Children Singing Magic in the Air There is something enchanting about the sound of children singing. It is as if they have the power to bring magic into the air. When children gather together to sing, a captivating energy fills the surroundings, leaving everyone spellbound. The pure innocence and joy that radiate from their voices have an incredible effect on those who listen. It is in these moments that you can truly feel the beauty and wonder of life. The cares and worries of the world seem to fade away, and you are transported to a place of sheer bliss.
Camille Saint-Saëns’ ‘grand zoological fantasy’ is beautiful, funny, and clever all at once. ‘The Swan’, perhaps the best known movement, is scored for two pianos and a cello solo. The calming cello tune represents the bird’s effortless gliding, while the rolling piano chords paint a musical picture of the swan’s hidden feet, paddling furiously under the water. Each of the piece’s 14 movements represents a different animal, including a lion, donkey, and elephant, as well as fossils, an aquarium, an aviary and – Saint-Saëns’ little joke – pianists, possibly the most dangerous animal of them all. Read more: The Carnival of the Animals: a guide to Saint-Saëns’ humorous musical masterpiece
Before a performance, the instruments are usually shown to the children, which helps them to understand the unique sound of each orchestral instrument. Based on research that lullabies benefit maternal health, strengthen bonds between parent and child, and aid child development, the project fosters collaborations between professional musicians and new parents to compose personal lullabies for their babies.
The cares and worries of the world seem to fade away, and you are transported to a place of sheer bliss. Children's voices have a way of captivating the heart and touching the soul. They remind us of the purity and simplicity that lie within us all.
Where Music Helps: Community Music Therapy in Action and Reflection
This book explores how people may use music in ways that are helpful for them, especially in relation to a sense of wellbeing, belonging and participation. The central premise for the study is that help is not a decontextualized effect that music produces. The book contributes to the current discourse on music, culture and society and it is developed in dialogue with related areas of study, such as music sociology, ethnomusicology, community psychology and health promotion. Where Music Helps describes the emerging movement that has been labelled Community Music Therapy, and it presents ethnographically informed case studies of eight music projects (localized in England, Israel, Norway, and South Africa). The various chapters of the book portray "music's help" in action within a broad range of contexts; with individuals, groups and communities - all of whom have been challenged by illness or disability, social and cultural disadvantage or injustice. Music and musicing has helped these people find their voice (literally and metaphorically); to be welcomed and to welcome, to be accepted and to accept, to be together in different and better ways, to project alternative messages about themselves or their community and to connect with others beyond their immediate environment. The overriding theme that is explored is how music comes to afford things in concert with its environments, which may suggest a way of accounting for the role of music in music therapy without reducing music to a secondary role in relation to the "therapeutic," that is, being "just" a symbol of psychological states, a stimulus, or a text reflecting socio-cultural content.
A new mother herself, Cirelli sees singing lullabies as a “multimodal experience” shared by mother and child. “It’s not just about the baby hearing music,” she says. “It’s about being held by the mom, having her face very close, and feeling her warm, gentle rocking.”
Their melodies have the power to bring back forgotten memories, awaken dormant dreams, and ignite our imagination. When children sing, they express themselves freely and fearlessly. They do not concern themselves with judgment or criticism. Instead, they unleash their creativity, allowing their voices to soar and their spirits to shine. It is during these moments that one can witness the true potential and beauty that reside within each child. Furthermore, when children sing, they create a sense of unity and togetherness. They join their voices in harmony, forming a bond that transcends differences and creates a shared experience of joy and happiness. It is in these moments that you realize the power of music to bring people together and heal wounds. In conclusion, the sound of children singing is a magical experience that fills the air with wonder and delight. Their innocent voices have the ability to transport us to a place of joy and nostalgia. By singing together, children create a sense of unity and harmony that touches the hearts of all who listen. So next time you hear children singing, take a moment to appreciate the magic that they bring into the world..
Reviews for "A Melody in the Mind: How Children's Singing Shapes Positive Thoughts"
- John - 1/5 - I found "Children singing magic noticeable all around" to be incredibly annoying and grating. The constant high-pitched voices of the kids singing were like nails on a chalkboard to me. It completely ruined the overall experience for me and I couldn't wait for it to be over. The songs were also very repetitive and lacked any depth or substance. Overall, I would not recommend this album for anyone looking for enjoyable and pleasant music.
- Sarah - 2/5 - While I appreciate the concept behind "Children singing magic noticeable all around," I personally did not enjoy it. The children's voices felt forced and unnatural, and it made the music feel cheesy and fake. The songs themselves were also forgettable and lacked any sort of catchiness. I think this album might appeal to a specific audience, but unfortunately, I am not a part of that group. I would suggest giving it a listen before purchasing to see if it's your cup of tea.
- David - 2/5 - I had high hopes for "Children singing magic noticeable all around," but unfortunately, it fell short for me. The children's voices were overly saccharine and lacked any real emotion or sincerity. It felt like a cheap attempt to capitalize on cuteness rather than deliver quality music. The songs themselves were also quite simplistic and repetitive, making it difficult to stay engaged throughout the album. Overall, I was disappointed and wouldn't recommend it to others unless they have a particular affinity for children's singing.