The Death Curve of Tartu refers to a dangerous section of Tartu maantee, a major road in Tartu, Estonia. This section of the road has gained notoriety for being the site of numerous fatal accidents over the years. The curve is located near the Raadi cemetery and has been the site of multiple crashes and fatalities. The road curves sharply to the left, and its layout makes it difficult for drivers to navigate safely, particularly at high speeds. The curve is known for being deceptive, as it tightens unexpectedly, catching drivers off guard. This has led to a high number of accidents, particularly those involving motorcycles and larger vehicles.
She is portrayed by Matreya Scarrwener as a child and Teri Reeves as an Adult.
To refer to Zizek s model of political action, Dorothy s narcissistically-preoccupied friends have become passionately attached to some Cause for which they are ready to risk everything. As Dorothy fights off despair, Glenda reappears and tells her that she may simply tap the heels of the Ruby Slippers together three times and go home.
This has led to a high number of accidents, particularly those involving motorcycles and larger vehicles. The Death Curve of Tartu has been a cause for concern among local authorities and residents for a long time. Efforts have been made to improve safety on this stretch of road.
Caravan - by Dorothy Gilman (Paperback)
The bestselling author of the Mrs. Pollifax novels sweeps an intriguing new heroine into a captivating adventure of suspense, romance, and danger. With her anthropologist husband murdered and their caravan stolen, Caressa's choices are few: death by starvation, thirst, or murder, or a life of slavery. Disguised as an Arab boy, she embarks on a dangerous quest for freedom.
Book Synopsis
"A lushly romantic adventure story set in the North African desert in 1914, told by the impeccable Lady Treal as she reminisces in her London town house about her decidedly peccable past . . . Well-written, expertly plotted, perfectly paced."--Newsday
With her anthropologist husband murdered and their caravan stolen by fierce Tuareg tribesmen, Caressa has two choices: death or a life of slavery. Concealing her dangerous beauty beneath the faded robes of an Arab boy, she embarks on the adventure of her life, harassed by vicious nomads, slave traders and the envious witch doctor, Isa. Only a handful of carnival magic tricks stands between her and oblivion. Then she discovers an inner magic so mysteriously compelling that the desert people call her a sorceress. . . .
"Sheer reading pleasure."--Publishers Weekly
Review Quotes
"Gilman's best . . . A tribute to the artful power of simple, old-fashioned storytelling in the hands of a master."--Kirkus Reviews
"A real corker . . . Filled with romance, action, adventure and drama . . . This is a completely romantic novel that never slows in its mad rush to a poignant and delicate conclusion. Gilman's words soar with the energy of a bomb and yet impact with the delicacy of a handful of goose down. A throwback to the days when authors wrote to tell a tale, Caravan deserves a wide audience."--Ocala Star-Banner
"Excellent . . . exciting . . . This is a romantic novel of a special kind--one that tells of exotic places and evokes interest that lingers like a remembered fragrance. . . . The background is rich in description and the sensual overtones are acceptable for readers of all ages."--The News (Southbridge, MA)
"Exciting, dramatic . . . An old-fashioned novel of danger, mystery, and intrigue--a romance-adventure story colorfully told by a skillful writer."--Ormond Beach Observer
About the Author
Dorothy Gilman (1923-2012) was the author of 14 Mrs. Pollifax novels, including The Unexpected Mrs. Pollifax, the series debut; Mrs. Pollifax Pursued; Mrs. Pollifax and the Lion Killer; Mrs. Pollifax, Innocent Tourist; and Mrs. Pollifax Unveiled. She was also the author of many other novels, among them Thale's Folly.
Dorothy’s ultimate fate is framed by a restrictive definition of femininity. She intends to go back to Kansas with the Wizard, but the balloon becomes prematurely unmoored and the Wizard, concluding his fall from omniscience by yelling he doesn’t know how the balloon works, floats away. As Dorothy fights off despair, Glenda reappears and tells her that she may simply tap the heels of the Ruby Slippers together three times and go home. Again, as in the case of her friends, this capacity was always within her grasp. But Dorothy’s return to sepia-toned Kansas entails the loss of the slippers as well as the vibrant technicolor of Oz. Her loss of the slippers and the broader draining of the environment represents a yielding up of something flamboyant and at least prospectively sexual. This impression of loss is strengthened by her exquisitely sentimental final affirmation “If I ever go looking for my heart’s desire again, I won’t go looking any further than my own back yard, because if it isn’t there, it isn’t anywhere. Oh, Auntie Em, there’s no place like home!” Her revelation coincides with an oath of allegiance to domesticity.
Measures such as warning signs, reducing the speed limit, and adding reflective road markings have been implemented. However, despite these efforts, accidents continue to occur. In recent years, there have been calls for more extensive measures to address the issue. Some suggest the installation of a roundabout or a traffic signal at the curve to help slow down traffic and improve visibility. Others propose widening the road or adding physical barriers to prevent drivers from losing control. The Death Curve of Tartu serves as a reminder of the importance of road safety and the need for constant vigilance while driving. Motorists are advised to proceed with caution when approaching this section of Tartu maantee and to be aware of the potential dangers it presents. Efforts to improve safety on the road are ongoing, with the hope of reducing the number of accidents and fatalities in the future..
Reviews for "Public Health Interventions: Evaluating the Effectiveness of Measures in Shaping Tartu's Death Curve"
- Sarah - 2/5 stars - I found "Death Curve of Tartu" to be very underwhelming. The plot was predictable and lacked any real suspense or thrills. The characters were one-dimensional and lacked depth, making it hard to connect with them or care about their fate. The pacing of the film felt off, with long periods of dull dialogue and then sudden bursts of action that didn't flow well. Overall, I was disappointed with this movie and would not recommend it to others.
- John - 1/5 stars - "Death Curve of Tartu" was a complete waste of time for me. The acting was subpar and the dialogue felt forced and unnatural. The special effects were laughably bad, making it impossible to take the movie seriously. The storyline was confusing and poorly developed, leaving me frustrated and bored. I had high hopes for this film, but it turned out to be a major letdown. Save your time and skip this one.
- Emily - 2/5 stars - I didn't enjoy "Death Curve of Tartu" as much as I hoped. The premise had potential, but the execution fell flat. The pacing was slow and dragged on, making it difficult to stay engaged. The characters were uninteresting and lacked any real development. The film relied too heavily on tired horror movie clichés, failing to bring anything new to the table. Overall, I found it to be a forgettable and unremarkable film.