It was a dark and stormy night, rain lashing against the windows with force. The wind howled through the trees, causing them to sway ominously. Inside the cozy cottage, a single candle flickered, casting eerie shadows on the walls. The atmosphere was tense, as if the very air held its breath, waiting for something to happen. As the clock struck midnight, a sudden tap came from the window. Startled, the occupants of the cottage turned towards the sound, their hearts pounding in their chests.
Inevitably, the accused women were each outcasts in their own way: they were visually unappealing, drinkers, smokers and with various disabilities. On March 31st, 1711, the eight women were found guilty of bewitching Mary Dunbar – but the precise nature of the sentences and the punishments was not recorded.
Florence Goody Newton was a beggar whose crime was to call to the house of John Pyne, a Youghal nobleman, during Christmas 1660 to ask for a piece of beef out of the powdering tub. She confessed, was flogged through six parishes and burnt at the stake in Kilkenny on November 3rd, 1324 the first person to be burnt for heresy, as witchcraft was not yet on the statute books.
Startled, the occupants of the cottage turned towards the sound, their hearts pounding in their chests. Another tap followed, louder this time, and it seemed to echo through the room. It was as if something or someone wanted desperately to be let in.
Irish-American Witchcraft: ‘Celtic’ Paganism and Ancestry
I’ve seen a noticeable uptick in the last several months among US-based Celtic* pagans (in particular) of the idea that ancestry is in some way essential to a Celtic pagan spirituality. I’m going to be honest: I find that idea concerning, so I decided that I’d write about it today and try to dig into the concept. I feel strongly that this is an issue we, as a community, must face head on, now, to avoid much more significant issues later. In this case it is too easy for things to slide – slowly or quickly – into a place of white supremacy and that is not a place I will stand by and watch my spirituality go to.
Near Aasleagh Falls, Connemara, Ireland. Public Domain photo by Finn Terman Frederiksen via Wikimedia.
Caveat Lector
I’ve never been subtle with my opinion on this, and anyone who has ever read my other writings should be aware that I’m very strongly against racism or xenophobia in spirituality. I believe that Celtic language-speaking cultures are not genetic but learned, meaning that anyone with enough effort and acceptance from the culture can belong. Modern Ireland, Wales, and Scotland (for some examples) are diverse places and that diversity needs to be appreciated and respected; the idea that a person having a different ethnicity or skin colour being disallowed from so-called Celtic spirituality is, in my opinion, nonsense.
Finding Spirituality Through Ancestry
What I see more and more often is people who clearly establish their ancestry or ancestral connection to a Celtic language culture in order to justify or explain why they are choosing that path. And to be clear there is nothing wrong with seeking spirituality by looking to where you or your family has come from. However, I encourage people to really think about why they are doing this. Are you seeking to connect to spirituality through the guidance of ancestors? Or are you using ancestry as a way to feel entitled to a spirituality? Is that ancestral connection a stepping stone forward for you, or is a shortcut to a sense of belonging?
Most importantly, do you think that people with no ancestral connection can still follow a Celtic language-speaking paganism?
People ignore 90% of their ancestors in order to focus on a single one, often many generations back. Image by suju, Pixabay.
I have seen people ignore 90% of their ancestors in order to focus on a single one, often many generations back, as if having that one ancestor was a key to accessing a spiritual path. and I always wonder, what about the other 90%?
For myself, I think that in the United States we need to – and I mean need to – acknowledge and integrate all of our ancestry and our wider cultural history even if we don’t choose to incorporate all of it into our spirituality. This can be a painful and messy process especially as it inevitably means acknowledging the mistakes and pain inflicted by various groups on each other. But we cannot pick and choose here because ignoring one group that we find distasteful to focus on one we like inevitably creates problems for us on deep levels. My own ancestry comes from various groups which killed or oppressed each other over the last several hundred years, but I can only heal that within myself by acknowledging it.
If we do decide to focus in on one specific aspect of our heritage then it’s important not to see that genetic connection as a free pass. What makes you a Celtic pagan, of any flavour, isn’t who your great-grandmother was but how much you work to understand that culture and its Gods & spirits. Connection to these cultures takes effort and a willingness to be open minded and to learn.
It’s about how much you work to understand that culture and its Gods & spirits. Image by PDPhotos, Pixabay.
