The witch's bath house is a mystical and enigmatic place, considered to be the abode of witches and sorceresses. Its existence has been the subject of much folklore and superstition throughout history. Located in the depths of enchanted forests or hidden within the darkest corners of desolate swamps, this bath house is said to possess magical qualities. Legend has it that the witch's bath house is not visible to ordinary mortals. It is believed to appear only to those who are truly in need of its magical remedies. Those fortunate enough to stumble upon this mystical dwelling may find themselves at the mercy of its alluring powers.

Supremo Magic Move - hard

Supremo Magic Move was winner of Allure magazine's "Best of Beauty" award. Design and redesign hair without reapplication. As reported in Marie Claire Magazine this pomade is a favorite with celeb stylists!It is called the best fixative, period! Unlike other pomades it works on all hair types.Gives hair a natural body and may be used with hot rollers for a wavy look. Buns, twists, braids and styling. Magic Move wont stiffen hair! It lets you adjust your hair style easily just with finger-combing, and adds natural body to your hair.

Magic Move is the most appropriate hair cosmetics for hair that is damaged by chemical treatments and/or environmental pollution. It adds body to hair with an action of thready organic fibers like a net, and finishes hair in sleek feeling. It does not harden hair excessively, just adds flowing moves to hair, and allows you to change your hair style repeatedly in the same day. You may hold a formed hair style for many hours, as it may not be influenced by temperature nor by humidity. It highlights colored hair well, and can be easily washed off with shampooing.

Magic Move comes in 3 formulas:

• Soft - For fine hair. Adds body and volume to any hair style.
• Hard - For coarse hair. Helps relax coarse hair for smoother looks.
• Light - For all hair types. Adds shine, strength and manageability.

Product Options Available are as follows:

• Size : 1.7 oz - hard - Supremo Magic Move - hard
• Size : 4.2 oz - hard - Supremo Magic Move - hard

IN STOCK NOW. Supremo Magic Move Hard (Red) 4.2 oz. (120 g) - SHIP INTERNATIONALLY FROM U.S.

Those fortunate enough to stumble upon this mystical dwelling may find themselves at the mercy of its alluring powers. Upon entering the bath house, one is instantly enveloped in an otherworldly atmosphere. The air is thick with the scent of exotic herbs and spices, and the sound of bubbling potions fills the room.

IN STOCK NOW. Supremo Magic Move Hard (Red) 4.2 oz. (120 g) - SHIP INTERNATIONALLY FROM U.S.

数量 IN STOCK NOW. Supremo Magic Move Hard (Red) 4.2 oz. (120 g) - SHIP INTERNATIONALLY FROM U.S.の数量を減らす

IN STOCK NOW. Supremo Magic Move Hard (Red) 4.2 oz. (120 g) - SHIP INTERNATIONALLY FROM U.S.の数量を増やす

Supremo Magic Move was winner of Allure magazine's "Best of Beauty" award. Design and redesign hair without reapplication. As reported in Marie Claire Magazine this pomade is a favorite with celeb stylists!It is called the best fixative, period! Unlike other pomades it works on all hair types. Gives hair a natural body and may be used with hot rollers for a wavy look. Buns, twists, braids and styling. Magic Move won't stiffen hair! It lets you adjust your hair style easily just with finger-combing, and adds natural body to your hair. Magic Move is the most appropriate hair cosmetics for hair that is damaged by chemical treatments and/or environmental pollution. It adds body to hair with an action of thready organic fibers like a net, and finishes hair in sleek feeling. It does not harden hair excessively, just adds flowing moves to hair, and allows you to change your hair style repeatedly in the same day. You may hold a formed hair style for many hours, as it may not be influenced by temperature nor by humidity. It highlights colored hair well, and can be easily washed off with shampooing.

YANNICK D'IS' BEAUTY PICKS

Klorane Gentle Dry Shampoo Powder
“I prefer the powder over the spray as you can focus more on the areas that need to be refreshed. I like to use it in the palm of my hands and rub it through the hair to help restore and clean up any overuse of products.”

TIGI Bed Head Superstar
“This product is one of the best to deliver strong hold and volume that lasts all day. It’s perfect for creating any sexy modern textures.”

Oribe Dry Texturizing Spray
“Instant volume in a spray can. When used on dry hair through mid-lengths, it creates body with texture and is perfect on the root area for a matte look with volume that lasts all day.”

