Exploring the Dark Side: The Occult Practices of Twilight Witchcraft

Twilight Witchcraft Blackberry is a fascinating topic that combines elements of witchcraft and folklore with the mystical properties of blackberries. In many cultures, blackberries are associated with various supernatural beliefs and have been revered for centuries. Blackberries have long been considered a sacred fruit in pagan traditions, often associated with the night and the darkness. In ancient European folklore, the blackberries were believed to be associated with witches and dark magic. It was believed that witches would hold rituals and gatherings during twilight hours, incorporating blackberries into their spells and potions. The magical properties of blackberries can be traced back to their associations with different deities and goddesses.

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The magical properties of blackberries can be traced back to their associations with different deities and goddesses. In Celtic mythology, the blackberry bush was believed to be protected by the goddess Brighid, who was associated with both healing and transformation. Blackberries were often used in rituals and ceremonies dedicated to her.

Magic Portal

Dive into the world of Welsh mythology with Lloyd Alexander's classic children’s fantasy series, Chronicles of Prydain. Over three modules, we'll explore the five novels and Disney’s animated adaptation. We will unpack themes like bravery, friendship and identity while following the epic journey of Taran, an assistant pig-keeper who dreams of adventure. Every week, you will get to connect with fellow book lovers and share your insights. This module is perfect for the creative writer looking to pick up techniques through close reading, or for anyone looking for the warmth of a cozy book club. Enroll now and join the battle against Arawn and the Horned King!

Module 1: The Book of Three / The Black Cauldron
Module 2: The Castle of Llyr / Taran Wanderer
Module 3: The High King / Disney’s The Black Cauldron

Book Club: Dragonlance Chronicles by Margaret Weiss and Tracy Hickman

Join us for a nostalgic look back at the early days of Dungeons & Dragons with Margaret Weis and Tracy Hickman's beloved series! Across three modules, we'll follow the heroic adventures of unforgettable characters like Tanis, Raistlin, Caramon and Sturm as they battle the forces of the Dragon Queen. Along the way, we'll explore themes of friendship, sacrifice and the redeeming power of love. Whether you're a long-time fan or discovering the world of game lit for the first time, our book club is the perfect way to connect with fellow readers and share your thoughts on these epic tales. This module is perfect for the creative writer looking to pick up techniques through close reading, or for anyone looking for the warmth of a cozy book club.

Module 1: Dragons of Autumn Twilight
Module 2: Dragons of Winter Night
Module 3: Dragons of Spring Dawning

Book Club: Harry Potter and the Sorcerer's Stone

Merlin's beard, let's read the first Harry Potter book!

By popular demand, here is the long-awaited Harry Potter book club! We will get together twice a week to explore the series, reading through the books at a relaxed pace. Connect with fellow readers and share your insights as we discover (or rediscover) the magic.

First, we will go back to where it all began, Harry Potter and the Sorcerer's Stone. Over one month, we will follow eleven-year-old Harry's adventures as he commences his study at Hogwarts School of Witchcraft and Wizardry. Together, we will explore themes like friendship, courage, and the power of love.

Please note, my classroom is a welcoming space for all students. Transphobic or bigoted comments of any kind will not be tolerated.

Creative Writing: Historical Fantasy

Step back in time and unleash the fantastic! In this module, you will unlock the secrets of transporting readers into historical worlds that incorporate magic, myth and legend. Unpacking examples from authors such as Michelle Paver, Lian Hearn and Mary Robinette Kowal, you will discover how to fuse the writing techniques of realistic historical fiction with those of fantasy. You will then have the opportunity to write short pieces based on fun writing prompts and share them in a supportive workshop, or you can share extracts from an extended project if you prefer. A fascinating module that will help you bring life to worlds of wonder and delight.

Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here.

Demons and Exorcism in History

This module explores the practice of exorcism, from ancient Egypt and the Near East through antiquity and into Judaism, Christianity, and Islam. We will look at spells, rituals, and practitioners as well as the causes of possession, demons, and curses.

