Tarte Micellag Magic Makeup Renober is a popular product in the beauty industry. It is a makeup remover and cleansing water that promises to effortlessly remove makeup, dirt, and impurities from the skin. The formula contains micellar technology, which acts like a magnet to attract and lift away impurities without the need for harsh rubbing or rinsing. One of the main selling points of Tarte Micellag Magic Makeup Renober is its ability to remove waterproof makeup without leaving a greasy or sticky residue on the skin. Many users find that it effectively removes even the most stubborn waterproof mascara and long-wearing foundation. The product is also praised for its gentle and non-irritating formula, making it suitable for all skin types, including sensitive skin.

Good Witch Lady Gaga Reveals She Cast a Love Spell on Taylor Swift

Although Ellie Goulding has taken credit for the fateful introduction of frequent collaborator Calvin Harris to her longtime friend Taylor Swift, it seems a little witchcraft may have been at work after all.

Last night, Lady Gaga sent this interesting bit of voo doo into the universe:

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The intent of the message was a little ambiguous, but a retweet from Taylor clarified that there's no bad blood — only lots of love and a little magic — between these two pop icons.

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Here's the original tweet/happy spell, which has clearly come true over the last few months.

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In short, as powerful as Taylor has proved herself to be, make no mistake: It's Lady Gaga's world and we're all — Taylor included — just living in it. Just don't cross her. If her last spell worked its magic that fast, a bad blood cauldron is bound to be no joke.

By Sara Delgado

The young person’s guide to conquering (and saving) the world. Teen Vogue covers the latest in celebrity news, politics, fashion, beauty, wellness, lifestyle, and entertainment.

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Album Review: Taylor Swift, reputation

First, a word about my credentials as a Swiftie. I’ve been on the Taylor Swift train since Fearless dropped in 2008, before most of you reading this were even born. I have spent literal actual money to buy her albums (unlike everything else I listen to, which I stream or YouTube like a normal person). I have her discography on my phone at all times, the official calendar hanging on my kitchen wall, and many square feet of my living space converted into a shrine at which I perform weekly sacrifices of the merchandise of whoever she’s been most recently feuding with. (Incidentally, burning Katy Perry vinyls can cause releases of toxic chemicals. Remember to make sure your sacrificial altar is located in a well-ventilated antechamber of your sanctum.) With all this in mind, light your incense, don your cat-ears headbands and heart-eyes sunglasses, and let’s take a deep dive into Taylor Swift’s latest studio album, reputation.

Former teen witch and current regular witch, Taylor Swift, is out with her sixth album reputation. Photo courtesy of Billboard.

Okay, so this album is…fractured. If 1989 represented a dalliance into the pop world, reputation is a full-on drink-the-kool-aid conversion, the Transfiguration of Taylor into Pop Goddess, Destroyer of Katy Perries and Eviscerator of Spotifies. However, the album’s fatal flaw is its attempt to give everybody what they want rather than just choosing a style and sticking with it, and the result is a half-hearted album whose first third sounds like rehashed early-00’s EDM, transitioning into a middle third that’s even more rehashed late-80’s pop, then shifting into—well, we’re getting to that. Moreover, I couldn’t help but think that most of these songs had been or could have been done better by some other artist. Let’s consider each third of the album in turn.

Part the First: I Almost Cut Myself on that Edge

Here we find the album opener “…Ready For It?” with its throbbing bass smacking you right in the face and hammering home the fact that you are entering the dark, gritty reboot of the Taylorverse. America’s Pop Goddess is now a Nolanesque avenger of internet slights. We barely have time to wonder how much better this would sound as a Rihanna or Demi Lovato track before we hit “I Did Something Bad,” in which New Taylor claims to have “done something bad” and enjoyed it, sounding for all the world like a college freshman taking that first shot of tequila, launching into a fifteen-minute coughing fit, and then insisting that the experience was in fact enjoyable. Hmm, maybe this Dark Queen of Dancepop shoe does not quite fit the foot. If you had any doubts that New Taylor is going for edgy, then the following track “Don’t Blame Me” confirms it: for the first time in recorded history, Taylor Swift says the word “shit” on a recorded song.