Fekkai Advanced Salon Technician Color Care Anti-Fade Top Coat
“I use this to help restore radiance back into the hair if it looks overworked from excessive heat styling. Perfect to use on models before hair campaigns.”

Let’s Jam Regular Hold and Mega Hold Gels
“These soft shining and conditioning gels are great to either apply to dry hair or blow dry into wet hair to help create control and direction on hair for a smooth touch and no heavy residue or flaking. My favorite for any wet looks.”

Disegnare Brush Out Spray
“This is my new discovery. I love it. Waterless shaping that is easily brushed out with no flaky residue, and with zero shine.”

La Roche-Posay Thermal Spring Water
“Purified water in a spray can. The cleanest way to help revive dry-looking hair and to help control any soft flyaway hairs for close-up beauty shots.”

Oribe Original Pomade Est. 1983
“It is what it is—a classic pomade for shine and control. Great for any rock-and-roll shapes.”

Fekkai Advanced Full Blown Volume Conditioner
“This is a lightweight conditioner to help keep hair maintainable without a greasy residue, and it does what it says—gives full-blown volume.”

Kérastase Nutritive Lait Nutri-Sculpt Smoothing Foundation
“A few pumps of this product through damp or dry hair before blowdrying will help turn it into silk, creating a glossy texture without the heavy finish.”

Kérastase Nutritive Nutri-Sculpt Mousse
“This mousse is designed specifically for dry and damaged hair, so it’s perfect while shooting to help restore hair back to a pliable and workable state. It’s great to help create bouncy hair with body and shine.”

Kérastase Nutritive Serum
“This product is more than just a serum. It acts like a leave-in conditioner. It’s not oily and can be absorbed into hair. It repairs the hair and seals down dry ends. I find it’s a great product to help give hair control and direction. It’s also a personal favorite of mine for any close-up hair or beauty campaigns.”

The Industries #1 Hair Stylist Alan White Spills The Beans

Alan White is one of the industry’s top hair stylists. He’s travelled the world, worked on numerous magazine covers and has styled basically every top model or celebrity who has shot to fame within the last 10-20 years.

In the midst of Mercedes Benz Fashion Week Australia, we sat down with Alan to talk all about his life and love of hair. Which was particularly inspiring, I mean as we were talking he’s got his hands flying and arms waving all the way through as he discusses his future aspirations and life achievements.

First of all, in an ever evolving world of Fashion, what does being a Hair Stylist mean to you today?

Being a hair stylist to me, means I’m part of an ever-changing movement. It is fashion but it’s youth, it’s music, it’s street and it’s challenging; you’ve always got to have your finger on the pulse. And considering how old I am, it keeps me relevant. The companies I keep are part of what’s happening in fashion, they’re the Punk, the Avante Guarde and forward thinking individuals moving Australian and world fashion to that next level.

Everybody has a cinderella tale, how did your story start out?

Funny you ask that, it started out washing cars for a bunch of barbers actually, and then washing hair, sweeping floors, in the barbershop. Before I left school I was clipering the old age pensions hair, short back and sides, on Thursday nights and Saturday mornings for about 4 pounds 50 pence. When I left school I started a marine engineering apprenticeship in the East London Docklands, but when Margaret Thatcher came in, she closed down the Docks and turned them into residential warehouses’. I was being paid but had no place to work. But you see, I could use a pair of clippers, so I would cut the unemployed guys hair down at the work site. It was the late 70’s, Punk was massive in England, so I’d be clippering all these guys cuts in some random radical punk style.

My girlfriend at the time, Jane worked for Boy London, in the Kings Road, that was its punk fueled hay day. So she introduced me to bands like The Clash, The Pistols, Malcolm McLaren, Theatre of Hate, The Go, Go’s, Kim Wilde and I did fucked up hair for them and got known for that. I cut hair for the first British boy Band called Haircut 100 and they went massive No 1 singles and album in the UK charts and after that it went nuts. I was known as a hairdresser, but I didn’t know anything other than the basics so I had to learn pretty quickly!

You sound like a bit of an ambassador of teaching and in passing down your trade, are there any wise words you have for someone getting into the industry today?

Hmmmm. Visualize your end result and only do what you need to do to achieve it. Prep the way you need to, not some other random technique that’s not relevant or required. Don’t forget what your taught, listen and retain you’re learning.

That’s a big one – people forget what they’re taught it doesn’t seem to sink into the brain far enough and when they’re on a job they revert back to what is easy for them and it always reflects in the final look. And P.S Don’t fluff about just get too it and don’t deviate.