Egyptian Book of the Dead

This module would be an introduction to the Egyptian Book of the Dead without presuming a knowledge of Egyptian Hieroglyphs. We would read about and discuss the origins, transmission, context, and look closely at some different examples.

Egyptian Magical Texts

Another variation of this class looks at the history of magic writing, starting with the Pyramid texts and their evolution into the Books of the Dead, Coffin Texts, and the Greek Magical Texts. We will look closely at the origin and evolution of Egyptian spells and texts, as well as the culture that gave rise to them. How did magic work? How are writing and magic bound to one another? How are writing, magic, and image related? What were the various spells for?

Hieroglyphs Reading Module: Book of the Dead

This module allows those who have completed the hieroglyphs reading module an opportunity to further explore the Egyptian language and glyphs. We will slowly read a small selection of "spells" from the Book of the Dead and discuss them and their context.

Intermediate Egyptian Magic

A continuation of the themes from Introduction to Egyptian Magic. We will add to our repertoire of spell and magical categories, including a variety of specific spells from texts and objects, including magic-medical spells, wands, execration materials, and amulets. This class will also review some of the magic associated with religious rituals and the afterlife. What constituted a magic object and how were they used? What magic was useful for the afterlife?

Introduction to Ancient Magic 1 First in the Series

An introduction to magic in the ancient world provides a short survey of the earliest known magical texts and objects, including the Pyramid texts, Sumerian exorcism spells, and objects used in different apotropaic rituals. Divination and other forms of magic will be included as well. What was the earliest magic? What did it do and how did it work? Who practiced magic? How was magic related to religion?

Introduction to Ancient Magic 2 Continuing Series

This class continues into module two where we look specifically the Greco-Roman world, magic in myth and literature, and specific spells and objects in use throughout the classical world, including their relations to Mesopotamia and Egypt. This includes the Greek magical texts. What types of magic did they use? Who practiced them and why?

Introduction to Ancient Magic 3 Continuing Series

Last in the sequence of Ancient Magic is the use of magic in the early Christian world, its relationship with contemporary magic, and related texts. We will explore the origins of this magic, how it was used, and how it evolved over time. We will look at both religious and non-religious magic through a number of examples, both verbal spells and magical items, such as Aramaic incantation bowls.

Introduction to Ancient Magic Series Series

This is the Landing Page for Prof. Shawn Gaffney's series exploring Ancient Magic.

This page will be updated to reflect which module in the series is being explored in a given month.
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Introduction to Ancient Magic Series:
• Module 1: Introduction to Ancient Magic 1 > Link
• Module 2: Introduction to Ancient Magic 2 > Link
• Module 3: Introduction to Ancient Magic 3 > Link
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NOTE: Students can jump in at any month/part of the Series. There are no prerequisites.

Introduction to Egyptian Magic

Introduction to the basic magic of Egypt, including medical, religious, and daily magic used by both specialists and ordinary Egyptians. Where was magic used and by whom? How did one practice magic? Examples will be drawn specifically from Egyptian sources. We will also discuss magic as it is explained in theoretical literature, how we can view magic through these theoretical frameworks, and how they might be applied elsewhere.

Magic: Grimoires 1

In this module we will use Owen Davie’s Grimoires: a History of Magic Books as a guide to look at a number of different texts, focusing on Late Antiquity to Early Modern books. We will discuss where the books were used, by whom, and how some were related to one another. We will also look at how the books were spread and received, as well as, when possible, some details about individual books. Because of the breadth of the subject we will not have time to delve too deeply into the texts themselves.

Magic: Grimoires 2

In this module we will look more deeply into one or more texts on magic. Using modern translations and publications, we will focus on one or two texts, read and discuss them. This may include the Testament of Solomon, Picatrix, or the Liber Razielis Archangeli, or another text depending on the interest of the participants.

Note: While this is the natural follow-up class to the first Grimoires Module, it can be taken without taking the first Grimoires class.

Magic: Islamic Magic and Occultism

We will explore the early period of Islamic magic and secret knowledge. We will look at various categories of magic, from astrology to talisman magic. Our sources will draw on recent scholarly publications as well as translations of medieval texts.