The front end of this album gives us also “End Game,” with its nice percussive beat and lyrics mostly consisting of languid “ooooooohs” and “aaaaaaahs.” Future phones in 22 seconds of banalities before presumably cashing his check and getting out of there as fast as possible, while Ed Sheeran, notable English crooner, swoops in to…hang on, is he attempting to rap? Oh man, this is the most cringeworthy interlude in a Taylor Swift song since the spoken-word segment of “Shake It Off,” and that one was pretty egregious.

Part the Second: And Now for Something Completely Different

Moving right along, the middle third of the album is reminiscent of 1989 and contains many of the same poppy themes and melodies, here reflected through the three years of sulking, revenge-plotting, and browsing through the dark corners of the internet New Taylor must have been doing since that album dropped. “Look What You Made Me Do” is a banger of the first order in which New Taylor commandeers Right Said Fred’s “I’m Too Sexy” beat to remind us that we collectively drove the Old Taylor into madness. The good vibes left after I’m done nodding along to this song are almost immediately soured by the horrendously misconceived “Gorgeous,” which would be an endearing confession of being besotted if the melody over which it was sung was not so—there’s no other word for it—annoying.

“Delicate” is one of the unambiguously good songs on the album, with its mellifluous pop melodies accompanied by New Taylor’s repeated inquiries as to whether something she said was “cool” or “chill” (as if New Taylor needs our approval anyway). If you turn up the volume and play this track backwards, you can actually hear the Old Taylor straining against the walls of the New Taylor persona, struggling to burst out of the mind prison and strum along on a Bedazzled guitar. Ditto for “Getaway Car,” which flirts with being a good song: it’s another wistful recapitulation of a bad relationship gone south, but this trope has been done to death in much better ways by better artists, including Old Taylor herself. See, e.g., “Back to December,” “The Way I Loved You,” etc.

The less said about “King of My Heart,” the better. At eleven tracks in, nothing has really stood out; most of these songs would have been better converted into some other genre or done by someone else. Let’s hop right ahead to “Dancing With Our Hands Tied,” which sounds like it could have been decent EDM-infused dance-pop if it didn’t sound so half-hearted and…and…wait a minute…hang on…no, it can’t be…Goddess forbid…is this album actually…BAD.

Part the Third: All Hope Abandon, Ye Who Enter Here

I can’t really categorize the songs on the latter third of the record (namely, “Dress,” “This Is Why We Can’t Have Nice Things,” “Call It What You Want,” and “New Year’s Day”), even though they would all probably fit into the above-two categories, because at some point during “Dancing With Our Hands Tied” I’ve realized that Taylor Swift has made her first bad record and I undergo a complete and total breakdown of faith. When I hear the bass thuds of “This Is Why We Can’t Have Nice Things” they sound as rolls of distant thunder on some faraway ocean because at this point I’m lying catatonic on the floor with my hands clamped firmly over my ears as I plead for someone to make it stop. I understand suddenly how the Millerites must have felt at the Great Disappointment of October 22, 1844, a date when William Miller predicted the occurrence of the Second Coming but which in fact turned out to be a run-of-the-mill nineteenth-century Tuesday. Taylor Swift, the One True Pop Goddess, has let us down, Old Taylor is not coming back for us, and lol nothing matters.

In sum, this album is not good. In fact, in certain spots it’s actually pretty bad. I loved 1989 and am probably listening to it whenever you see me in the hallway with earbuds stuffed in my ears so that I can avoid doing the stop-and-chat with you, but reputation took all of 1989’s pop experimentation and learned precisely the wrong lessons from it. Simply giving the people what you think they want cannot be the key to artistic and commercial success. There’s nothing really original in this album and, with the exception of “Look What You Made Me Do,” there’s nothing I would stomp my feet and shout along to at the Virginian the next time I’m drunk enough to voluntarily walk in there. Oh, well, at least we’ll always have the Old Taylor, and I’ve heard rumors an acoustic version of “Delicate” will be included on the reputation deluxe edition coming out early next year. Now excuse me while I go back and listen to “All Too Well” on repeat to make sure I can still feel things.

