Rigoletto, an opera composed by Giuseppe Verdi, tells the tragic story of a hunchbacked jester named Rigoletto who serves at the court of the Duke of Mantua. Rigoletto's life takes a dark turn when he becomes involved in a curse that ultimately leads to the downfall of those around him. The curse stems from Rigoletto's cruel and mocking nature towards others, particularly his derogatory remarks about the husbands and fathers of the Duke's mistresses. One of the offended parties, a man named Monterone, curses Rigoletto for his heartless behavior, declaring that he too will know the pain of having his loved one taken away from him. Later, Rigoletto's daughter, Gilda, falls in love with the Duke and becomes the target of his advances. Rigoletto tries to protect his daughter, but his efforts are in vain as the Duke successfully seduces Gilda.
Rigoletto tries to protect his daughter, but his efforts are in vain as the Duke successfully seduces Gilda. When Rigoletto discovers the truth, he becomes consumed by anger and seeks revenge against the Duke. In a twisted turn of events, Rigoletto hires an assassin to kill the Duke, believing that it will finally bring justice for his daughter.
Review: Little Witch Academia
So, I haven’t been writing a lot lately for various reasons, but I have continued to view some new and different fare, and one of those picks just so happened to be another Trigger show- the whimsical Little Witch Academia.
The Lowdown:
Show: Little Witch Academia
Studio/years aired: Trigger, 2017
AniB’s thoughts:
Every once in a while, a watch I choose on a whim turns out to blow past whatever modest expectations I may have had- and the first anime to do that this year for me was Little Witch Academia, a joyous adventure behind the optimistic, headstrong and outgoing Atsuko “Akko” Kagari in pursuing her dreams at Luna Nova, the witches’ academy. Before I delve into the specifics though, it is always a pleasure as a purveyor of animation- or any medium really- to find something that gets you plenty excited that you didn’t expect- and while I had heard in passing good things about this show, it was a blind watch, which in the end couldn’t have been more fun.
LWA revived something nostalgic in how it impacted me. It wasn’t just one specific aspect, but from Akko’s cheerful smile in the face of impossible odds against many odd challenges laid before her, to the sweeping score that evoked at least some memories of John Williams’ work on the Harry Potter films, and even to the clean animation and grand adventure, this show was a heartwarming (and completely original!) adaptation. While there are some flaws, this show probably is the most “complete” work from Trigger- with an undeniable charm and appeal all its own.
This anime was the studio’s big production of 2017- and it shows with a grand scale of adventure, animation that both pops and yet has that unmistakable “softness” (as I’ll describe it) that the studios’ character designs tend to have, along with a rich depth of detail. More importantly though, Little Witch Academia is a grand culmination of the young studio’s considerable experience since starting from Kill la Kill, and the whole package seems to come together here in an indescribably pleasant way, combining a wondrous sense of adventure with a pinch of Harry Potter, a dash of humor, and a generous helping of some really enjoyable character dynamics. I could probably expound a lot further on certain details of this show, but for now, my general thoughts will suffice. Onwards to grading!
Animation: Modern 2-D animation, computer animated. Trigger continued its high quality animation here- and despite featuring a heavily female-dominated cast, was actually devoid of fanservice in most respects. Perhaps that’s a bit shocking from the studio that is inevitably thought of from Kill la Kill, but it’s true. The character models themselves are pleasant and varied, and the locales are also varied and pop, full of life. With a theming that demands this vibrant idea of a magical world brought to life, it absolutely delivers, with some terrific action sequences throughout the show. 5/5 points.
Characters: Little Witch Academia follows the story of Atsuko “Akko” Kagari- a Japanese girl with a wish to become a great witch like her idol, Shiny Chariot. Filled with a strong impulsive optimism about magic and how it inspired her, Akko seeks to fulfill her dreams, which become intertwined with the Shiny Rod- a powerful magical item she finds in a legendary forest- that once belonged to Chariot and is said to contain the “powers of the stars” themselves. Matching Akko’s stubborn will and determination to do anything she sets her mind to is a rash impulsiveness, but also a kind heart- and along the way, friends who keep her going.
Of those friends, two are the first people Akko meets on her journey and eventually dorms with- Sucy Manbavaran and Lotte Jansson. The former is colloquially referred to as the “Mushroom Queen” due to her affinity for the fungi and talent/interest for making highly effective and dangerous potions; while she’s got a wicked sense of dry humor and generally is introverted, preferring not to be bothered, what starts as a grudging annoyance becomes a close friendship with Akko, as well as Lotte.
The latter is a plain, nice girl of Finnish origin. While the level-headed one of the trio most times, Lotte becomes far more animated over her favorite book series, “Nightfall” and is quick to defend her friends in times of need.
Outside of these three, Diana Cavendish is also a key player. The star student of Luna Nova, Diana comes from a royal lineage of witches, and while she seems perfect, there may be more going on there than meets the eye…Viewed by Akko as a rival, Diana’s magical ability is outstanding, and she has the study habits and mind to match.
