The BBC adaptation of "The Lion, the Witch, and the Wardrobe" is a television miniseries based on C.S. Lewis's beloved children's book. Released in 1988, this adaptation brings the magical world of Narnia to life with its stunning visuals and captivating storytelling. The story follows four siblings - Peter, Susan, Edmund, and Lucy - as they stumble upon a magical wardrobe that serves as a portal to the land of Narnia. In Narnia, they encounter talking animals, mythical creatures, and an eternal winter ruled by the White Witch.
Australian Health Review
This qualitative study of New Zealand mothers who are described as drug addicts is a mythological story or fairytale of the inhabitants of the city of Dunedin, and the historical and sociocultural influences which background dramatic drug-taking lifetstyles. This study explored the experiences of substance-using mothers as they navigated health and criminal justice consequences and accessed needed resources in the community.
In Narnia, they encounter talking animals, mythical creatures, and an eternal winter ruled by the White Witch. Together with the lion Aslan, they must embark on a quest to defeat the White Witch and restore balance to Narnia. The BBC adaptation stays faithful to the source material, capturing the essence of Lewis's fantastical world and the core themes of courage, sacrifice, and redemption.
The Spell of Morpheus (original dissertation)
Illicit drug use has been described as an escalating social problem. New Zealand research of this phenomenon is sparse with overseas studies, predominantly within a scientific paradigm, often extrapolated to this context. In these studies drug addiction is commonly defined as a mental disorder or illness. The aim of these studies is usuall the search for interventions to cure the problem. This qualitative study of New Zealand mothers who are described as 'drug addicts' is a mythological story or fairytale of the inhabitants of the city of Dunedin, and the historical and sociocultural influences which background dramatic drug-taking lifetstyles. It describes particular poppy taking rituals which may be specific to the South Island of New Zealand. It aims, through the interpretation of the stories of ten women, mainly from a methadone maintenance programme, to explore reasons why some women become attracted to and commited to a drug-taking lifestyle, or fall under the spell of Morpheus, the god of dreams. This story describes ways in which mothers and theier children are rendered vulnerable to universal, changing and often invisible forces and fates, in which drug taking becomes a rational response. It investigatges drug dependence within the wide continuum of drug use within New Zealand society. It suggests that the stigma which has grown around users of opiates in particular is a comparatively recent phenomenon which may serve a useful but unconscious societal purpose. The emancipatory case study or tale of a city and its inhabitants is situated within a romantic paradigm. The acccounts of the women interviewed have bveen analysed utilising Sartre's progressive regressive method. The quest has been to find and express truth which is multi-faceted. Theories generated relate more closely to parenting support rather than to drug treatment therapies and are open to multiple interpretations.
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Substance use during pregnancy and motherhood is both a public health and criminal justice concern. Negative health consequences associated with substance use impact both the mother and the developing fetus, and there are ongoing attempts to criminalize substance use during pregnancy that put pregnant substance-using women at risk of detection, arrest, and punishment. Although there has been research on the consequences of maternal substance use, little is known about why some women are motivated to desist during pregnancy and why others persist. The purpose of this dissertation was to advance the understanding of (1) women’s decision-making regarding substance use and motherhood, (2) how women desist from substance use during and after pregnancy, and (3) how women navigate or overcome barriers to care. To accomplish the aims of this study, narrative identity theory was employed as a theoretical framework for understanding women’s sense-making of their experiences. Based on data from in-depth life history interviews with thirty recently-pregnant women who had used alcohol, tobacco or other drugs during their pregnancies, this study captured the experiences of substance-using mothers as they navigated health and criminal justice consequences and accessed needed resources in the community. The data reveal multiple patterns of substance use desistance behavior, from prompt desistance to persistence throughout the pregnancy. Women who desisted described themselves as exercising their agency in pursuing opportunities for desistance. Desisting women were less likely to be embedded in social networks that included other substance-using individuals. Women supported their desistance during and after pregnancy by reinterpreting their life stories as narratives of redemption. They achieved this reinterpretation by highlighting past experiences that demonstrated that they had good core selves and had simply been overwhelmed or distracted by substance use. By reinterpreting their past suffering as redemptive, desisting women were able to narrate prosocial and generative futures in which they would tell their stories to others to show that desistance is possible. Finally, women’s stories highlighted their strategies for managing their risk of detection by health or criminal justice authorities and revealed multiple barriers to treatment and healthcare, including a lack of suitable treatment options. The theoretical and policy implications of the findings are discussed, particularly the need for further development of narrative identity theory and the expansion of treatment programs and social services to meet the needs of substance-using women.
Download Free PDF View PDFBackground Substance use during pregnancy and motherhood is both a public health and criminal justice concern. Negative health consequences associated with substance use impact both the mother and the developing fetus, and there are ongoing attempts to criminalize substance use during pregnancy that put pregnant substance-using women at risk of detection, arrest, and punishment. This study explored the experiences of substance-using mothers as they navigated health and criminal justice consequences and accessed needed resources in the community. Methods In-depth life history interviews were conducted with 30 recently-pregnant women who had used alcohol or other drugs during their pregnancies. The three-part interview schedule included questions about past and current substance use, life history, and experiences with criminal justice authorities, child protective services, and health professionals. Results Women’s stories highlighted their strategies for managing their risk of detection by health or criminal justice authorities, including isolating themselves from others, skipping treatment appointments, or avoiding treatment altogether. Women described multiple barriers to treatment and healthcare, including a lack of suitable treatment options and difficulty finding and enrolling in treatment. Conclusion The findings suggest that policies that substance-using women find threatening discourage them from seeking comprehensive medical treatment during their pregnancies. The implications of the findings are discussed, particularly the need for further expansion of treatment programs and social services to meet the needs of substance-using women.
