god rest ye merry gentlemen nat king cole

Spec magic, short for speculative magic, is a term used to describe a form of magic present in fantasy fiction. Unlike other forms of magic, spec magic is not bound by traditional rules or limitations. Instead, it allows authors to create their own unique and imaginative systems of magic. With spec magic, authors have the freedom to invent their own set of rules and principles governing how magic works in their fictional world. This could include the source of magic, the methods by which it is accessed and utilized, and any associated costs or consequences. By creating their own magical systems, authors can add depth and complexity to their stories, enhancing the overall worldbuilding and creating a sense of wonder for the reader.

Introduction co-authored with John Pedro Schwartz

Transactions of ethnographic artifacts between Indigenous producers, European collectors, museums, and the state create and transform multiple notions of value. Exploring the LMS collection through the temporal and spatial dimensions that have been shaped around its artifacts, many of which were collected by LMS missionaries in the early nineteenth century and continue to survive in the present, has made it possible to consider processes of assemblage and disassemblage that have taken place over the course of the last two centuries.

By creating their own magical systems, authors can add depth and complexity to their stories, enhancing the overall worldbuilding and creating a sense of wonder for the reader. One of the benefits of spec magic is the versatility it offers to authors. They can tailor the magical abilities and limitations to suit the needs of their story and characters.

Interpreting Objects and Collections

Transactions of ethnographic artifacts between Indigenous producers, European collectors, museums, and the state create and transform multiple notions of value. In this paper we discuss how an artifact's value is generated and transformed through various transactions linked to the documentation and property claims made by scientific collectors, such as Eric Mjöberg, Herman Klaatsch, and Ursula McConnel. Such artifacts have now entered a new dynamic given Aboriginal claims for repatriation and other forms of reappropriation. We argue that the entanglement of artifacts in the property claims of the collectors, the producers (or their descendants), the granting bodies, and the public institutions, exposes artifacts to complex processes of value accretion and transformation.

Exploring the LMS collection through the temporal and spatial dimensions that have been shaped around its artifacts, many of which were collected by LMS missionaries in the early nineteenth century and continue to survive in the present, has made it possible to consider processes of assemblage and disassemblage that have taken place over the course of the last two centuries. It has also made it possible to consider whether the presence of objects from the LMS collection has had an impact on the island of Britain. Despite institutional technologies that appear to confine and limit the movement of physical objects to within the controlled and purified spaces of museums, some objects from the LMS collection have circulated much more widely.

Introduction co-authored with John Pedro Schwartz

What reasons can be determined for the presence of Han dynasty míngqì (明器) in South African museums? What can these objects reveal about histories of collecting and curatorial policy in these institutions? What can the objects tell us about different kinds of value attached to collectible items? In order to explore these questions, it is necessary to consider collecting policies, accessibility, research and exhibition history, and other changes that have occurred over time in these institutions, revealing a grander social and institutional narrative. In this proposal I outline my approach to answering these questions necessary to write a dissertation. I will examine written policy, and in the absence of formal policy I will examine curatorial process made visible to understand changes in museum policy over time. A close reading of six Han dynasty míngqì will allow me to investigate museum practice and the history of these artefacts will reveal purpose and intention, or a lack thereof. This proposal regards literature relevant to answering my questions and it explores what I have already discovered about the míngqì in South African museums and collecting policy.

Transactions of ethnographic artifacts between Indigenous producers, European collectors, museums, and the state create and transform multiple notions of value. In this paper we discuss how an artifact's value is generated and transformed through various transactions linked to the documentation and property claims made by scientific collectors, such as Eric Mjöberg, Herman Klaatsch, and Ursula McConnel. Such artifacts have now entered a new dynamic given Aboriginal claims for repatriation and other forms of reappropriation. We argue that the entanglement of artifacts in the property claims of the collectors, the producers (or their descendants), the granting bodies, and the public institutions, exposes artifacts to complex processes of value accretion and transformation.

For example, some magical systems may require practitioners to use specific gestures or incantations, while others may draw upon elements of nature or require the use of certain objects or artifacts. The possibilities are endless, limited only by the imagination of the author. In addition to its versatility, spec magic can also serve as a metaphor or symbol within a story. It can represent power, knowledge, or the connection between the ordinary and the extraordinary. By exploring the themes and implications of magic, authors can delve into deeper philosophical and moral questions, adding another layer of meaning to their work. Spec magic has become a popular element in fantasy fiction, captivating readers with its limitless possibilities and enchanting worldbuilding. It allows authors to create unique and immersive worlds, where magic is not just a plot device, but an integral part of the narrative. Whether it be through spells, rituals, or magical artifacts, spec magic continues to captivate readers and transport them to fantastical realms of imagination..

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god rest ye merry gentlemen nat king cole