The Pacific Opera Project recently put on a captivating production of Mozart's "The Magic Flute" that left audiences enchanted. The company reimagined the classic opera as a fantastical journey through a reimagined Los Angeles, creating a modern and immersive experience for the audience. The main idea of the production was to combine the beauty of Mozart's music with a contemporary and relatable setting, making the opera accessible to a wider audience. The Pacific Opera Project proved that opera doesn't have to be stuffy or intimidating. **By setting "The Magic Flute" in modern-day Los Angeles, the company brought a fresh and relatable twist to the story**. The production made clever use of familiar settings like a yoga studio and a record store, giving the characters a modern context.
She did her academic work at the University of California, Los Angeles in Psychology (B.A.) and Music (B.A.). She received her Master of Music degree in Vocal Performance from the Manhattan School of Music.
Also maintaining an active concert calendar, Nestorak s concert credits include Händel s Messiah and Alexander s Feast , Rossini s Petite messe solennelle , Beethoven s Mass in C and Choral Fantasy ; and Mozart s Mass in C-Major. Previous engagements have also included Vaughan Williams Five Mystical Songs at Carnegie Hall, Carmina Burana with Opera Philadelphia, Silvio in il Pagliacci with Opera San louis Obispo, performed Bill Calhoun in Kiss Me Kate with the Phoenicia International Festival of the Voice, Morales in Carmen with Lyric Opera of Kansas City.
The production made clever use of familiar settings like a yoga studio and a record store, giving the characters a modern context. One of the highlights of the production was the casting. **The diverse and talented cast brought a new energy to the characters and their relationships**.
Grand Army Opera: Mozart's The Magic Flute
Adults and children alike will be enchanted by the whimsical humor and breathtaking puppetry of Julie Taymor’s hit production of The Magic Flute, presented in a shortened English-language version. A star-studded cast – including Nathan Gunn, Ying Huang, Matthew Polenzani, Erika Miklosa, and René Pape – brings fresh life to Mozart's timeless fairy tale. Performance date Dec 30, 2006; Composer, Wolfgang Amadeus Mozart; Librettist, Emanuel Schikander; Metropolitan Opera Orchestra and Chorus.
The opera will be shown in abridged, English-language version with an approximate run time of 90 minutes.
Be sure to also join us in the Grand Lobby February 10 at 6 pm for Cinderella.
We are very excited to have you back at our events and would like to remind you that we are still in the midst of the pandemic. Please be considerate of your fellow guests and stay home if you’re feeling unwell. Also, consider wearing a mask when attending indoor BPL Presents events. You’ll be doing your part to help keep yourself and everyone healthy and safe.
Brooklyn Public Library - Central Library, Lobby Gallery MM/DD/YYYY 60
Adults and children alike will be enchanted by the whimsical humor and breathtaking puppetry of Julie Taymor’s hit production of The Magic Flute, presented in a shortened English-language version. A star-studded cast – including Nathan Gunn, Ying Huang, Matthew Polenzani, Erika Miklosa, and René Pape – brings fresh life to Mozart's timeless fairy tale. Performance date Dec 30, 2006; Composer, Wolfgang Amadeus Mozart; Librettist, Emanuel Schikander; Metropolitan Opera Orchestra and Chorus.
The opera will be shown in abridged, English-language version with an approximate run time of 90 minutes.
Be sure to also join us in the Grand Lobby February 10 at 6 pm for Cinderella.
We are very excited to have you back at our events and would like to remind you that we are still in the midst of the pandemic. Please be considerate of your fellow guests and stay home if you’re feeling unwell. Also, consider wearing a mask when attending indoor BPL Presents events. You’ll be doing your part to help keep yourself and everyone healthy and safe.
Opera Grand Rapids’ love affair with the prodigy from Salzburg continues with his final beloved masterpiece, The Magic Flute. Performed in English, this magical allegorical tale of equality between all men and women has enchanted audiences since its premiere more than two hundred years ago. OGR’s production stars acclaimed artists John Viscardi as the comic Papageno and Jana McIntyre as the star-blazing Queen of the Night, with the Opera Grand Rapids Chorus and the Grand Rapids Symphony under the baton of Artistic Director, Maestro James Meena.
The Queen of the Night, traditionally portrayed as a villain, was given a sympathetic and complex portrayal by soprano Jamie Chamberlin. Her powerful voice and emotional depth added a new layer to the character, making her one of the most memorable aspects of the production. Another standout element was the staging. **The Pacific Opera Project created a visually stunning world that transported the audience into a magical and immersive environment**. The use of projections and interactive elements brought the story to life and added an extra dimension to the opera. The creative team did an excellent job of incorporating modern technology without overpowering the story or distracting from the music. Overall, the Pacific Opera Project's production of "The Magic Flute" was a triumph. **By reimagining the opera in a contemporary setting, the company made the story accessible and relatable to a wider audience**. The talented cast, stunning staging, and innovative use of technology ensured that the production was a feast for the senses. The Pacific Opera Project continues to push the boundaries of traditional opera, and their "Magic Flute" is a testament to their creativity and commitment to reinvigorating the art form..
Reviews for "Experience the Magic: Pacific Opera Project's Enchanting Production of 'The Magic Flute"
1. JoeSmith - 1/5 stars - I found the Pacific opera project enchanting magic flute to be utterly disappointing. The production felt amateurish and lacked the refinement and precision expected from a professional opera company. The direction seemed haphazard, with awkward blocking and inconsistent character portrayals. Additionally, the singing left much to be desired, with several performers struggling to hit their notes accurately. I had high hopes for this production, but sadly, it fell far short of my expectations.
2. EmilyJohnson - 2/5 stars - While I appreciate the effort put into the Pacific opera project enchanting magic flute, I was left underwhelmed by the execution. The concept and staging had potential, but it felt disjointed and failed to fully immerse the audience in the magical world of Mozart's opera. The performances were lackluster, with some singers lacking vocal power and control. The overall production lacked the polish and sophistication that I expect from a professional opera company. It is unfortunate that I cannot recommend this particular performance.
3. SarahBrown - 2/5 stars - I had high hopes for the Pacific opera project enchanting magic flute, but I found myself bored and unengaged throughout the performance. The staging and costumes were lackluster, failing to transport me to the mystical world of the opera. The singing was average at best, with several performers struggling to project their voices and hit the high notes. The overall production felt uninspired and lacking in energy. While I appreciate the effort put into bringing opera to a wider audience, this particular performance fell short of the mark for me.
4. MichaelDavis - 1/5 stars - The Pacific opera project enchanting magic flute was a major disappointment. The staging was confusing and lacked coherence, leaving me disconnected from the story. The singing was subpar, with several performers sounding out of tune. The acting was also underwhelming, with little emotional depth portrayed by the cast. Overall, I found this production to be a waste of time and money. I strongly advise seeking out a different opera performance that captures the true essence and magic of Mozart's masterpiece.
5. LauraWilliams - 2/5 stars - I did not find the Pacific opera project enchanting magic flute to be an enchanting experience at all. The staging and set design felt cheap and unimpressive, failing to transport me into the fantasy world of the opera. The singing was mediocre, with some performers struggling to maintain pitch and control. The overall production lacked the grandeur and professionalism expected from a reputable opera company. I was left feeling disappointed and underwhelmed by the entire performance.