If you are a fan of magic tricks and have a collection of magic wands, you might find yourself struggling to keep them organized and easily accessible. That's where a magic wand stand comes in. The purpose of a magic wand stand is to provide a dedicated storage space for your wands, keeping them upright and preventing them from getting damaged or misplaced. The stand typically has multiple slots or compartments to hold each wand individually. This allows you to easily see and choose the wand you want to use for your performance without having to search through a tangled mess of wands. The stand can be made of various materials, such as wood, plastic, or metal, and can come in different designs to suit your personal style or the theme of your magic room.
The stand can be made of various materials, such as wood, plastic, or metal, and can come in different designs to suit your personal style or the theme of your magic room. Some stands even have additional features, like a rotating base or built-in lights, to add a touch of flair to your magic setup. With a magic wand stand, you can proudly display your collection of wands while keeping them organized and ready for your next magical performance.
Lenny Lipton, 3D Film Technology Trailblazer and ‘Puff the Magic Dragon’ Lyricist, Dies at 82
Lenny Lipton, the New York-native who wrote the lyrics to what became Peter, Paul and Mary’s popular folk song “Puff, the Magic Dragon,” died on Oct. 5 from brain cancer at the Cedars-Sinai Medical Center in Los Angeles, his wife told The New York Times. He was 82.
In 1959, Lipton was a 19-year-old physics major at Cornell University. Feeling inspired after reading Ogden Nash’s poem “The Tale of Custard the Dragon,” he borrowed the typewriter of his schoolmate Peter Yarrow — one-third of the Peter, Paul and Mary trio — to scribe a creation of his own. But when Yarrow saw Lipton’s poem abandoned at the keys, he decided to put it to music, becoming the well-known 1963 song “Puff, the Magic Dragon.”
Lipton received a co-writer credit on the track, which was an instant hit among listeners. Through royalties, Lipton generated enough money to move to the Bay Area in California, where he became cohorts with a diverse scene of independent filmmakers. It was here he was launched into the film industry and began working on experimental shorts like 1969’s “Doggie Diner and the Return of Doggie Diner.”
Lipton also entered into the studio system during his career, receiving a production assistant credit on the 1975 best picture winner “One Flew Over the Cuckoo’s Nest.”
Throughout the 70’s, Lipton wrote two books for independent filmmakers, the first titled “Independent Filmmaking” (1972) and the second titled “The Super 8 Book” (1975). Writing wasn’t new for Lipton, seeing as he secured a job at Time magazine shortly after graduating in 1962, before moving to an editor position at Popular Photography. In the years that followed, Lipton continued to contribute columns to entertainment magazines. His writings were ultimately aggregated into a compendium called “Lipton on Filmmaking” in 1979.
Lipton was also at the helm of experimentation with three-dimensional technology for filmmakers — an interest that began in to his youth, when he would draw comics with red and green crayons to view with make-shift 3D glasses. As a child, Lipton was among some of the first audiences to see 3D films in theaters. Though the early technology was far from perfect, the concept resonated with Lipton and inspired a life-long career dedicated to the craft.
The multi-talented creative held 68 patents related to 3D technology. One example is a pair of glasses with shutters that open and close in sync with the screen to deliver imagery to the viewer, dubbed CrystalEyes. The Smithsonian Institution honored Lipton for the invention of CrystalEyes in 1996.
Development for these projects was funded by Stereographics Corporation, a company Lipton created in 1980, until RealD Cinema purchased the corporation in 2005. As a result of the acquisition, Lipton worked as chief technology officer at RealD until 2009. His work remains the inspiration for RealD’s modern cinema systems.
“I had a great education at Cornell but I was a decidedly mediocre student,” Lipton said with modesty in an interview with Physics World magazine in 2007. “I am a creative and determined person and I got a lot smarter once I found a field I loved. I see the world becoming one in which children are pointed in the direction of money as an end in itself. I hate living in that kind of a world. Schools need to be more accepting of eccentric people with a different point of view because we are the people who make the difference. We are the people who invent.”
Lipton is survived by his wife, Julie, and his children, Anna, Noah and Jonah.
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Reviews for "How to DIY a Magic Wand Stand for Storage"
1. Sarah - 2 stars - I was really excited to finally find a wand stand for my collection, but unfortunately, this one was a huge disappointment. Firstly, it was not sturdy at all and kept tipping over, even with just a few wands on it. Secondly, the material used was of very poor quality and felt flimsy. I was expecting something more durable considering it's meant to hold expensive collectible wands. Overall, I do not recommend this wand stand if you want something that will actually keep your wands safe and displayed nicely.
2. John - 1 star - This magic wand stand was a waste of money. Upon receiving it, I found that it was poorly made and didn't hold my wands securely. The slots were too big, causing the wands to slip and fall out easily. Additionally, the stand itself was not stable and would often topple over. It's frustrating to invest in a product that doesn't perform its basic function properly. Save your money and look for a better wand stand elsewhere.
3. Emily - 2 stars - I had high hopes for this magic wand stand, but unfortunately, it fell short of my expectations. The design is not practical at all. The slots are too close together, making it difficult to place larger wands without them touching and potentially getting scratched. Furthermore, the stand itself is not very sturdy and leans forward, making me nervous about the wands falling. It's not worth the price and I would advise anyone looking for a wand stand to consider other options.