Magic Leap is a pioneering augmented reality company that has several job openings. The company is known for their innovative technology that aims to blend the digital and physical world seamlessly. Magic Leap's mission is to create a spatial computing platform that enhances human interaction and perception. They are constantly looking for talented individuals to join their team and help create cutting-edge experiences. One of the job openings at Magic Leap is for a Software Engineer. The ideal candidate should have experience in developing software applications and have a strong understanding of computer science fundamentals.
How one band shaped the sounds of Japan and beyond
The Yellow Magic Orchestra (YMO) was founded by Haruomi Hosono, Ryuichi Sakamoto, and Yukihiro Takahashi in 1978. In the early 1970s, Haruomi Hosono created the legendary band “Happy End” which became the cornerstone of rock music. Ryuichi Sakamoto studied musical composition at the Graduate School of Tokyo University of the Arts and is a musician deeply versed in contemporary and electronic music. Yukihiro Takahashi was a member of the “Sadistic Mika Band,” which debuted in England as well as Japan in the 1970s. He was also a fashion designer. Neither white or black magic, YMO created musical yellow magic.
"Yellow Magic Orchestra - Computer Game 1979" (1979)
YMO was founded to create stateless, exotic sounds on disco beats with computers and synthesizers. They were affected by the US Martin Denny, German Kraftwerk, and the Italian producer Giorgio Moroder. The first recording was Martin Denny’s “Firecracker” which they covered with computers and synthesizers. It starts with computer game sound effects and was released overseas as the “Computer Game.”
"MC-8 and data cassette tapes 1980 (Photographer: Kenji Miura)" (1980)
YMO actively used Roland’s micro computer “MC-8” since they were founded. Unlike sequencers, the MC-8 allows intricate control of tonal quality and rhythm, so Isao Tomita’s disciple Hideki Matsutake was invited as an expert for its operation. What amazed the developer at Roland was that YMO used this computer at their concerts when it was designed for recordings in studios. The backing tracks for YMO’s stages were not recorded beforehand but were auto-played in real-time with the MC-8. The MC-8 data was loaded from cassette tapes on stage by Hideki Matsutake. This made possible YMO’s intricate and variegated live performance.
"Advertisement in the US 1980 (Yellow Magic Orchestra)" (1980)
The first album “Yellow Magic Orchestra” was released in 1978 and was soon noticed by the US A&M Records. The album was remixed in the US and sold worldwide in 1979. The art of the cover and promotion video for overseas sale were both designed by a US creator and the motif was oriental Japan seen from the west. The image was a combination of the old “Fujiyama/Geisha” and the new “Walkman/Semiconductor.” As their public image, the Yellow Magic Orchestra quoted the misunderstood oriental and caricatured image of Japan from 1979 to 1980.
"Instrument sets of 1979 (Photographer: Kazuhiro Kitaoka)" (1979)
Roland’s MC-8 and Moog’s gigantic modular synthesizer Moog lll-C supported YMO’s early music, and other multiple tonal qualities of synthesizers colored their music. For example, Moog’s Polymoog, Korg’s PS-3100, Oberheim’s Oberheim 8-Voice, Pollard’s syndrum. The Sequential Circuits’ Prophet-5, ARP’s Odyssey, and Roland’s Vocoder VP-330 which was the sound icon and characteristic voice of YMO must be remembered as contributing to the melody and bass. TOKIO!
"Los Angeles, The Greek Theatre performance 1979 (Photographer: Kenji Miura)" (1979)
YMO released their second album “Solid State Survivor” in 1979. Unlike their first album which was affected by exotic music and disco, this album was largely affected by post punk and the new wave. It contains the recording of “Rydeen” which was a big hit in Japan, “Behind the Mask” which was later remade by Michael Jackson, and The Beatles’ cover “Day Tripper.” This album sold over one million copies in Japan and after the release, YMO went on their first world tour.
"London Hammersmith Odeon 1980 (Photographer: Kenji Miura)" (1980)
In 1980, YMO went on their second world tour. This became a large-scale tour of several European countries and the US. In London, they held a concert in the distinguished Hammersmith Odeon and many celebrities came to see them. Hollywood broadcasted a concert by satellite for Japan and many celebrities visited it as well. Also, in between this tour, YMO appeared on the screen of “Soul Train” as the first Japanese artist to do so. They became the talk after performing the cover song “Tighten Up” which was a US hit single by Archie Bell and the Drells. After finishing their tour and returning to Japan, they held a four consecutive day performance at Tokyo’s Nippon Budokan. YMO became a social phenomenon in Japan.