Reading L.M. Montgomery as Fantasy: Part 1: Anne of Green Gables

This course will be offered for the first time this October 2023 (Anne’s favourite month)

Within weeks of its 1908 publication, L.M. Montgomery’s Anne of Green Gables became a bestseller. Over the years, this charming orphan story put Montgomery and her imaginative Prince Edward Island on a global map.

Despite the fact that Anne of Green Gables is Canada’s bestselling novel throughout the world—or because of it—Montgomery was ignored by the literati and scholarship. Montgomery was a public intellectual, the first female Canadian fellow of the Royal Society of Arts, and invested Officer of the Order of the British Empire. Still she was dismissed as “just” a children’s writer, a regionalist, or a woman. It was 25 years after Montgomery’s death before children’s literature and feminist scholars began to recover her work as worthy of study.

While there is a robust field of Montgomery scholarship, there are areas where our focus is sometimes too narrow. One of these is the category of “realistic” fiction. While there is a kind of verisimilitude about everyday life in the late Victorian era in her work, the realism is pressed to the margins of definition as Montgomery romanticizes the worlds she creates. And can we disagree that there is something magical about Anne herself? By changing our way of approach and by looking at Anne of Green Gables as a fantasy novel, what can we unveil in this classic novel?

Native Prince Edward Islander and Montgomery scholar Brenton Dickieson will lead students through a rereading of Anne of Green Gables using the lenses we use to study fantasy and speculative fiction with the goal of allowing one of the greatest living children’s books to live in new ways.

Shakespeare's Epic Fairy Tales: Pericles and Cymbeline

This module looks at two late plays frequently overlooked in Shakespeare studies: Pericles, Prince of Tyre and Cymbeline. In Pericles, Shakespeare and collaborator George Wilkins present a medievalist fairy-tale of adventure on the high seas, set in the ancient Mediterranean and narrated by Middle English poet, John Gower. In Cymbeline, a princess’s attempt to rid herself of the suitor she loathes and reunite with the man she loves leads to a tangle of escapes, pursuits, and mistaken identities. Decried by some critics for their eccentric and eclectic plots, both plays feature grand voyages across land and sea, benevolent magic, and the loss and recovery of true love.

The Argonauts: Apollonius of Rhodes

The journey awaits! In this standalone module, we will read Apollonius of Rhodes' epic Argonautica from start to finish. Guided by a twisted prophecy, our hero Jason embarks on a journey across the roaring waves. His goal: the golden fleece. Jason cannot do it alone, and must assemble the greatest team the Greek world has ever seen-- the fighter Hercules, the seer Idmon, the bard Orpheus, and many more. Their quest will lead them to ancient tombs, magical intrigues and battle with the ravening harpies. Each week, we will read one book of the Argonautica, following our heroes' adventures in a world of gods and magic. Packed with fascinating detail, this module is a perfect introduction to classical myth and epic!

The Dark is Rising Sequence Series

Susan Cooper’s classic fantasy series takes us into a world where the forces of the Light battle against those of the Dark, but these are also coming-of-age stories in which children are at the forefront of the conflict. Deeply rooted in the folklore of the British landscape, the narratives are often set in spaces encoded in ancient wisdom and traditions and employ, as Tolkien did in his legendarium, songs and verse that pass on those traditions.

The Dark is Rising Sequence 1: Over Sea, Under Stone First in the Series

Susan Cooper’s classic fantasy series takes us into a world where the forces of the Light battle against those of the Dark, but these are also coming-of-age stories in which children are at the forefront of the conflict. Deeply rooted in the folklore of the British landscape, the narratives are often set in spaces encoded in ancient wisdom and traditions and employ, as Tolkien did in his legendarium, songs and verse that pass on those traditions.

In this book, the first of the series, Cooper introduces us to the folklore of Cornwall, interweaving ancient customs with a modern confrontation against forces of evil. In this class, we will explore all the themes and ideas in the story and consider what it still has to say to us in the 21st century.

