Nagic Sand Toy and STEM Education: Fostering Creativity and Problem-Solving

By admin

Magic Sand Toy The magic sand toy is a unique and entertaining product that has gained popularity among both children and adults. It is a type of sand that is coated with a special material, such as silicone oil, which makes it resistant to water and allows it to be molded and shaped without losing its form. One of the main attractions of the magic sand toy is its ability to be used in different ways. It can be used to build sandcastles and other structures, just like regular sand. However, unlike regular sand, the magic sand will hold its shape and not crumble or collapse. This allows for more intricate and detailed designs to be created.

Black magic ointment

This allows for more intricate and detailed designs to be created. Another feature of the magic sand toy is its ability to be used underwater. Since it is resistant to water, it can be submerged and still maintain its shape.

The Witches' Ointment: The Secret History of Psychedelic Magic (Paperback)

• Shares dozens of psychoactive formulas and recipes gleaned from rare manuscripts from university collections all over the world as well as the practices and magical incantations necessary for their preparation

• Examines the practices of medieval witches like Matteuccia di Francisco, who used hallucinogenic drugs in her love potions and herbal preparations

In the medieval period preparations with hallucinogenic herbs were part of the practice of veneficium, or poison magic. This collection of magical arts used poisons, herbs, and rituals to bewitch, heal, prophesy, infect, and murder. In the form of psyche-magical ointments, poison magic could trigger powerful hallucinations and surrealistic dreams that enabled direct experience of the Divine. Smeared on the skin, these entheogenic ointments were said to enable witches to commune with various local goddesses, bastardized by the Church as trips to the Sabbat--clandestine meetings with Satan to learn magic and participate in demonic orgies.

Examining trial records and the pharmacopoeia of witches, alchemists, folk healers, and heretics of the 15th century, Thomas Hatsis details how a range of ideas from folk drugs to ecclesiastical fears over medicine women merged to form the classical “witch” stereotype and what history has called the “witches’ ointment.” He shares dozens of psychoactive formulas and recipes gleaned from rare manuscripts from university collections from all over the world as well as the practices and magical incantations necessary for their preparation. He explores the connections between witches’ ointments and spells for shape shifting, spirit travel, and bewitching magic. He examines the practices of some Renaissance magicians, who inhaled powerful drugs to communicate with spirits, and of Italian folk-witches, such as Matteuccia di Francisco, who used hallucinogenic drugs in her love potions and herbal preparations, and Finicella, who used drug ointments to imagine herself transformed into a cat.

Exploring the untold history of the witches’ ointment and medieval hallucinogen use, Hatsis reveals how the Church transformed folk drug practices, specifically entheogenic ones, into satanic experiences.

About the Author

Thomas Hatsis is a historian of psychedelia, witchcraft, magic, pagan religions, alternative Christianities, and the cultural intersection of those areas, who holds a master’s degree in history from Queens College. The author of The Witches’ Ointment and Psychedelic Mystery Traditions, he runs psychedelichistorian.com, a site dedicated to promoting the latest and best information pertaining to the Psychedelic Renaissance. He lives in Portland, Oregon.

Praise For…

“ The Witches’ Ointment is, remarkably, the first full-length treatment of a topic that is central to our understanding of European witchcraft. Did the witches use psychoactive substances or not? This has long been debated but often on the basis of prejudice or inadequate information. We are fortunate that Hatsis has written an authoritative account, drawing deeply on primary sources and pursuing original lines of thought. Entertaining and highly readable, this book seems destined to be the definitive work on the subject. No doubt it will inspire others to see the witch cult in a new light. Highly recommended to all those who are interested in witchcraft, the history of drugs, and the more unusual byways of culture. A fascinating book.”
— Richard Rudgley, author of The Encyclopedia of Psychoactive Substances

“Hatsis’s treatment of this woefully neglected area in the body of drug history scholarship is sublimely applied and will no doubt become an important fixture in the canon of pharmacography. Superb!”
— Robert Dickins, publisher and editor of Psychedelic Press UK

“Tales of witches and toads, broomsticks and belladonna--documented herein are the exotic herbal potions and demonic flights of fancy that terrified and confounded the religious authorities of the Middle Ages. Exquisitely written and meticulously researched, Hatsis clears the supernatural mists of yore and roots out the various psychoactive agents lying at the heart of European witchcraft. A remarkably informative and wholly compelling read!”
— Simon G. Powell, author of Magic Mushroom Explorer and The Psilocybin Solution

“In this remarkable book, Thomas Hatsis reveals the hidden truth behind history’s most legendary ointments--the medieval bewitching potions--that supposedly lubricated broomsticks and fueled extracorporeal mystical journeys and hallucinogenic night flights, setting the stage for strange entity encounters and unholy copulations, animal transformations, and miraculous healings as well as diabolical poisonings, dangerous delusional deceptions, and harmful “black magic.” In this impeccably researched and compulsively readable volume, Hatsis recovers the lost history of these magical medicinal brews and psychoactive formulas that have been hidden for centuries and hinted at in the mythic portrayal of witchcraft and sorcery. Hatsis’s scholarly research shines an illuminating spotlight on what is actually known about these visionary (and sometimes deadly) herbal mixes, and he expertly blends his meticulous studies with keen intuition in this uniquely envisioned volume, overflowing with rare historical treasures and fascinating speculations as well as the secret psychedelic ingredients for re-creating the legendary ointments. This book will appeal to anyone interested in herbal folk remedies, entheogenic medicine, the relationship between alchemy and science, and how heretical notions of healing influenced Western religious systems and modern medicine. A few words of caution: history compels you to use this book wisely or you may get burned at the stake!”
— David Jay Brown, author of The New Science of Psychedelics and Frontiers of Psychedelic Consciousnes