Taylor Swift — Taylor Swift - willow (lonely witch version)

Um ok this is unreal?? I just wanted to say to anyone who listened to my music this year, anywhere in the world, thank you. Getting named Spotify’s Global Top Artist in 2023 is truly the best birthday/holiday gift you could’ve given me. We’ve seriously had THE MOST fun this year out there on tour and now this. Are you serious. So I was trying to think of a way to thank you, and a lot of you have been asking me to put “You’re Losing Me (From The Vault)” on streaming… so here you go! You can finally listen EVERYWHERE now 💋

Sam Lansky has such a wondrous way with words, and I’ve loved reading his pieces for over a decade. If you’ve ever been around him, you know he’s just the best type of person: Curious. Interested. Hilarious. Intriguing and intrigued. I have tRuSt iSSueS when it comes to interviews but I couldn’t be happier that I did this one with him. I was blown away to see quotes from people I adore and admire like Stevie Nicks, Greta Gerwig, Shonda Rhimes, Phoebe Bridgers, Natalie Maines, Kenny Chesney, and Lucian Grainge. I was so happy he spoke to fans Madison and McCall who were so eloquent, loyal, and kind. I’m really reflecting on this year, and all the years that led up to it. Can’t say thank you enough times. 🥲

I had the time of my life fighting dragons with youuuu! Celebrate 34 with me by watching The Eras Tour (Extended Version) including “Long Live” 🐉 “The Archer” 🏹 and “Wildest Dreams” 💙 at home!

PS troll me all you want about my excessive and literal millennial emoji use but A) no one’s prouder to be a millennial and B) it’s my bday and today I am exempt! 🎂

✨My name is Taylor and I was born in 1989 ✨

What a truly mind blowing thing you’ve turned The Eras Tour Concert Film into. I’ve been watching videos of you guys in the theaters dancing and prancing and recreating choreography, creating inside jokes, casting spells, getting engaged, and just generally creating the exact type of joyful chaos we’re known for 😇 One of my favorite things you’ve done was when you supported Cruel Summer SO much, I ended up starting The Eras Tour show with it. For old times sake, I’m releasing the live audio from the tour so we can all shriek it in the comfort of our homes and cars PLUS a brand new remix by LP Giobbi 😜 Thank you, so much, forever, wow, just thank you.

The tour isn’t the only thing we’re taking worldwide…….. 🌎 Been so excited to tell you all that The Eras Tour concert film is now officially coming to theaters WORLDWIDE on Oct 13! Tickets available now at https://taylor.lnk.to/TSTheErasTourFilm or on your local theaters website! 💙

It’s a new soundtrack 💙 Here are the back covers and vault track titles for 1989 (my version) I can’t wait for this one to be out, seriously. Thank you for playing along, sleuthing, puzzling and making these reveals so much chaotic fun (which is the best kind of fun, after all 😜)

The Eras Tour has been the most meaningful, electric experience of my life so far and I’m overjoyed to tell you that it’ll be coming to the big screen soon 😆 Starting Oct 13th you’ll be able to experience the concert film in theaters in North America! Tickets are on sale now at taylor.lnk.to/TSTheErasTourFilm. Eras attire, friendship bracelets, singing and dancing encouraged 🫶 1, 2, 3 LGB. (iykyk)

Oh hi guys! The Aquamarine Green Edition of 1989 (my version) is available on my site for the next 48 hours 😎

Allow me to introduce…The 1989 (my version) Sunrise Boulevard Vinyl Edition💛 Available on my site for the next 48 hours 🥰

taylor literally raised us so well that we figured it out in like 5 mins and i’m very proud of that and i hope she is too

June 4, 2020: MESSAGE TO TAYLOR- It hurts me to much to say this but we are beyond disappointed with your lack of involvement towards the black lives matter movement. Where is the energy you had during miss americana? Or last June when you got thousands to sign the equality act? Posting a black square with 13 hearts is simply not enough. You have a gigantic platform. There is more to be done. Innocent people are being murdered in the streets. You can’t just sit back and watch.

*Edit* please do not send any negative messages to secretsjusttokeepyou the OP. She is not involved with this message and has asked that anonymous swifties kindly stop accusing her of being associated with this post.

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