The Trojan Quest: Aeneid 1

Troy has fallen, but the journey has just begun. This 3-module series will work steadily through the 12 books of Virgil's epic Aeneid, whose influence in the medieval period eclipsed even Homer. Each week we will read one book of the Aeneid in translation, focusing on Virgil's approach to characterisation, plot structure and themes. With two hours to spend on each book, students can enjoy a relaxed reading pace and friendly class discussion.

The Witch in Fact and Fiction

The witch contains a multitude of meanings, from victim to agent of political resistance to a paragon of magical power. While the witch is overtly present in modern media, her origins are often obscured. Is the witch always female? Where does her magic come from? And who devised the eight annual pagan festivals? This module uses Steve Hutton's Raven's Wand fantasy novel (and Book 1 of his Dark Raven Chronicles series) as a starting point to discuss how witches are depicted in fiction and history, and what witches themselves have to say about that.

The Dark Raven Chronicles offer an engaging overview of the main trends for depicting witches in speculative fiction. On our journey through the book, we will discuss what historical details and popular assumptions the author draws on, and how they compare to the lives of people accused of witchcraft in the past, and those who identify as witches today.

Tolkien and the Romantics: Dark Romanticism and the Gothic Literary Tradition

The Gothic genre has inspired many creative minds to explore the darker realms of human psychology and the wider world, sparking fear, terror, horror and repulsion in its audience. J.R.R. Tolkien's Middle-earth is as much a ruined Gothic wasteland as it is an idyllic utopia. From Shelob's cave and the hypnotic Mirkwood to the Paths of the Dead and the Barrow-Downs, this module will examine Tolkien's use of Dark Romantic and Gothic techniques that were used by writers such as Horace Walpole, Mary Shelley, Edgar Allan Poe, Bram Stoker, and E.T.A. Hoffman to strike terror in the heart of their readers.

The module is structured as follows:
• Class 1: The Funk of Forty Thousand Years: A Literary History of the Gothic (60m)
• Class 2: Nevermore… Echoes of the Supernatural (60m)
• Class 3: Curdling the Milk: Repulsion and Horror (60m)
• Class 4: Conjuring Creepy Creatures (60m)
• Class 5: The Dark Side of the Mind (90m)
• Class 6: History’s Horrific Ruins (60m)
• Class 7: Wild and Deadly Landscapes (90m)

Tolkien and the Romantics: Forging Myth and History

J.R.R. Tolkien famously 'found' his legendarium, translating and editing The Red Book of Westmarch for his twentieth century readers. This is not the first time an author has 'forged' a 'lost' literary history as James Macpherson's 'Ossian' documents from the 1760s started a craze for forgeries. Thomas Chatterton's Rowley and Turgot manuscripts similarly fed off the Ossian controversy while questioning what it really meant to 'forge' a document.

The module is structured as follows:
• Class 1: ‘Reclaiming’ ‘Lost’ and ‘Found’ British Myths and History (60m)
• Class 2: The Growth of Romantic Nationalism (60m)
• Class 3: The Book of Lost Tales: A ‘Mythology for England?’ (90m)
• Class 4: Oral Tradition: Immortality and the Elves (60m)
• Class 5: Oral Tradition: Youthful Cultures (60m)
• Class 6: Textual Traditions: Mortal Anxiety (60m)
• Class 7: Textual Traditions: Tangible History (90m)

Tolkien and the Romantics: Imagining and Dreaming

The imagination and dreams are essential parts of J.R.R. Tolkien's world building which he explored across many stories from 'The Lord of the Rings' and 'On Fairy-stories' to 'The Notion Club Papers'. The same can be said of the Romantics who saw an important connection between the two. In works such as Samuel Taylor Coleridge's 'The Rime of the Ancient Mariner' and 'Kubla Khan', Lord Byron's 'The Dream' and 'Darkness', and Mary Shelley's 'Frankenstein', the imaginary and dream-like meet with awe-inspiring, melancholy or blood-chilling results.