You’re incredibly successful in your field. What was your “made it” moment…Have you even had it?

Nope, still haven’t made it. I feel as a creative you never make it. Even if you do great work, you still want to change it and move it forward. Always evolving and always pushing ones self to do it better.

You’ve travelled a fair bit, London, New York, Sydney… so what would you suggest as travel essentials for the on-the-go damsel in distress?

Mason Pearson Junior Brush – always

The right shampoo and conditioner for your hair type

Curl shaping mouse by Oribe; it’s not a dry mouse, it’s got lots of moisture.

Supremo Magic Move – a light finishing curl-activating balm

Where do you see Alan White Anthology headed in five years time?

It’s actually a really exciting period – I’m personally starting to focus more on the mentoring and educational side of things, and that’s good for Anthology. Offering advice, support and tools to hairdressers that are looking for it or are just starting out. It’s what anthology was always about. I want to help those stuck on the salon level that are looking to expand what they are doing, guide them and encourage the modern hairdresser that it’s all about understanding the hair, understanding what hair needs so it works for you and the hair so you can achieve your final result.

Fair call, so my favourite – Everyone makes mistakes, what’s been your biggest one?

Ahhh, I’m not sure it was my biggest mistake but it was definitely, at the time a bit of a thing. I put my tools down at an Australian Vogue cover shoot one time. I said I was not doing hair if you they put the model in another white shirt, pearls and boating shoes – that’s not progressive in my opinion. I almost got fired. My agency got a letter of warning.

But you see I was trying to make a point – If you’re working for Vogue anywhere in the world, you’re the epitome of fashion and forward fashion, and it needs to be progressive. I was doing Vogue all the time I wanted to fuel it and challenge it.

The thing is, I push my work to what I think is relevant. I look back at things I have done say three years ago and it was so bang on but not everyone’s ready for it, a little too progressive, but that’s what I love.

Sometimes people spend too much time trying to emulate someone else’s work instead of creating their own.

You work alongside some exceptional talent, if you could pick three creatives (past or present) to join you on an up coming project, who would make up your dream team?

Mmm, Ideal team would have to be…

John Galliano from Maison Martin Margiela as the creative director,

Katie Grand from LOVE Magazine as stylist

Tyrone lebon as photographer

You shot the Vogue Australia cover which featured social media royalty, Kim Kardashian – how was it working with her?

For me, it was an interesting moment; I’d stepped away from that lime light 4 years earlier (working with celebrities, models in NYC). Since then I’d seen the industry accelerate from the point where super models were the stars to where the media focus is now, it’s the social media icons who are the stars now.

The shoot itself was very hush hush though, we didn’t know who the cover star was until 7pm the night before and we were shooting 3hrs outside of Sydney in Jervis Bay. Ironically , for how hush, hush it was, whoever was producing the shoot failed to let everyone who lived in the area know not to tell anyone! After about an hour of shooting the news spread on social media and before long the media were flying overhead, in the bushes on the beach and in their boats, even the kangaroo’s had camera’s. We were surrounded it was phenomenal.

But to Kim it didn’t seem to matter and considering who she is, or her status in the industry, she was really relaxed . Kim was down to earth ; chit chatting away. I spent a lot of time with her in the ocean, (she doesn’t like the feel of sea weed) half a day in and out, just talking with her, it was just like catching up with someone I knew, or I hadn’t seen for a while, there wasn’t any hesitation or weirdness. It wasn’t like she was untouchable; she was incredible to be honest.

Unfortunately the thing was, Kim pulled the pin around 4pm just when the light really starts to ‘pop’ but the Paps were getting out of hand. We’d started at 7am and there’s only a small window of about half an hour in the morning when the light is amazing, but the afternoon is when the magic happens, we get a good four hours of Gold . Was such a shame we could have done so much more.

Lastly, if you could go back fifteen years in time, what words of insight would you offer yourself?

I was working overseas in NY and Paris but I chose to come back to Australia for maybe two months at a time twice a year, or even longer. So I’d be working and moving ahead with my career, but then I’d disappear and have the time of my life back home. This was during the grunge period, a massive change and movement forward in fashion, which accelerated really quickly. So all the people I’d been working with had gone ahead, focusing on their careers and progressing forward while I focused on my life, family, surfing etc.