Download Free PDF View PDF Download Free PDF View PDFAustralian Health Review
Download Free PDF View PDFA qualitative research report investigating experiences and perceptions in respect of drug use and child protection issues. The research involved interviews with: Social workers Health visitors Drug Workers and drug using parents whose children had been the subject of child protection investigations.
Download Free PDF View PDFSubstance abuse treatment, prevention, and policy
The drug treatment field tends to place emphasis on the individual rather than the individual in social context. While there are a growing number of studies indicating that drug-using intimate partners are likely to play an important role in determining treatment options, little attention has been given to the experience and complex treatment needs of illicit drug-using (heroin, cocaine, crack) couples. This exploratory study used in-depth interviews and ethnographic engagement to better understand the relationship between interpersonal dynamics and the treatment experience of ten relatively stable drug-using couples in Hartford, CT. Semi-structured and open-ended qualitative interviews were conducted with each couple and separately with each partner. Whenever possible, the day-to-day realities and contexts of risk were also observed via participant and non-participant observation of these couples in the community. A grounded theory approach was used to inductively code and analyze .
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Defensively, Lena received a new Instinctive Block skill for her dual blade style of combat that provided yet another way to mitigate incoming attacks. Offensively, Lena’s new Throw Weapon perk would allow her to heave one of her swords at the target like a spear, or fling it like a rotating frisbee. Her Recall Weapon skill did exactly as implied, and made her weapons fly telekinetically back to her hands when called for, which Callie remembered Major Celeste demonstrating that first day they all had arrived. Finally, Lena was blessed with a new melded perk called Acrobatics, which imbued her with the knowledge of flips, rolls, jumps and other agile movements. This unique perk was a hybrid of her Race, Instinctive Dodge skill and finally her Parkour Perk, which she knew from her previous life in the criminal underworld.
The atmospheric cinematography and well-executed special effects create a sense of wonder and enchantment, immersing viewers in the vivid landscapes of Narnia. The casting of the four child actors - Richard Dempsey as Peter, Sophie Cook as Susan, Jonathan R. Scott as Edmund, and Sophie Wilcox as Lucy - is a standout element of this adaptation. They bring each character to life with their convincing performances, capturing the innocence, bravery, and growth of the Pevensie siblings throughout their Narnian journey. Furthermore, Barbara Kellerman's portrayal of the menacing and icy White Witch is noteworthy, emanating both charm and menace. Her performance adds another layer of tension and excitement to the story, making her character a formidable antagonist. The BBC adaptation of "The Lion, the Witch, and the Wardrobe" is a timeless classic that continues to captivate audiences of all ages. It serves as a wonderful introduction to the world of Narnia and encourages viewers to contemplate the deeper meanings embedded within the story. Whether you are a fan of the book or simply looking for a magical and enchanting adventure, this adaptation is sure to leave a lasting impression..
Reviews for "The Timelessness of The Lion, the Witch, and the Wardrobe"
1. Karen - 2/5 stars - I must say that I was quite disappointed with the BBC adaptation of "The Lion, the Witch, and the Wardrobe." The visuals were underwhelming and failed to capture the magic and wonder of Narnia. The acting felt stiff and forced, particularly from the child actors. Overall, it lacked the charm and depth of the original book. I would recommend reading the book instead of watching this lackluster adaptation.
2. Jake - 1/5 stars - The BBC version of "The Lion, the Witch, and the Wardrobe" was a complete letdown. The production seemed cheap and rushed, with unconvincing costumes and special effects. The actors lacked depth and failed to bring the beloved characters to life. The pacing was off, and crucial scenes were either rushed or dragged out. It felt like a poor attempt to capitalize on the success of the book, and I couldn't help but be disappointed by the lack of effort put into this adaptation.
3. Sarah - 2/5 stars - As a fan of the book, I had high expectations for the BBC adaptation of "The Lion, the Witch, and the Wardrobe." Unfortunately, it fell short in many aspects. The acting was mediocre, and the dialogue felt clunky and awkward at times. The special effects were outdated and failed to create an immersive experience. The story felt rushed and didn't allow for proper character development. Overall, it lacked the magic and depth of the source material, leaving me feeling unsatisfied with this adaptation.
4. Mark - 3/5 stars - While the BBC adaptation of "The Lion, the Witch, and the Wardrobe" had its flaws, it still managed to capture some of the essence of the beloved book. The casting choices were decent, and some of the performances were commendable. However, the pacing felt off, with certain scenes dragging on unnecessarily. The special effects were subpar, but the overall storytelling remained somewhat faithful to the original. It's not the best adaptation out there, but it's worth a watch for fans of the book who want to see it come to life, albeit in a slightly lackluster manner.
5. Emma - 2/5 stars - I found the BBC adaptation of "The Lion, the Witch, and the Wardrobe" to be quite disappointing. The production quality felt low, and the visual effects were unimpressive. The acting was subpar, particularly from the child actors who lacked convincing emotions. The pacing was inconsistent, making some parts of the story feel rushed while others dragged on. Overall, it failed to capture the enchanting and fantastical elements of the original book, leaving me wanting more from this adaptation.