The module sessions are structured as follows:
• Class 1: The Realms of (Childhood) Faery (60m)
• Class 2: Faery’s Enchantment (60m)
• Class 3: The Terror of the Night (60m)
• Class 4: The Past is an Imagined Dreamworld (90m)
• Class 5: Visions of the Apocalypse (60m)
• Class 6: Senses and Sensation (60m)
• Class 7: Glimpses, mere Fragments (90m)

Tolkien & Magic

The magic of Middle-earth is a fascinating topic, sparking conversations about its nature, origins, mechanism, and primary-world analogues. Did you know that while Tolkien was writing his fictional language, many of his friends and contemporaries were practicing ceremonial magic? In this class, we’ll look at Elf-magic, Entish powers, prophecy, wizardry, telepathy, the power of the Ring, angelic and constructed languages, words of power, Saruman’s sorcerous voice, immortality, and spiritual ontology. We might even find out what Tolkien thought of his friends who told fortunes and cast spells!

This module allows those who have completed the hieroglyphs reading module an opportunity to further explore the Egyptian language and glyphs. We will slowly read a small selection of "spells" from the Book of the Dead and discuss them and their context.

In witchcraft, the blackberry is considered a powerful tool for protection and divination. It is believed that carrying blackberries or using them in spells can ward off negative energies and protect against evil spirits. Additionally, blackberries can be used in divination practices, such as scrying, where the practitioner gazes into the fruit to receive visions or insights. In modern witchcraft, the concept of Twilight Witchcraft Blackberry has evolved to include various rituals and practices. Some practitioners incorporate blackberries into their spellwork, believing that the fruit enhances the potency and effectiveness of their spells. Others may use blackberries in potions or charms designed to attract love, prosperity, or spiritual growth. The twilight hours, when the day transitions into night, are considered a powerful time for magic and spellcasting. It is believed that during this liminal period, the veil between the physical and spiritual worlds is thin, allowing for greater access to mystical energies and beings. Practitioners of Twilight Witchcraft Blackberry may choose to perform their rituals and spells during this time to tap into this heightened energy. Overall, Twilight Witchcraft Blackberry combines ancient beliefs and folklore surrounding blackberries with the contemporary practices of witchcraft. It is a fascinating topic that showcases the complex and interconnected nature of magic, nature, and spirituality. Whether one believes in the mystical properties of blackberries or not, this subject offers a rich and intriguing exploration into the magical world of witches and folklore..

Reviews for "The Spells and Potions of Twilight Witchcraft: Blackberries as Ingredients"

1. Emily - 2/5 stars - I was really excited to read "Twilight Witchcraft Blackberry" as I had heard so much hype about it. However, I was extremely disappointed. The storyline felt disjointed and confusing, and I struggled to connect with the characters. The writing style was also quite repetitive and lacked depth. Overall, I found the book to be underwhelming and didn't live up to my expectations.

2. David - 1/5 stars - "Twilight Witchcraft Blackberry" is one of the worst books I've ever read. The plot was convoluted and hard to follow, with random events occurring without any proper explanation or development. The characters were incredibly one-dimensional and lacked any depth or personality. The writing style was also incredibly dry and dull, making it a chore to get through. I wouldn't recommend this book to anyone.

3. Sarah - 2/5 stars - I tried my best to enjoy "Twilight Witchcraft Blackberry" but found it to be a struggle. The pacing was slow, and it took too long for the story to actually start moving. The writing itself was also quite amateurish, with awkward sentence structures and repetitive phrases. The characters were also rather uninteresting, and I didn't feel invested in their journey at all. Overall, this book fell short for me and didn't capture my interest.

4. Mark - 1/5 stars - "Twilight Witchcraft Blackberry" was a complete waste of my time. The writing was pretentious and convoluted, making it difficult to understand what was actually happening. The characters were unlikable and lacked any depth or development. The plot was also incredibly predictable and uninspiring. I regret picking up this book and would advise others to stay away from it.

Witches, Blackberries, and the Twilight Hour: A Study in Symbolism