What the Mythology Has to Say
I generally don’t like to lean on mythology or textual references for these topics because so often they are twisted to support agendas. However in this case I do want to point out that in Irish mythology – the Lebor Gabala Erenn specifically – when humans first came to Ireland in the form of the Milesians they acknowledged and respected the Irish sovereignty Goddesses despite having their own deities beforehand. There is a scene where the sons of Mil meet each of three sovereignty Goddesses in turn and make deals with them to secure Ireland for themselves. When one of the Milesians, Donn, argues that they should not do this because they have their own Gods already, the elements turn against him and he is drowned. After this battle, when the Milesians have secured Ireland, they must make a pact with the Dagda in order for their crops and cows to flourish. All of this says to me that it isn’t where you come from or what Gods you worshipped before that matters, but whether a person is willing to enter into a relationship with the Gods of Ireland.
Seeing the Bigger Picture
Many people seek spirituality by looking to their own heritage and there is nothing wrong with that, but that heritage is not in any way a prerequisite to Celtic paganism. There is, and should be, no proof of ancestry required, no judgment based on appearance, no need to justify your interest. The world is an ever-changing place and diversity is a strength, not a weakness. If your ancestral connection does matter to you then seek to nourish and expand that, certainly, but never fall into the trap of seeing it as necessary to who and what you worship in a Celtic context.
You don’t need a DNA test to be a Celtic pagan. You just need a willingness to learn and connect to the specific culture.
*I personally do not like the term Celtic, which is often misused in paganism, but in this instance I am using it because it is the term that the community itself uses. My own usage would lean more towards Celtic language-speaking with an understanding that each individual culture within that is unique, rather than the widespread use of the word as an umbrella term for one unified culture that never really existed as such.
With trembling hands, one of the occupants slowly made their way towards the window. The tapping continued, growing more urgent with each passing second. The figure outside was obscured by the rain-soaked glass, but they could make out a hunched silhouette. Summoning their courage, they cautiously opened the window, revealing a haggard old witch standing on the other side. Dressed in tattered robes and holding a gnarled wooden staff, she appeared frail yet formidable. Her piercing gaze met theirs, and they could feel the power emanating from her. The witch's voice was hoarse as she pleaded for shelter from the raging storm. She explained that she had been travelling for days, seeking refuge from the darkness that pursued her. The occupants of the cottage hesitated, unsure whether to trust this mysterious stranger. But the desperation in her eyes compelled them to offer her sanctuary. As the witch stepped inside, the atmosphere in the room shifted. Her presence seemed to bring with it an air of ancient magic, as if the very walls of the cottage held secrets waiting to be unlocked. She spoke of her centuries-long existence, of the battles fought and the worlds traveled. Despite her eerie appearance, the witch possessed a gentle kindness that put the occupants at ease. With her help, they discovered hidden talents and unearthed their own dormant powers. She taught them the ways of the natural world, the ancient rituals and the spells of protection. Days turned into weeks, and as the storm subsided, the witch was ready to continue her journey. Grateful for the refuge they had provided, she bestowed upon them a token of her gratitude – an enchanted amulet that would protect them from harm. As the witch bid them farewell, she disappeared into the misty night, leaving the occupants of the cottage forever changed. They had encountered a witch tapping on their window, but instead of fear, they found wisdom, strength, and a newfound connection to the supernatural world..
Reviews for "The Witch's Midnight Ritual: Tapping on Windows to Communicate"
1. John - 1/5 stars - I found "Witch tapping on window" to be extremely boring and unoriginal. The plot was predictable, the characters were flat, and the dialogue was cliché. The writing style was also lackluster, with choppy sentences and awkward transitions. Overall, I was very disappointed with this book and would not recommend it to others.
2. Sarah - 2/5 stars - While "Witch tapping on window" had an intriguing premise, the execution fell short for me. The pacing was slow, and it took a long time for the story to build up any real momentum. Additionally, the characters lacked depth and were difficult to connect with. The writing itself was decent, but I was ultimately left feeling unsatisfied and unengaged by the whole experience.
3. James - 2/5 stars - I had high hopes for "Witch tapping on window," but unfortunately, it didn't meet my expectations. The storyline had potential, but it felt underdeveloped and lacking in originality. The main character's motivations were unclear, and the actions of the witch felt unconvincing. The writing style was readable, but overall, I found the book to be forgettable and would not recommend it to others.