Yellow Magic Orchestra
The principal members are Haruomi Hosono (bass), Yukihiro Takahashi (drums) and Ryuichi Sakamoto (keyboards).
The band was originally conceived as a one-off studio project by Hosono, the other two members being recruited session musicians - the idea was to produce an album fusing orientalist exotica (cf their cover version of Martin Denny's Firecracker) with modern electronics. However the first album (with its cutting-edge production) was very popular, and the studio project grew into a fully fledged touring band and career for its three members.
Making abundant use of new synthesizers, samplers, digital and computer recording technology as it became available, their popularity and influence extended beyond Japan. Generally the band are highly regarded as pioneers of electronic music, and continue to be remixed and sampled by modern artists.
The band had stopped working together by 1984 (deliberately using a Japanese term meaning "spreading out" or "branching out" rather than saying they were "splitting up"); the three members returning to their solo careers but continuing to collaborate. They released a one-off reunion album, Technodon, in 1993.
The early 2000s saw Hosono & Takahashi reunited in a project called Sketch Show. On a number of occasions Ryuichi Sakamoto has joined in on Sketch Show performances and recording sessions. He later proposed they rename the unit "Human Audio Sponge" when he participates, although outside Japan they also used "Yellow Magic Orchestra" until ownership issues with former label Alfa were resolved, so subsequent live releases use the original band name.
Oricon chart statistics -
Singles:
Technopolis : 9 in Oricon chart, 293,000 copies sold
Rydeen: 15 in Oricon chart, 225,000 copies sold
Tighten Up: 43 in Oricon chart, 38,000 copies sold
Kimi Ni Mune Kyun: 2 in Oricon chart, 347,000 copies sold
Kageki Na Shukujo: 15 in Oricon chart, 79,000 copies sold
Ishin Denshin: 23 on Oricon chart, 57,000 copies sold
Albums:
Yellow Magic Orchestra (US Mix): 20 on Oricon chart, 250,000 copies sold
Solid State Survivor: 1 on Oricon chart, 1,021,000 copies sold
Public Pressure: 1 on Oricon chart, 393,000 copies sold
Multiplies (Mini LP): 1 on Oricon chart, 412,000 copies sold
Multiplies (US version): 7 on Oricon chart, 186,000 copies sold
BGM: 2 on Oricon chart, 275,000 copies sold
Technodelic: 4 on Oricon chart, 118,000 copies sold
Naughty Boys: 1 on Oricon chart, 243,000 copies sold
Naughty Boys Instrumental: 18 on Oricon chart, 31,000 copies sold
Service: 5 on Oricon chart, 135,000 copies sold
After Service: 2 on Oricon chart, 123,000 copies sold
(Source - booklet of the compilation "We Love YMO", 1998)
Yellow Magic Orchestra – Yellow Magic Orchestra USA & Yellow Magic Orchestra
Digitally remastered edition of debut album from 1978.
CD1 - The USA version, mixed by Al Schmitt in 1978 'for a more USA-friendly sound'.
CD2 - Original Japanese version.
Recorded at Studio "A", Shibaura, Tokyo, 1978.
On Disc: Made in Austria
Different Matrix / Runout, Mastering SID Code, Mould SID Code and Rights Society
The ideal candidate should have experience in developing software applications and have a strong understanding of computer science fundamentals. They should also have a passion for augmented reality and be able to work in a fast-paced and collaborative environment. Another job opening at Magic Leap is for a UX/UI Designer.