Serving as Akko’s mentor at Luna Nova, Ursula Callistis is the kind new astronomy professor, who is looking out for the girl’s well-being along with helping her to catch up on many magical skills she lacked the background in. Despite seeming clumsy at times, Ursula appears to be very smart and talented, and knows about Akko’s Shiny Rod and what it is capable of…
There is also the trio of Amanda O’Neill and her roommates Jasminka and Constanze; the former is a classic rebel with a penchant for wild broom riding. Meanwhile, Jasminka is good natured and always seems to be eating something, while Constanze might be one of the most underrated characters in the series- a German girl of very few words who mixes magic with engineering to make some truly spectacular gadgets through the series.
Finally…what of Akko’s beloved Shiny Chariot? You’d have to watch to find out…and if you have, you’d know what happened. There is a multitude of other supporting characters and at least one other major player who serves as an antagonist, and overall the way the cast comes together and develops, through both individual character moments and via the plot, is truly a lot of fun. 4.25/5 points.
Story: While the show was split up into two seasons for international release, the entire production is 25 episodes.On some level, this tale is one of two halves: the first focusing mostly on Akko’s integration into and adventures at Luna Nova, while the second delves more into the actual mystery behind the Shiny Rod. Overall, it’s good- but narratively the show seems to find its focus more as it goes along. There are definitely standout standalone episodes as well- such as one featuring the inner world of Sucy’s thoughts- and overall, it’s a solid overarching plot with both a fair share of serious and silly elements. 4/5 points.
Themes: At first glance, the message seems simple, but it’s driven home very clearly: the real “magic” within all of us is metaphorical- summed up by Chariot’s catchphrase that Akko takes to heart and beyond- “believing is your magic!” More specifically though, there’s a strong point about working hard to achieve your dreams; the power of having good people behind you on the journey, and to always find a way- because hope is powerful and essential, beyond mere logic. 4/5 points.
Don’t Insult the Viewer: A solid narrative, backed by a very likable cast, a lack of fanservice and a killer score? Sign me up. It’s no hyperbole that the OST for Little Witch Academia is outstanding- and it sets the tone well for any situation, backed by a genuinely fun romp of a narrative. 5/5 points.
Total: 22.25/25 (89%): This show is quite possibly Trigger’s best effort yet- beautifully animated, vibrant and full of life with a likable lead and cast, no fanservice in sight and a great score, along with a strong underlying set of themes. There’s not much to dislike here- and it’s an easy pickup for anyone looking for a fun watch. Check it out if you haven’t!
Like what you see? Big fan of Little Witch Academia or Trigger? Leave a comment!
The latter is a plain, nice girl of Finnish origin. While the level-headed one of the trio most times, Lotte becomes far more animated over her favorite book series, “Nightfall” and is quick to defend her friends in times of need.
However, Gilda, still in love with the Duke, sacrifices herself to save him. As the curse takes its final toll, Gilda dies in the Duke's arms, leaving Rigoletto devastated. The curse is finally fulfilled as Rigoletto realizes the weight of his actions and the consequences of his cruel behavior. The opera ultimately serves as a cautionary tale, highlighting the destructive power of one's actions and the cyclical nature of revenge. Rigkletto the curse is a tragic tale of love, betrayal, and the pursuit of vengeance. It explores themes of morality, fate, and the dark side of human nature. Despite its tragic ending, the opera continues to captivate audiences with its emotionally charged music and powerful storytelling..
Reviews for "Rigkletto: A Love Story Cursed by Fate"
1. Julie - 1/5 stars - I was really disappointed with "Rigkletto the curse". The story was confusing and disjointed, making it difficult to follow. The characters were one-dimensional and lacked any depth or development. The acting was also subpar, with many of the performances feeling forced and unnatural. Overall, I found it to be a tedious and frustrating experience.
2. Michael - 2/5 stars - "Rigkletto the curse" was a mediocre production, at best. The set design and costumes were lackluster, failing to create a captivating and immersive atmosphere. The score was uninspiring and forgettable, lacking the emotional impact that one would expect from an opera. The pacing of the performance was also off, with some scenes dragging on while others felt rushed. While there were a few standout moments, they were not enough to save the overall production.
3. Sarah - 2/5 stars - I had high hopes for "Rigkletto the curse", but unfortunately, it fell flat. The storyline was convoluted and confusing, making it difficult to engage with the characters and their motivations. The singing was generally underwhelming, with many of the performers struggling to hit the right notes. The production also lacked creativity and originality, feeling like a rehash of countless other operas. Overall, I left feeling unimpressed and unsatisfied with the experience.
4. John - 1/5 stars - "Rigkletto the curse" was an absolute disaster. The direction was all over the place, resulting in a messy and disjointed performance. The cast seemed unprepared, with frequent missed cues and forgotten lines. The set design was uninspired and cheap-looking, failing to create a believable world for the story. The entire production felt amateurish and unpolished, leaving me with a feeling of frustration and disappointment.