Murph was a renowned music producer who was known for his exceptional talent in creating captivating melodies and harmonies. He had an innate ability to recognize the perfect combination of musical tones that could touch the hearts and souls of people. His passion for music started at a young age when he would spend hours listening to various genres and experimenting with different instruments. As he grew older, his musical skills blossomed, and he started producing songs for local artists who recognized his talent and unique approach to music. Murph's defining characteristic was his ability to understand the emotional impact that music could have on individuals. He believed that every tone had its own story to tell and that it was his responsibility to bring these stories to life through his production.
No. 2 - He Thought He Saw
A song like Unholy Affliction, the whole idea is, I don t want to be a part of a system where I m just an object that s functioning for the wants and needs of a bigger power but I do want success and perfection. New Demo that s what I named the WAV file that I uploaded into my Dropbox and I could never think of a name literally, the whole point of the chorus is basically, Is hope worth it, or is it silly.
He believed that every tone had its own story to tell and that it was his responsibility to bring these stories to life through his production. When working with artists, Murph would carefully analyze their lyrics and melodies, searching for the perfect combination of music tones that could enhance the message and evoke the desired emotions. He believed that music had the power to heal, inspire, and unite people, and he was determined to harness this power in every song he produced.
How a Pickup Truck and a Little Magic Helped Soccer Mommy Make Her Best Album Yet
Sophie Allison listens to a lot of country radio. “I hear all these songs about guys and their trucks,” the singer-songwriter behind Soccer Mommy says, calling from her Tennessee home a few weeks before her 25th birthday. “It’s so goofy, but it speaks to you, especially when you’re from the South.” That imagery inspired Allison to write “Feel It All the Time,” a hazy rocker about her own pickup. “It was a challenge to myself,” she says. “The idea of mentioning my truck in a song and having it not be, like, the cheesiest thing you’ve ever heard.”
She won that bet and then some. “Feel It All the Time” appears on her third studio LP, Sometimes, Forever, produced by avant-garde noisemaker Daniel Lopatin. “It’s important to constantly be trying to change yourself,” she adds. “I don’t ever want to be in a box.”
You’ve described the theme of this record as being that sorrow and happiness are not permanent feelings. What does that mean to you?It’s about accepting that everything in life comes in waves. Nothing is really permanent. But, at the same time, so many things are forever. For me, that’s always been something that’s hard to grasp, because I’m a very concrete thinker. I want to be like, “This is how things are, and there’s a reason.” Especially when it comes to emotions, I’ve always been wanting to be able to pinpoint why I feel the way I feel and how to stop it if I’m not enjoying it, or how to move past it. That’s just not the reality. The reality is that things come and go. They’re always going to return.
That’s why I wanted to make [Sometimes, Forever] the title. But the album is not really thematic like Color Theory. There’s a lot of opposites pulling at each other, conflicting thoughts and feelings, even on specific songs. It’s the way my life goes.
Can you give an example of those conflicts?“New Demo” — that’s what I named the WAV file that I uploaded into my Dropbox and I could never think of a name — literally, the whole point of the chorus is basically, “Is hope worth it, or is it silly? Is hoping for better enough, or is it just a lie you tell yourself?” It’s that battle. I was trying to create this fictional, apocalyptic world, but you could obviously compare it to the real world.
A song like “Unholy Affliction,” the whole idea is, I don’t want to be a part of a system where I’m just an object that’s functioning for the wants and needs of a bigger power — but I do want success and perfection. It’s that struggle between drive and morality.
There’s some intense imagery on this album — like the line on “Darkness Forever” where you allude to Sylvia Plath’s suicide. How did you get there?The song got started when I literally had the thought, “I could imagine why you would want to do that.” At the time, I was feeling very overwhelmed and paranoid, and my brain was on fire. The song is about taking that and twisting it into this idea of burning down your house and everything in it, including yourself, to expel the demons that live within you.
There’s a sense of magic on the album, too.That’s funny, because me and Dan would joke, “We’ve got the normal songs, and then we’ve got the evil songs, and the magic songs.” There is a lot of dark fantasy and some mysticism happening.
On “Feel It All the Time,” you sing, “I’m just 22 going on 23/Already worn down from everything.” How do you feel now, in your mid-twenties?That song is one of my favorites, from a songwriting standpoint. I’m making this metaphor of comparing my body to my truck, because it’s a 2002 — it’s pretty old. I was comparing my life span to this truck’s life span and wanting to cling to this freedom: just driving my truck on a long road with the window down, this lightness of time, and stress not existing.
Prior to the pandemic, you spent more than a year on the road, opening for artists like Liz Phair and Kacey Musgraves. What did you take from that?Those tours were fun. When you’re doing those kinds of tours with artists that are so amazing, all you want to do is get to work, in a sense. The Liz Phair one was the only solo tour I’ve ever done. The Kacey tour, she had just won the Grammy [for 2018’s Golden Hour]. It was this moment of, like, “Wow!” It was really cool to see someone like that win Album of the Year.
The guitarist in your band is also your long-term partner. What’s that like?It’s great. I mean, I’ve never toured without him. We’ve lived together for five years and been together for six. We are very much the type of people that can have a lot of fun together, but also like our own space. We exist very well together.
