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a Gift & a Curse

The Atlanta rapper tries to testify to the emotional burdens of the YSL case while staying lighthearted, resulting in an album that both lacks depth and is too absorbed in real-life drama.

On his last album DS4Ever, Gunna’s main concerns were what fast car to drive and pair of designer jeans to throw on. Now, he’s got the weight of YSL’s RICO case on his shoulders. Since he was released from jail in December, the generally tiresome social media conversation—driven by salacious Instagram and YouTube rags, plus a few rappers looking for attention—has focused on whether he “snitched.” But Gunna’s priority isn’t really responding to internet jokes. Instead, on his new album a Gift & a Curse, he’s trying to describe the emotional strain of a case that has torn apart brotherhoods and changed his outlook on life. He’s also attempting to keep the fun and lighthearted spirit of his prior music. The result is an album that is too vague to have much depth and too absorbed in real-life drama to have the feel-good vibes he wants to preserve.

Lead single “Bread & Butter” sets the tone, balancing anger at friends who have turned their back on him with wistfulness for the old days when none of this was on his mind. It’s the kind of confessional, melodic pain rap that is popular in the Deep South, but the AutoTune-heavy singing is too monotone and polished for it to be effective; listen to how a crooner like Tampa’s T9ine lilts to make up for not having a big voice. Gunna could also attempt lyrical vulnerability, emulating the blunt poetics of an artist like Jacksonville’s Lil Poppa. But he is mostly still caught up trying to puff out his chest.

I get it. He rose to the top of the Atlanta hip-hop ranks by being cool; it’s hard to dig in when he’s never really had to. Still, it’s frustrating when you can tell that he’s not being entirely real with you. Such is the case on the overly guarded and painfully slow “Paybach,” where he alludes to friends accusing him of betraying Young Thug by taking the Alford plea: “Switching on my brother are you serious?” he coos. I can assume that he’s wounded and confused by that accusation—but I have to assume, because instead of letting us in, he follows up with the flex “Nigga ain’t gon’ touch me and that’s period.” Similarly, “Idk Nomore” avoids all feelings with threats and hollow platitudes. At one point he sings, “Wanna know how Wunna feel? then listen to my music”—as if that isn’t what we are doing.

He’s better off on songs like “Fukumean,” where he goes back-to-the-basics—smoking good weed, thinking about boobs—deploying the explosive, run-on flow he nailed down around Drip Harder. Or on “Ca$h $hit,” where he continues to be nondescript emotionally but exhibits some imagination in the countless ways he describes getting fits off: “I drip like sweat in the sauna” and “Pop out, when I drip it’s a puddle.” The breezy beat of “Ca$h $hit,” with its low-key woodwinds whirling in the background, is one of the rare instrumentals that has any life to it. Notably, both of these songs come in the middle of the 15-track album, smashed in between lots of seriousness. They’ll be solid singles, but here, they really tear you from the moment.

Gunna is yet another rap star struggling with the expectation that if you hit a low point, you have to be prepared to let it all out by the next annual release date. Of all the tracks on a Gift & a Curse, “Rodeo Dr” feels truest to where he’s at right now. The beat is brisk, the flows switch, and luxury goods are still in sight but he airs some frustration: “Fuck this shit, you know I’m still doing it for Jeff and Lil Keed,” he raps, and that “Fuck this shit” is more moving than any part where being moving is the point. Clearly, Gunna isn’t ready or willing to fully pull at his emotions. I’d rather hear the album he wants to make over the one he feels like he’s supposed to. Maybe now that he’s gotten a Gift & a Curse out of the way, he’ll feel free.

The Gift and Curse

It has been speculated that the quote, “the meaning of life is to find your gift, the purpose of life is to give it away,” was penned by Pablo Picasso. Whether he said it or not, the statement is a strong indicator as to how complex and onerous the journey of embarking to finding oneself can be. In this writing, as an identifier, the curse is a parallel to the gift. When your undiscovered, yet, innate gift is continually avoided, it becomes your curse. This activates a push for discovery. Not many demonstrate such courage to walk through the journey unafraid of the unknown until the known is established.

In the beginning stages of self discovery there are times when we become aware of what actually is, however, the pull to slip into habitual safety can distract from pushing further into new territory of your potential. Having a good moral foundation or good enough parents doesn’t guarantee anything when it comes to the tapping into your gift. What does assist in this discovery though, is yourself and the assistance you receive along the way. Acceptance or assistance can be a tricky maleficence if it isn’t in line with uncovering your gift and can actually cause the curse to show face in a more radical way. Looking at the word curse, for most, it holds a negative connotation. Though, when closely examined, the curse can assemble the catalyst for a self-transformative experience. The curse doesn’t walk away unrewarded. Yes, tapping into your gift means understanding the existence of your curse.

The curse is useful and necessary to discover the gift, as it acts as a motivator for discovery. The gift, somehow sees the curse as unnecessary once discovered yet unable to completely eradicate its existence. For good reason, to serve as a reminder for self to not retreat. If retreating does take place, to not backpedal for too long. Freud identifies two drives that both coincide and conflict within the individual and among individuals. Eros is the drive of life, love, creativity, and sexuality, self-satisfaction, and species preservation. Thanatos, from the Greek word for "death" is the drive of aggression, sadism, destruction, violence, and death. At the conclusion of C&D, Freud notes (in 1930-31) that human beings, following Thanatos, have invented the tools to completely exterminate themselves; in turn, Eros is expected to "make an effort to assert himself in the struggle with an equally immortal adversary. But who can foresee with what success and with what result?” The coexistence is inevitable, yet the hopes is for the light to shine in darkness. To come to terms with your gift is to know your curse. It’s a receipt and recipe for the extension of self in the world and the utilization of self.

Gunna marks return with new album 'a Gift & a Curse'

The Atlanta rapper goes it alone on his latest effort.

Today (June 16), Gunna delivered his fourth studio LP, a Gift & a Curse, a 15-song effort with zero features and production from 88Krazy, CuBeatz, Fresh Ayr, Ghetto Guitar, EVRGRN, Mario Petersen, Swiff D, Omar Grand, LNK, Pooh Beatz, and more. The surprise album was preceded by the well-received single “bread & butter,” a Turbo, Omar Grand, and Cam Griffin-produced response to those who have ostracized him since his highly publicized release from jail.

“Peepin’ s**t, I’m seein’ n**gas fall back, you b**ch-a** n**gas got me as the topic of the chat, you switched on me when you know you in business with a rat, and the boy that’s like your brother, ain’t nobody speak on that, the city see it clearly if I had to state a fact, you still f**k with a n**ga that done got yo’ partner… heard these n**gas talkin’, only knew ’em ’cause of Slatt, these rap boys need more streams, heard he put my name on wax, you wouldn’t even believe, I ain’t had to watch my back, it’s n**gas really talkin’, how you think we done got snatched?”

DS4EVER, which boasted 20 songs and collaborations alongside Future, Young Thug, 21 Savage, Drake, Kodak Black, Chlöe, Lil Baby, G Herbo, Roddy Ricch, Chris Brown, and more. The project skyrocketed to No. 1 with 150,000 album-equivalent units sold during its first week of release. Since then, he liberated the loose single “Banking On Me” and contributed to a wealth of songs from his peers, including Cordae’s “Today,” Lil Durk’s “What Happened To Virgil,” Pharrell Williams’ “Functional Addict,” Pooh Shiesty’s “Certified,” DJ Khaled’s “FAM GOOD, WE GOOD,” and Metro Boomin’s “All The Money.”

Press play on Gunna‘s a Gift & a Curse below.

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