baritone)
Gilda [JIL-da] – his daughter (soprano)
Monterone [mon-te-RO-ne] – an elder statesman (bass)
Sparafucile [spa-ra-fu-CHI-le] – the Duke’s Head of Security (bass)
Maddalena [madd-a-LE-na] – his sister (mezzo-soprano)
There is also a full Chorus who play guests, abductors, and many other characters. And in this staging, we get to meet figures that exist within the story but are never usually seen, such as the Duke’s wife!
Alyona Abramova as Maddalena © Clive Barda
What is this production like?
This new production (Opera North’s first Rigoletto in 15 years!) is directed by British-Nigerian theatre artist Femi Elufowoju jr, and depicts the society he was born into, and continues to live in, as a Black man.
Rather than having a physical disability, Rigoletto’s impairment is mental – he is plagued by the paranoia of a Black man in a predominantly white world, and his mind is constantly working against him. In this context, Monterone’s curse is even more significant:
“I want this moment to resonate for the characters who, because of their ethnicity, are familiar with the ‘curse phenomenon’. Rigoletto, Gilda, Monterone, Marullo and the Countess Ceprano, will be sung by people of colour. These characters are aware of the power and impact of the curse, and their response is infectious.”
There are a host of contemporary cultural references – a reflection of our own lives – from a painting of Gilda inspired by the work of Nigerian-American painter Kehinde Wiley, to nods to various Netflix shows! Homage is also paid to iconic African symbols of peace in Gilda’s safehouse.
Sir Willard White as Monterone © Clive Barda
What is the music like?
Rigoletto’s most famous number is ‘La donna è mobile’ (which translates as ‘Women are fickle’)! Sung by the massively misogynistic Duke in Act III, it’s devilishly catchy.
While Verdi cleverly wrote some of his most charming music for the Duke, Gilda’s music is sublimely beautiful. Her aria ‘Caro nome’, a musing on the name of the man she has fallen in love with, is technically virtuosic and very exposed, but the melody floats and dances. And the syllables of the opening phrase are broken up by rests, as if Gilda is reeling and trying to catch her breath.
Overall in Rigoletto, however, Verdi moves away from the traditional stop-start structure of Italian opera into more free-flowing, continuous drama. The melody is not always in the vocal line, but in the orchestra, and he uses certain instruments and musical figures for different characters and ideas. The purity of the flute is associated with Gilda, and there is a theme for the curse which first appears in the dark prelude – it’s all on one repeated note, suggesting its obsessional hold on Rigoletto…
Who was the composer?
Rigoletto was written by one of the best-loved operatic composers in history – Giuseppe Verdi (1813–1901). Born in Italy, Verdi composed 26 different operas during his lifetime, some of the most popular being La traviata, Aida and Nabucco.
Verdi always looked for strong subjects featuring relatable, human characters. He had a knack for taking figures marginalised by society and telling their stories – putting them centre stage.
Giuseppe Verdi © Giovanni Boldini (1886)
A little history
In 1850, Verdi was commissioned to write a brand-new opera for La Fenice in Venice. For a plot, he had set his heart on using Victor Hugo’s controversial 1832 French play Le roi s’amuse (The King Amuses Himself), which had been shut down due to its portrayal of a debauched monarch. However, Verdi believed the subject could be “one of the greatest creations of the modern theatre”, so told librettist Francesco Marie Piave to go to whatever lengths necessary to get approval from the censors.
Permission was, predictably, denied. The censors thought the topic one of “repulsive immorality” and specified that the ruler needed to be an “irreproachable character”! However, Verdi insisted that “the Duke MUST be a libertine”, otherwise the drama made no sense. In the end, a compromise was found. By simply moving the action to the Dukedom of Mantua in Northern Italy c.1600 under the long-extinct Gonzaga family, and re-naming some characters, the opera was deemed less threatening.
It was now full steam ahead on the newly named Rigoletto – in fact, Verdi was still orchestrating as the cast were rehearsing! The opera premiered in March 1851 and was a huge box office success. Today, it is still among the top ten most frequently performed operas worldwide.
La Fenice's poster for the premiere of Rigoletto, March 1851
Did you know…
— With ‘La donna è mobile’, Verdi knew he’d written something so catchy that it was rehearsed in secret and the cast were forbidden to sing or even whistle the tune outside the theatre before the premiere! He was right – the aria was sung in the streets the next morning, and still appears in TV ads nowadays (including this one for Doritos). And i n 2020, a version sung by tenor Maurizio Marchini from his balcony during coronavirus lockdown in Florence went viral on social media.
— The name of the opera’s main character was originally Triboulet (Francis I’s actual jester) as per Victor Hugo’s play, but to appease the censors was renamed Rigoletto from the French word rigoler , which means ‘to laugh’.
— Verdi was a huge Shakespeare fan and wrote various operas based on his plays. He wanted to compose a King Lear and never did, but Rigoletto is the closest we get – it’s full of Shakespearean resonances and irony, juxtaposing moments of humour with bleak tragedy.
Rigoletto is sung in Italian with English titles and lasts approx. 2 hours 40 minutes. Join in on social media with #ONRigoletto.
Another option for watching the film for free is to use a free trial offered by subscription-based streaming services. Platforms like Netflix, Hulu, and Amazon Prime Video often provide a trial period during which new users can access their library of movies and TV shows for free. Simply sign up for a free trial and search for Hansel and Gretel: Witch Hunters to enjoy the film without paying. Just be sure to cancel the subscription before the trial period ends to avoid any charges. Lastly, some cable or satellite TV providers occasionally offer free movie promotions, including Hansel and Gretel: Witch Hunters. Keep an eye out for any special offers or promotional periods where the film may be available to watch for free. Additionally, certain DVD rental stores or libraries may have the film in their collection, allowing you to watch it at no cost. Overall, there are multiple ways to watch Hansel and Gretel: Witch Hunters for free, ranging from online streaming platforms to free trials on subscription-based services. However, it is important to consider the legality and safety of the methods chosen, and to always respect intellectual property rights..
Reviews for "Free Streaming of 'Hansel and Gretel Witch Hunters': All You Need to Know"
1. Samantha - 2 stars - I was really disappointed with "Hansel and Gretel Witch Hunters". The concept had so much potential, but the execution fell flat. The storyline was predictable and the action scenes felt forced. The lack of character development made it difficult to feel any emotional connection with the protagonists. Overall, it was a forgettable film that failed to live up to its intriguing premise.
2. Michael - 1 star - "Hansel and Gretel Witch Hunters" was a complete waste of time. The movie had no substance and relied heavily on cheap and overused action sequences. The acting was subpar, and the dialogue was incredibly cheesy. It felt like the filmmakers were simply trying to capitalize on the popularity of the original fairy tale without putting any effort into creating a coherent plot. I would advise anyone to stay away from this movie unless you're in the mood for mindless entertainment.
3. Emily - 2 stars - I had high hopes for "Hansel and Gretel Witch Hunters" but was ultimately disappointed. The movie promised a fresh take on the classic fairy tale but failed to deliver. The plot was messy and the pacing was inconsistent, making it difficult to stay engaged. While the action scenes were visually appealing, they were too frequent and often overshadowed the storytelling. Additionally, the dialogue felt uninspired and the characters lacked depth. Overall, it was a forgettable film that failed to bring anything new to the table.