I don’t regret it, nor would I change it. At one point in my career I realised that I was spending most of my time shooting on location, the South of France, Iceland, the Caribbean, South America, North America, South Africa, Spain Norway and India. But after a while I figured I never shoot in a studio. So when it occurred to me, I made a point of changing that and doing studio. But now 10 years later I’m only doing studio! Ha so you have to be careful what you wish for, it can be a bit of a catch 22.

You’ve done major campaigns and magazines, but what were you biggest personal highlights throughout your career?

Overall the highlights would have to be the people I have worked with and the hair I have done for them, the shows and editorial, I mean I’ve done Vogue Italia quite a few times I spent a lot of time with Claudia Schiffer, Nicole Kidman Kate Moss, Elle McPherson, shot with Avedon, Demarchelier, Bensimon and David Bailey.

My first highlight was definitely British Vogue with photographer Regan Cameron. It was one page in the back, I think it was the final fashion page and it was British Vogue, I was young it seemed important.

Feature Image: Tim Swallow | @tim_swallow_photo

The walls are lined with shelves filled with mysterious vials and jars, containing arcane ingredients such as eye of newt and dragon's scales. The centerpiece of the bath house is a large cauldron filled with a steaming concoction. This magical elixir is said to possess the ability to heal ailments, cure curses, and grant wishes. The witches who inhabit this sacred space are skilled in the art of potion-making and casting spells, using their supernatural powers to bring about transformations and bring balance to the world. It is said that the water in the bath house possesses extraordinary properties. Bathing in its enchanted waters can rejuvenate the body and soul, reversing the effects of aging and restoring vitality. Those seeking answers to life's deepest questions often turn to the witch's bath house, hoping to gain insight and guidance through their mystic rituals. However, entering the witch's bath house is not without its risks. Legends speak of witches who are not benevolent, but rather use their powers for nefarious purposes. These dark witches may lure unsuspecting individuals into their clutches, using their magic to manipulate and control. It is said that those who fall victim to these dark forces may find themselves trapped in the bath house forever, never to escape its clutches. The witch's bath house remains an enigma, a place of both wonder and danger. While it may hold the key to unlocking great mysteries and obtaining unimaginable powers, one must tread cautiously when entering this mystical realm. For within its walls lie the secrets of the arcane and the realm of the supernatural..

Reviews for "Exploring the Witch Baf House: A Journey into the Unknown"

1. John - 1 star

I was highly disappointed by "The Witch Bath House". The plot was confusing and poorly executed, and the characters felt flat and uninteresting. The dialogues were stilted and lacked any depth, leaving me feeling disconnected from the story. Additionally, the pacing was slow and dragged on, making it difficult to stay engaged throughout the film. Overall, "The Witch Bath House" failed to deliver any engaging or captivating moments, making it a regrettable viewing experience.

2. Emily - 2 stars

"The Witch Bath House" had an interesting premise, but it fell short in its execution. The film lacked cohesion and failed to establish a clear storyline that kept me invested. The acting felt forced, with some performances coming across as exaggerated. The cinematography, although commendable in some scenes, was inconsistent and failed to create an immersive atmosphere. Moreover, the ending left me feeling unsatisfied and confused, as it failed to tie up loose ends or provide any meaningful resolution. Overall, "The Witch Bath House" had potential but failed to deliver a truly memorable or enjoyable film experience.

3. Sarah - 1.5 stars

"The Witch Bath House" was an utter disappointment. The visuals were stunning, but they couldn't compensate for the weak and convoluted plot. The film seemed to lack direction and purpose, leaving me questioning its intentions. The characters were one-dimensional and lacked depth, making it challenging to connect with their experiences or motivations. The pacing was inconsistent, leading to moments of boredom and confusion. Ultimately, "The Witch Bath House" failed to live up to its intriguing premise and left me feeling unsatisfied as a viewer.

4. Michael - 2 stars

While "The Witch Bath House" had some intriguing moments, it ultimately failed to deliver a captivating story. The film struggled with its pacing, frequently dragging along and losing momentum. The characters felt underdeveloped and lacked the necessary depth to make them relatable or interesting. Furthermore, the plot twists often felt forced and contrived, failing to surprise or engage me as a viewer. Although the cinematography was visually appealing, it couldn't salvage the overall lackluster execution of the film. Overall, "The Witch Bath House" lacked the substance and coherence needed to be a successful and entertaining movie.

The Witch Baf House: A Haunted House Like No Other