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There's a new witch in town and everyone is buzzing with excitement. Rumors are flying about her extraordinary powers and mysterious background. Some say she comes from a long line of powerful witches, while others speculate that she was trained by ancient magical beings in a hidden realm. The townsfolk are both intrigued and wary of the new witch. They have heard tales of witches who use their powers for good, but they have also heard stories of witches who use their powers for personal gain. Everyone is on high alert, unsure of what this new addition to the community will bring.

Everyone is on high alert, unsure of what this new addition to the community will bring. The local witches' coven has extended a warm welcome to the new witch, offering to teach her about the town's traditions and practices. They hope to foster a sense of community and unity among the witches and ease any fears or tensions that may arise.

Cartoon Voices of the Golden Age, Vol. 2

Volume Two of CARTOON VOICES is the massive reference companion to Volume One. This is the information for which animation enthusiasts have been waiting. Based on thirty two years of painstaking research in archives and libraries, this volume features an exhaustive listing of thousands of theatrical cartoons, containing never-before-published voice credits for hundreds of obscure acting talents who until now remained unidentified.

The listings herein cover the Golden Age output and voice talent of the following major film studios: Warner Bros. (the immortal Looney Tunes and Merrie Melodies), MGM (cartoons by giants like Hanna-Barbera and Tex Avery), Columbia (the often oddball Screen Gems cartoons), UPA (home of Mister Magoo), Universal (the Walter Lantz Cartunes), Walt Disney Productions (both shorts and feature-length films of the Golden Age supervised by Walt), and from New York & Miami, Paramount’s releases of the great Max Fleischer cartoons.

While various vintage cartoon voice mysteries are still to be solved, the one-of-a-kind information in this volume finally confirms hundreds of hitherto uncredited voice artists for the first time in decades.

Keith Scott has spent over forty years as an internationally recognized cartoon voice actor and impressionist. He narrated two George of the Jungle movies, and was the voice of both Bullwinkle J. Moose and the Narrator in The Adventures of Rocky and Bullwinkle. He is the author of The Moose That Roared and many articles on animation and Hollywood radio history.

The listings herein cover the Golden Age output and voice talent of the following major film studios: Warner Bros. (the immortal Looney Tunes and Merrie Melodies), MGM (cartoons by giants like Hanna-Barbera and Tex Avery), Columbia (the often oddball Screen Gems cartoons), UPA (home of Mister Magoo), Universal (the Walter Lantz Cartunes), Walt Disney Productions (both shorts and feature-length films of the Golden Age supervised by Walt), and from New York & Miami, Paramount’s releases of the great Max Fleischer cartoons.

As the days pass, the new witch begins to make herself known to the townsfolk. She opens an enchanting little shop on the main street, filled with potion ingredients, spell books, and mystical artifacts. People are drawn to the store, their curiosity piqued by the promise of magic. Despite initial reservations, the new witch quickly earns the respect and admiration of the townsfolk. She proves herself to be kind-hearted and selfless, using her powers to heal the sick, protect the vulnerable, and bring joy to those around her. The town starts to see her as a valuable member of their community, someone to turn to in times of need. Word spreads of the new witch's benevolent acts, and soon people from neighboring towns start to seek her help. Her reputation as a powerful and compassionate witch grows, and she becomes a well-respected figure in the realm of magic. Over time, the new witch becomes an integral part of the town's fabric. She participates in local rituals, shares her wisdom with aspiring witches, and even helps organize community events. Her presence not only brings magic into the lives of the townsfolk but also strengthens the bonds that hold the community together. The arrival of the new witch in town has proven to be a turning point for the community. What initially began with apprehension and uncertainty has blossomed into a harmonious coexistence between the townsfolk and the witch. Through her actions, she has demonstrated the true power of magic – the power to make a positive difference in the world and bring people together. As the days pass, the townsfolk realize that having a new witch in town is not something to fear but instead something to embrace. They come to appreciate the unique skills and knowledge that she brings to their lives. This new witch has become a valuable member of the community, one who enriches their lives with her magical presence..

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