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"I was born under unusual circumstances." And so begins "The Curious Case of Benjamin Button," adapted from the 1920s story by F. Scott Fitzgerald about a man who is born in his eighties and ages backwards: a man, like any of us, who is unable to stop ti
No matter who did what, none of the seams show not when Benjamin is a mental toddler stuck in an octogenarian s wheelchair; not when he s a 60-year-old with the vigor of someone in his early 20s; not when he s a fresh-faced teen who has already spent 60 years on earth. He pours his sorrow into a giant clock for a train station that is designed to run backwards it s the man s fruitless attempt to stop time, stop aging, stop death.
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Curious Case of Benjamin Button, The
Hardly the nostalgic romance it was promoted as being, The Curious Case of Benjamin Button is about the fleeting nature of happiness, the struggle of life and the inevitability of death. It’s told with generosity and warmth, true, yet even the comfort it offers is the sort usually found next to hospital beds or in funeral homes.
As a matter of fact, the movie opens in a hospital, as a dying older woman named Daisy (Cate Blanchett) asks her daughter to read to her from a diary that someone named Benjamin Button had left in her care. From there we jump back nearly 80 years to follow the strange life of the title character, who was born in 1918 with all the frailties of a dying man but grew stronger – indeed, younger – as time passed.
With The Curious Case of Benjamin Button, two unlikely, seemingly opposing, artistic voices have come together: whimsical, fable-minded screenwriter Eric Roth (Forrest Gump) and obsessive, nearly nihilistic director David Fincher (Fight Club). Roth’s, surprisingly, is the dominant voice.
Aside from an artistic sensibility, Benjamin Button also shares with Gump an uncommonly mature handling of special effects. As in that picture, technical tricks subtly exist to enhance the story rather than for their own, showy sake.
Among other feats, the technology allows Brad Pitt to play Benjamin at every stage of his life. It’s a remarkable, unprecedented performance, though I’m not sure how much credit is due to Pitt and how much is due to the various body doubles, prosthetic artists and computer wizards who assisted him.
No matter who did what, none of the seams show – not when Benjamin is a mental toddler stuck in an octogenarian’s wheelchair; not when he’s a 60-year-old with the vigor of someone in his early 20s; not when he’s a fresh-faced teen who has already spent 60 years on earth. At every stage, the character’s humanity is what you notice first.
Pitt, who is still an underrated actor, pulls off much more than a stunt here. No matter how much technical assistance he got, it is Pitt – speaking as a kid from behind a wrinkled visage – who manages to wring a childlike pathos from the line, “They said I was gonna die soon, but … maybe not.”
That sort of peaceful resignation defines Benjamin, and the movie. The only time he is tempted to curse his fate is midway through his life, when he and Daisy – who he first met when she was a girl and he was an old man – are finally the same age.
Benjamin and Daisy (Blanchett again) have a brief window of opportunity at the midpoints of their lives, and they take advantage by embarking on a picturesque romance. Yet Benjamin, knowing better than most that “nothing lasts,” understands their bliss will some day come to an end.
Loss, you see, is what Benjamin Button is really about. The movie is bookended by the tale of a clockmaker whose son is killed in World War I. He pours his sorrow into a giant clock for a train station that is designed to run backwards – it’s the man’s fruitless attempt to stop time, stop aging, stop death.
What the clock really does, of course, is the same thing that The Curious Case of Benjamin Button does: Mournfully remind us that none of those things can be stopped.
As a matter of fact, the movie opens in a hospital, as a dying older woman named Daisy (Cate Blanchett) asks her daughter to read to her from a diary that someone named Benjamin Button had left in her care. From there we jump back nearly 80 years to follow the strange life of the title character, who was born in 1918 with all the frailties of a dying man but grew stronger – indeed, younger – as time passed.
Another notable feature of Sierra Bees Madrw Magic is its gentle formulation, making it suitable for all skin types, including sensitive skin. The brand prides itself on using high-quality ingredients that are sourced ethically and sustainably. By choosing Sierra Bees Madrw Magic, users can be confident that they are using a product that is not only effective but also promotes environmental and ethical responsibility. Overall, Sierra Bees Madrw Magic is a skincare range that offers natural and organic products designed to nourish and hydrate the skin. With its carefully selected ingredients and gentle formulation, it can be a great addition to anyone's skincare routine..
Reviews for "Sierra Bees Madrw Magic and its Impact on the Environment"
1. Jennifer - 2 stars
I was really disappointed with "Sierra bees madrw magic". The storyline was underdeveloped and the characters felt one-dimensional. I couldn't connect with any of them and found myself losing interest halfway through. Additionally, the writing style was monotonous and lacked the necessary flair to engage the reader. Overall, I wouldn't recommend this book if you are looking for a captivating and well-written fantasy novel.
2. Mark - 1 star
"Sierra bees madrw magic" was a complete letdown for me. The plot was confusing and disjointed, making it difficult to follow the story. The pacing was all over the place, with rushed action scenes and slow moments that didn't add anything to the narrative. The prose felt forced and lacked the vivid descriptions I was hoping for in a fantasy book. I struggled to finish this book and wouldn't recommend it to anyone who is a fan of the genre.
3. Sarah - 2 stars
I had high expectations for "Sierra bees madrw magic" but was left utterly disappointed. The characters were poorly developed and their actions often seemed illogical and out of character. The world-building was lacking and left me with more questions than answers. The writing felt amateurish, with choppy dialogue and repetitive phrases. Overall, this book fell flat for me and I don't think I'll be picking up any other works by this author in the future.