You briefly studied the music industry at NYU. Did you learn anything that helped you in your career?I was at NYU for two years, but I was only in music business for one year. It’s no hate on the program to say that I didn’t walk away with that much information that was new to me. But one thing I did take away was this idea of everybody’s trying to fuck you from every angle. We’d look at contracts and see these ways to try to get things out of people. It made me very much like, “I don’t want to pay anyone to do anything that I can handle doing.” . . . I was like, “I am here on scholarship. My parents take care of me, but I can’t have someone fund my career.”
Do you miss the DIY scene you came up in, playing small venues in New York like Silent Barn?Oh, my God. I loved Silent Barn. My first-ever show as Soccer Mommy was there. It was fun and exciting. All these cities have their own DIY scenes where it runs on people’s generosity — it’s so community-oriented. It’s a much more fun way, until you get to a point where I could no longer do that, even if I wanted to. You’d get mobbed. Venues that don’t have space for you to be away from people can be a little bit uncomfortable and creepy. It’s unfortunate that you can’t just do that forever.
Has fame lived up to your expectations?I do not enjoy it. But I also never thought that I would particularly enjoy it, either. I never was like, “When I’m famous . . . ” I’m just not very comfortable with strangers. I’m a Gemini. I’ve become more reclusive, for sure, but I’m fine with it. I can still go out to a show in Nashville. I don’t think I’m some celebrity that can’t go out.
What’s your relationship with social media like?I’m not on it. Any of it. I’ll log on Instagram every once in a while to check my messages and respond to friends. That’s it. It’s honestly great. I just replaced it with solitaire and word games.
Do you have any advice for younger musicians who want to be indie stars?Your art needs to be the focus. Just keep writing. Keep constantly playing music. All of the promo and stuff, save that for when people are making you do it. It’s the worst part.
Prior to the pandemic, you spent more than a year on the road, opening for artists like Liz Phair and Kacey Musgraves. What did you take from that?Those tours were fun. When you’re doing those kinds of tours with artists that are so amazing, all you want to do is get to work, in a sense. The Liz Phair one was the only solo tour I’ve ever done. The Kacey tour, she had just won the Grammy [for 2018’s Golden Hour]. It was this moment of, like, “Wow!” It was really cool to see someone like that win Album of the Year.
Murph was also known for his relentless pursuit of perfection. He would spend countless hours in the recording studio, experimenting with different tones, instruments, and arrangements until he was satisfied with the final product. His attention to detail and unwavering dedication made him highly sought after by artists and record labels alike. Throughout his career, Murph worked with some of the biggest names in the music industry, leaving an indelible mark on every song he produced. His ability to understand the intricate language of music and translate its emotions into tangible melodies and harmonies set him apart from other producers. Sadly, Murph passed away at a young age, leaving behind a legacy of unforgettable music. His contributions to the industry continue to resonate with fans and aspiring musicians worldwide, reminding us of the transformative power of music and the importance of understanding the nuances of its tones. In conclusion, Murph was a music producer who had an exceptional talent for recognizing and combining music tones to create captivating melodies and harmonies. His passion for music, relentless pursuit of perfection, and innate ability to evoke emotions through his production set him apart from others in the industry. Through his work, Murph left an enduring legacy that has touched the lives of countless people..
Reviews for "Murph and the Music Tones: An Unforgettable Live Experience"
1. Emily - 1 star
I was really disappointed with "Murph and the Music Tones". The storyline was predictable and cliché, and the characters were one-dimensional. The movie lacked depth and failed to captivate my interest. Additionally, the music performances were mediocre at best, with no standout moments. Overall, I found "Murph and the Music Tones" to be a forgettable and unremarkable film.
2. Michael - 2 stars
I had high hopes for "Murph and the Music Tones", but it fell short of my expectations. The plot was weak and lacked originality, and the dialogue felt forced and unnatural. The chemistry between the main characters was also lacking, making it difficult to connect with the story. While there were a few enjoyable musical numbers, they weren't enough to salvage the overall film. "Murph and the Music Tones" is a forgettable and underwhelming experience.
3. Sarah - 1 star
"Murph and the Music Tones" is an absolute waste of time. The acting was subpar, with wooden performances throughout. The story itself was uninteresting and filled with tired clichés. The attempts at humor were cringe-worthy and fell flat. I found myself checking my watch multiple times, waiting for the movie to end. Save yourself the disappointment and skip "Murph and the Music Tones".
4. David - 2 stars
I was unimpressed with "Murph and the Music Tones". The plot was predictable and lacked any originality. The characters were poorly developed and their actions often felt forced and illogical. The musical performances were average at best and failed to leave any lasting impact. Overall, "Murph and the Music Tones" was a forgettable film that failed to deliver anything new or exciting.
5. Jessica - 1 star
"Murph and the Music Tones" was a complete letdown. The storyline felt like a rehashed version of countless other musical films, offering nothing new or unique. The acting was unconvincing and the dialogue was cringe-worthy. The songs lacked creativity and failed to leave a lasting impression. I would not recommend "Murph and the Music Tones" to anyone searching for a captivating or original movie experience.