“This wonderful book brews up a heady potion of folk herbs and psychedelics to intoxicate the conspiracy theorists and passionate disbelievers alike. With his objectivity and beautiful writing, Hatsis shines a light on the destructive Christocentric misogyny of the medieval world, whose holistic pagan medicine was certainly no more diabolical than our own modern Pharma Industry.”
— Ben Sessa, MBBS, MRCPsych, author of The Psychedelic Renaissance

“A Historian of witchcraft, magic, Western religion, contemporary psychedelia, entheogens and medieval pharmacopeia, Thomas Hatis is well qualified to describe dozens of psychoactive formulas and recipes gleaned from rare manuscripts from all over the world as well as the practices and magical incantations necessary for their preparation. He also examines the various forms of sorcery such as poison magic and ecstatic trance, and explores the connections between the ointments and spells for shape shifting, spirit travel and bewitching magic. ”
— New Dawn, Robert Black, December 2015

This book is fascinating and reads like a well-written novel. But it is not a novel; it is a meticulously researched history, based on primary sources that were not easy to find. It is the beautiful fruit of a long, arduous scientific investigation that is presented in a light, easily readable style.
— Giovanna Serenelli, Journal of Folklore Research

  • Body, Mind & Spirit / Witchcraft
  • Religion / Wicca
  • History / Europe / Medieval
  • Kobo eBook (August 16th, 2015): $13.99
“Tales of witches and toads, broomsticks and belladonna--documented herein are the exotic herbal potions and demonic flights of fancy that terrified and confounded the religious authorities of the Middle Ages. Exquisitely written and meticulously researched, Hatsis clears the supernatural mists of yore and roots out the various psychoactive agents lying at the heart of European witchcraft. A remarkably informative and wholly compelling read!”
— Simon G. Powell, author of Magic Mushroom Explorer and The Psilocybin Solution
Nagic sand toy

This opens up a whole new world of possibilities for play and creativity. Children can create underwater landscapes, build underwater creatures, and even experiment with buoyancy and water displacement. Furthermore, the magic sand toy is reusable and easy to clean up. It does not require any additional water or adhesive to hold its shape, making it mess-free and convenient. After playtime, the sand can simply be gathered together and stored for future use. Additionally, the magic sand toy is also educational. It promotes fine motor skills, creativity, and imagination. Children can experiment with different shapes and textures, learn about cause and effect, and develop problem-solving skills. In conclusion, the magic sand toy is a fun and versatile product that provides hours of entertainment for children and adults alike. Its unique properties make it ideal for building, molding, and playing underwater. Furthermore, it is reusable, mess-free, and promotes learning and development. The magic sand toy is truly a magical and engaging experience for people of all ages..

Reviews for "Nagic Sand Toy: The Perfect Tool for Sensory Play at Home"

1. Sarah - 2 stars - I was really disappointed with the "Magic Sand Toy". Firstly, the sand was not as moldable as I expected. It crumbled and fell apart easily, making it almost impossible to create any shapes or structures. Additionally, the sand left a sticky residue on my hands that was difficult to wash off. Overall, the Magic Sand Toy did not live up to its claims and I would not recommend it.
2. Mark - 1 star - I had high hopes for the Magic Sand Toy, but it proved to be a complete waste of money. The sand had a weird texture that felt more like slime than sand, and it constantly oozed out of my hands. It was impossible to mold it into anything and the colors were not as vibrant as advertised. The whole experience was messy and frustrating, and I regret buying this product.
3. Emily - 2 stars - The Magic Sand Toy was a huge disappointment for me. Not only was the sand very messy to play with, but it also stained my furniture and clothes. The colors were dull and faded quickly, and the sand itself had a strange chemical smell that was off-putting. Overall, I found the Magic Sand Toy to be more trouble than it was worth, and I wouldn't recommend it to others.
4. David - 1 star - I was expecting a fun and interactive experience with the Magic Sand Toy, but it fell short in every aspect. The sand was dry and crumbly, making it impossible to mold or create any shapes. The colors were also dull and faded quickly, leaving me with a gloomy and unappealing play experience. I would not recommend the Magic Sand Toy to anyone looking for a enjoyable sensory or creative toy.
5. Jessica - 2 stars - I was not impressed with the Magic Sand Toy. The sand was clumpy and difficult to work with, and it didn't hold its shape well. The colors ended up blending together and became a murky mess. Despite following the instructions carefully, the sand didn't have the vibrant and moldable qualities that were advertised. I was left feeling disappointed and would not purchase this product again.

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