Resolving the Curse Curses have been a part of human folklore and mythology for centuries. These supernatural spells are believed to bring about misfortune and suffering upon their victims. Whether inflicted by a vengeful witch, a scorned lover, or an ancient entity, curses can have devastating effects on individuals and even entire families. However, in many stories and legends, there is a glimmer of hope – the possibility of breaking or resolving the curse. This theme resonates with audiences because it taps into our desire for redemption and the belief that there is always a way to overcome adversity. Resolving a curse often entails embarking on a challenging quest or fulfilling a set of criteria.
“Replicates the papers’ hues and texture, with meticulous color-matching and heavyweight stock, interspersing color-themed sections with booklets that relate the history and uses of the poison.”
- The Wall Street Journal
Bitten by Witch Fever Morris s own phrase to dismiss arsenic- and- wall-paper-related public health concerns in 1885 tells this fatal story of Victorian home d cor, building upon new research conducted especially for this book by the British National Archive, on their own samples. Not least of which was the UK s largest mining plant, DGC whose owner was William Morris, originator of the British Arts and Crafts movement and arguably the finest wallpaper designer of his generation.
Resolving a curse often entails embarking on a challenging quest or fulfilling a set of criteria. This typically involves the protagonist seeking out magical artifacts, consulting wise sages or mystical creatures, and facing formidable foes along the way. Through these trials and tribulations, the hero demonstrates their determination, bravery, and resilience.
Bitten By Witch Fever: Wallpaper & Arsenic in the Nineteenth-Century Home - Hardcover
In Germany, in 1814, Wilhelm Sattler created an extremely toxic arsenic and verdigris compound pigment, Schweinfurt green–known also as Paris, Vienna, or emerald green–which became an instant favorite amongst designers and manufacturers the world over, thanks to its versatility in creating enduring yellows, vivid greens, and brilliant blues. Most insidiously, the arsenic-laced pigment made its way into intricately patterned, brightly colored wallpapers and from there, as they became increasingly in vogue, into the Victorian home. As its use became widespread, commercial arsenic mines increased production to meet the near-insatiable demand. Not least of which was the UK’s largest mining plant, DGC whose owner was William Morris, originator of the British Arts and Crafts movement and arguably the finest wallpaper designer of his generation.
Bitten by Witch Fever (Morris’s own phrase to dismiss arsenic- and- wall-paper-related public health concerns in 1885) tells this fatal story of Victorian home d�cor, building upon new research conducted especially for this book by the British National Archive, on their own samples. Spliced between the sections of text are stunning facsimiles of the wallpapers themselves.
350+ illustrations, 250+ in color
"synopsis" may belong to another edition of this title.
About the Author:Lucinda Dickens Hawksley is the author of three biographies of Victorian artists: Lizzie Siddal, Kate Perugini (n�e Dickens), and Princess Louise. Lucinda is a regular lecturer at the National Portrait Gallery in London.
Review:“Replicates the papers’ hues and texture, with meticulous color-matching and heavyweight stock, interspersing color-themed sections with booklets that relate the history and uses of the poison.”
- The Wall Street Journal
“Fascinating. Perhaps the ultimate answer as to why arsenic-laced wallpaper continued to proliferate the market for so long lies in their undeniable aesthetic appeal. Dangerously beautiful yes, but with an allure that stands the test of time―and should serve as an enduring warning for all.”
- Vogue.com
“Tells the story of the extensive use of arsenic in the 19th century [and] includes pictures of objects and artworks made from substances that incorporated arsenic, and advertisements for arsenic-filled products for Victorian women, such as soap with a doctor’s certificate to ensure its harmlessness.”
- The Atlantic.com
“An unnerving account of an unexpected killer in the elaborately decorated homes of Victorian England: arsenic-laced wallpaper. The book’s gorgeous wallpaper facsimiles give no hint of their toxicity; they beautifully evoke Victorian style with their ornate patterns and rich, vivid colors, illustrating why these papers, and specifically their green shades, were so popular.”
- Publishers Weekly
"About this title" may belong to another edition of this title.
Lucinda Dickens Hawksley is the author of three biographies of Victorian artists: Lizzie Siddal, Kate Perugini (n�e Dickens), and Princess Louise. Lucinda is a regular lecturer at the National Portrait Gallery in London.
In some cases, breaking a curse requires an act of true love or selflessness. The protagonist may need to sacrifice their own desires or put themselves in harm's way to set things right. This emphasis on the power of love and selflessness teaches valuable lessons about empathy, compassion, and the potential for personal growth. Additionally, curses are often linked to a particular object or location, and destroying or cleansing them is necessary for resolution. The hero may need to locate the cursed artifact or unravel the curse's origin to find a solution. This journey allows for exploration of different settings, unveiling secrets and uncovering the history behind the curse. Beyond the physical aspects of breaking a curse, there is often a deeper emotional and psychological journey. Overcoming a curse can symbolize personal growth and transformation, as the hero confronts their own inner demons and fears. This character development adds depth to the narrative and resonates with audiences who may be grappling with their own personal challenges. Ultimately, resolving a curse represents hope and the triumph of good over evil. It reminds us that no matter how dire the situation may seem, there is always a chance for redemption and a path towards change. Through the hero's journey, we learn that facing adversity head-on, being true to oneself, and never giving up are essential in dispelling even the most sinister of curses..
Reviews for "The Curse of Self-Doubt: Overcoming Insecurities and Embracing Self-Confidence"
1. Sarah - 2 stars - I was really disappointed with "Resolving the Curse". The story felt very predictable and the characters were one-dimensional. I kept waiting for a twist or a surprise, but everything unfolded exactly as I expected. The writing style was also not engaging, and I found myself struggling to stay interested. Overall, it felt like a wasted opportunity for a great supernatural thriller.
2. John - 1 star - This book was a complete waste of time. The plot was weak and unconvincing, and the characters lacked any depth or development. I couldn't connect with any of them and found their actions and motivations completely unrealistic. The dialogue was flat and unnatural, making the reading experience even more painful. I regret picking up "Resolving the Curse" and would not recommend it to anyone.
3. Emma - 2 stars - I had high hopes for "Resolving the Curse" based on the promising synopsis, but it fell flat for me. The pacing was incredibly slow, and it took forever for anything interesting to happen. The author spent too much time on unnecessary details and descriptions, which bogged down the story further. The ending was also unsatisfying and left many loose ends. Overall, the book lacked the suspense and excitement I was expecting, and I was left feeling disappointed.