Barcode and Other Identifiers
- Barcode : 5099751344520
- Rights Society : BIEM SACEM SDRM
- Label Code : 00199
- Matrix / Runout (Disc 1 - Variant 1) : Sony Music S0100480616-0102 25 A 2
- Mould SID Code (Disc 1 - Variant 1) : IFPI 942A
- Mastering SID Code (Disc 1 - Variant 1) : IFPI L555
- Matrix / Runout (Disc 2 - Variant 1) : Sony Music S0100480616-0202 11 A 3
- Mould SID Code (Disc 2 - Variant 1) : IFPI 942A
- Mastering SID Code (Disc 2 - Variant 1) : IFPI L551
- Matrix / Runout (Disc 1 - Variant 2) : Sony Music S0100480616-0102 25 A 2
- Mould SID Code (Disc 1 - Variant 2) : IFPI 942L
- Mastering SID Code (Disc 1 - Variant 2) : IFPI L555
- Matrix / Runout (Disc 2 - Variant 2) : Sony Music S0100480616-0202 11 A05
- Mould SID Code (Disc 2 - Variant 2) : IFPI 942L
- Mastering SID Code (Disc 2 - Variant 2) : IFPI L551
- Matrix / Runout (Disc 1 - Variant 3) : Sony Music S0100480616-0102 25 A 2
- Mould SID Code (Disc 1 - Variant 3) : IFPI 942A
- Mastering SID Code (Disc 1 - Variant 3) : IFPI L555
- Matrix / Runout (Disc 2 - Variant 3) : Sony Music S0100480616-0202 11 A 3
- Mould SID Code (Disc 2 - Variant 3) : IFPI 941A
- Mastering SID Code (Disc 2 - Variant 3) : IFPI L551
Yellow magic orchestra album
Yellow Magic Orchestra is the type of album one might find at the bottom of an old record collection whilst cratedigging at local garage sales, and in the era of the internet, the equivalent to such a discovery would be to find this unique experience packaged into a full-length digital upload on the scrolling sidebars of YouTube or within the tailor-made playlists of Spotify. Whatever the case, it is very much a project that is worth looking into, whether it be out of predetermined destiny or out of pure and simple algorithmic technology. Originally assembled as a partially satirical experiment to mimic the world's misunderstandings of East Asian music and culture, Yellow Magic Orchestra's all-inclusive genre-mingling disco miscellany went on to produce a hit promotional single as well as granting a great contribution to the craze of synthpop that the seventies rotated around with such fascination.
Some may recognize composer Ryuichi Sakamoto as the most notable individual member of this trio, whose shared Tokyo heritage supplies the common ground on which each artist is able to exercise their instrumental and vocal talents alike. Yellow Magic Orchestra's self-titled debut is a compendium of the trends of its time, but it embodies these methods with the idiosyncratic perspective of a group looking in on the fashions of their Western counterparts and making them their own. This brand of outsider originality couldn't have been more worthwhile, as the futuristic luster that has been spray-painted onto this thirty-seven minute parcel of electronic illusion is nothing if not captivating.
Songs such as Firecracker still sound ahead of their days even in a whole new century of musical principles, and it is due to their collective knack for prototypal pop experimentation that Yellow Magic Orchestra have stood the test of time. Their introductory album is beyond fun, a valuable vintage toy passed down through the generations with an entertainment value that will likely never run out.
The company is looking for someone with a keen eye for design and a deep understanding of user experience. The ideal candidate should have experience in designing interfaces for AR and VR applications and be able to create intuitive and visually appealing experiences. Magic Leap is also hiring for a Machine Learning Engineer. The company is looking for someone with experience in developing and deploying machine learning algorithms and models. The ideal candidate should have a strong background in computer science and be able to conduct research and experiments to improve Magic Leap's spatial computing platform. Overall, Magic Leap has several job openings for individuals with various skillsets. The main idea is that Magic Leap is a company at the forefront of augmented reality technology and is looking for talented individuals to join their team and help create innovative experiences. Whether it's software engineering, design, or machine learning, Magic Leap offers a range of job opportunities for those passionate about the future of spatial computing..
Reviews for "Looking for a career in AR? Magic Leap has the job for you"
1. John Doe - 1 star
I found the job openings at Magic Leap to be disappointing. The positions listed were either extremely specific, requiring a very niche skill set, or they were too general and lacked clear job responsibilities. Additionally, the application process was unnecessarily complicated and time-consuming. Overall, I felt that the job openings were not transparent enough and did not provide enough information for potential applicants to make informed decisions about whether the roles would be a good fit for them.
2. Jane Smith - 2 stars
I was excited to explore job opportunities at Magic Leap, but I was disappointed by the lack of diversity in the available positions. Most of the openings were technical roles, which made it difficult for individuals with different backgrounds, skills, and interests to find suitable positions. It felt like the company only valued one type of expertise, neglecting the potential contributions of individuals from diverse fields. The limited options left me feeling like there were very few opportunities for me to explore at Magic Leap.
3. Mark Johnson - 1 star
The job openings at Magic Leap seemed to prioritize quantity over quality. There were numerous listings available, but upon closer inspection, it became evident that many of them were repetitive or offered little growth potential. It felt as though the company was simply trying to fill positions quickly without much consideration for the long-term career prospects of their employees. Overall, I found the job openings to be lacking in substance and advancement opportunities, which deterred me from pursuing any positions at Magic Leap.