A magical textile recess is an enchanting concept that combines the world of textiles and magic. It refers to a designated area or time specifically dedicated to exploring and experimenting with the magical properties of different textiles. In this context, textiles refer to any type of fabric, including but not limited to silk, cotton, wool, and synthetic fabrics. These fabrics can be woven, knitted, or dyed in various ways, giving them unique characteristics and abilities. During a magical textile recess, individuals can engage in a variety of activities that allow them to tap into the magical aspects of textiles. This can include designing and creating magical garments or accessories, experimenting with spellwork using textile-based ingredients, or using textiles as tools in various magical rituals or ceremonies.
If you have a rail with a centre overlap, measure the total width of the rail excluding finials, then measure the overlap and add the two measurements together.
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This can include designing and creating magical garments or accessories, experimenting with spellwork using textile-based ingredients, or using textiles as tools in various magical rituals or ceremonies. The concept of a magical textile recess also extends beyond the physical properties of textiles. It encourages individuals to explore the symbolic and metaphorical aspects of textiles and how they can be imbued with meaning and intention.
Combining Fabric Art With Zentangle? Believe it!
At some point, you would think that I would stop being surprised by the variety of art forms that exist. The diversity never ceases to amaze me, and that’s surely one reason that we all love art so much. For example, I’m fascinated with both art quilts and Zentangle®, but I never considered combining the two. It takes an artist with vision, like Nysha Oren Nelson, to conceive such ideas and bring them to fruition. Nysha is featured in the April/May issue of Quilting Arts Magazine.
| Fabric art by Nysha Oren Nelson, studionysha.com . His work, “Zentangle Book in a Box,” is a 4″×153″ work of 18 quilted panels sewn together and housed in a hand-painted wooden box 7″×7″×11″. |
Zentangle + Fabric Art = Magic by Nysha Oren Nelson
| Detail from “Zentangle Book in a Box” |
“Zentangle Book in Box” began with the idea of creating quilted pages held together to use as a reference and inspiration for free-motion quilting. I knew I could also use it as a teaching tool in free-motion quilting and Zentangle classes. The box housing the quilt pages was pure serendipity.
It started several years ago when my partner suggested I take the millions of quilted samples I had created since 2006 and make a larger work with them. Indeed, many were quite worthy of being seen, but I couldn’t think of a clear way to make it happen. The idea was filed into the recesses of my mind, and I moved on.
About this same time I discovered the art of bookmaking. As a book collector, the idea of creating books of my own was intriguing. I tried making several different types of books using paper. There were lots of pages to fill with sketches, patterns, and notes, yet the size was restricted to a single sheet of paper and therefore limited. I also made a few altered books, taking an existing book and modifying it with cuts and drawings. I got caught up in making niches and carving multiple pages. While I enjoyed the journey with paper, I missed quilting and fabric.
At the same time, I discovered Zentangle. I’ve always loved patterns, and working with Zentangles was a great fit. Here was a method encouraging focus in the meditative sense. In 2013, I took a course and became a certified Zentangle Teacher. I was especially excited to meet and study with Maria Thomas and Rick Roberts. At the training I saw a lot of Maria’s work up close, in which she took old items and transformed them with tangle patterns. She mentioned finding old picture frames and reworking them by adding tangles to the damaged areas. As she was talking, I couldn’t help thinking of a box that was gathering dust in my closet. When I got home, I started to sand, paint, and cover the box with tangle patterns. When done, I realized the box could store a set of quilt sandwiches. Then I thought, what if the sandwiches were stitched together into an accordion book in its own little box?! Neat!~N.O.N.
Neat, indeed! In Quilting Arts Magazine, Nysha goes on to explain exactly how he quilted the Zentangle designs for his book. The April/May issue also includes an article by Lesley Riley on how to create a fragment fabric book, a feature by Margarita Korioth on working with thick threads, and much more. Click here to start your subscription and learn endless fabric art ideas.
The Zentangle® Method was created by Rick Roberts and Maria Thomas. Zentangle® is a registered trademark of Zentangle, Inc
Neat, indeed! In Quilting Arts Magazine, Nysha goes on to explain exactly how he quilted the Zentangle designs for his book. The April/May issue also includes an article by Lesley Riley on how to create a fragment fabric book, a feature by Margarita Korioth on working with thick threads, and much more. Click here to start your subscription and learn endless fabric art ideas.
For example, certain colors or patterns may have specific magical correspondences or associations, and individuals can harness these properties in their magical practice. Moreover, a magical textile recess can also be a collaborative and communal experience. It provides an opportunity for individuals to connect with like-minded individuals who share an interest in both textiles and magic. This can lead to the exchange of ideas, techniques, and inspiration, fostering a sense of community and creativity. Overall, a magical textile recess offers a unique and enchanting experience for individuals interested in both textiles and magic. It allows them to explore and experiment with the magical properties of different fabrics, while also tapping into the symbolic and metaphorical aspects of textiles. Whether as a solo endeavor or a communal activity, a magical textile recess opens up a world of possibilities for creative expression and magical practice..
Reviews for "The Power of Symbols: Exploring the Meaning and Significance of Magical Textile Patterns"
1. Emily - 2 stars - I was really disappointed with "Magical textile recess". I found the plot to be unoriginal and predictable. The characters lacked depth and development, and I couldn't connect with any of them. The writing style was also quite dull and did not capture my attention. Overall, I felt like the book was a waste of time and I would not recommend it to others.
2. James - 1 star - I had high hopes for "Magical textile recess" but it completely let me down. The story was confusing and hard to follow. The author introduced too many unnecessary characters and subplots that distracted from the main storyline. Additionally, the pacing was extremely slow, making it difficult to stay engaged. I found myself skimming through pages just to get it over with. I would caution others against reading this book as it was a complete letdown.
3. Sarah - 3 stars - I didn't hate "Magical textile recess", but I didn't love it either. The concept was interesting, but the execution fell short for me. The dialogue felt forced and unnatural, and the interactions between characters lacked authenticity. The world-building was also underdeveloped, leaving many unanswered questions. While I appreciated the author's attempt to create a unique story, it just didn't resonate with me.
4. Michael - 2 stars - I struggled to finish "Magical textile recess". The writing was choppy and disjointed, making it difficult to follow the story. The plot was convoluted and never fully explained, leaving me feeling confused and frustrated. The characters were forgettable and lacked any real depth. Overall, the book felt rushed and poorly edited. I would not recommend it to others.