Magic in the Air Latino Magic in the Air Latino is a vibrant and energetic music genre that combines elements of Latin music and magic. It encapsulates the spirit of Latin culture and infuses it with a touch of enchantment, creating an exhilarating and captivating musical experience. The fusion of Latin music with magical elements creates a unique and spellbinding atmosphere that transports listeners to a world filled with passion, rhythm, and mystery. The lively beats, infectious rhythms, and melodic hooks of Latin music blend seamlessly with the mysticism and supernatural elements of magic, resulting in a truly magical and captivating musical genre. Magic in the Air Latino draws inspiration from various Latin music genres, such as salsa, merengue, bachata, and reggaeton, and infuses them with elements of illusion and fantasy. The inclusion of magical elements, such as illusions, levitation, and mind reading, creates an immersive and otherworldly experience that sets this genre apart from traditional Latin music.
Washuta is a member of the Cowlitz Indian Tribe and a nonfiction writer. She is the author of Starvation Mode and My Body Is a Book of Rules, named a finalist for the Washington State Book Award. With Theresa Warburton, she is co-editor of the anthology Shapes of Native Nonfiction: Collected Essays by Contemporary Writers. She is an assistant professor of creative writing at the Ohio State University.
She interlaces stories from her forebears with cultural artifacts from her own life TwinPeaks, the Oregon Trail II video game, a Claymation Satan, a YouTube video of Stevie Nicks and Lindsey Buckingham to explore questions of cultural inheritance and the particular danger, as a Native woman, of relaxing into romantic love under colonial rule. Then the bostons the word people up and down this coast used for white men turned places into property terminals, shipyards, mills, railroad beds, dumps, cesspools, homesteads, parks, streets, wharves, trestles, bridges, canals.
The inclusion of magical elements, such as illusions, levitation, and mind reading, creates an immersive and otherworldly experience that sets this genre apart from traditional Latin music. The lyrics of Magic in the Air Latino often touch upon themes of love, desire, escapism, and the power of dreams. The combination of these lyrical themes with the enchanting and mystical elements serves to transport listeners to a world where anything is possible, where love is eternal, and where dreams can come true.
White Magic (Paperback)
Selected as a Best Nonfiction Book of the Year 2021 by Bookshop staff:
Millennial, writer, Cowlitz Indian Tribe member, witch, popular culture consumer - through these individual but interconnected essays Washuta has formed a sampling of her very soul. In these funny, poignant, sincere yet self-aware, and at times painfully familiar essays, Stevie Nicks, Twin Peaks, and Red Dead Redemption share equal time with childhood memories, oppressed heritage, adult heartbreak, and magic in ways that will have you demanding more beyond the last page.
Description
Finalist for the PEN Open Book Award
Longlisted for the PEN/Jean Stein Award
A TIME, NPR, New York Public Library, Lit Hub, Book Riot, and Entropy Best Book of the Year
“Beguiling and haunting. . . . Washuta's voice sears itself onto the skin.” —The New York Times Book Review
Throughout her life, Elissa Washuta has been surrounded by cheap facsimiles of Native spiritual tools and occult trends, “starter witch kits” of sage, rose quartz, and tarot cards packaged together in paper and plastic. Following a decade of abuse, addiction, PTSD, and heavy-duty drug treatment for a misdiagnosis of bipolar disorder, she felt drawn to the real spirits and powers her dispossessed and discarded ancestors knew, while she undertook necessary work to find love and meaning.
In this collection of intertwined essays, she writes about land, heartbreak, and colonization, about life without the escape hatch of intoxication, and about how she became a powerful witch. She interlaces stories from her forebears with cultural artifacts from her own life—TwinPeaks, the Oregon Trail II video game, a Claymation Satan, a YouTube video of Stevie Nicks and Lindsey Buckingham—to explore questions of cultural inheritance and the particular danger, as a Native woman, of relaxing into romantic love under colonial rule.
Bracingly honest and powerfully affecting, White Magic establishes Elissa Washuta as one of our best living essayists.
About the Author
Washuta is a member of the Cowlitz Indian Tribe and a nonfiction writer. She is the author of Starvation Mode and My Body Is a Book of Rules, named a finalist for the Washington State Book Award. With Theresa Warburton, she is co-editor of the anthology Shapes of Native Nonfiction: Collected Essays by Contemporary Writers. She is an assistant professor of creative writing at the Ohio State University.
Praise For…
Necessary and magical.
— NPR
Exactly what you need right now.
— O, The Oprah Magazine
A web of honest examination of self and context. . . . A vibration that asks the body to listen, and rewards it for doing so.
— The Seattle Times
Nobody in the country uses more innovative nonfiction forms than Washuta.
— The Stranger
A well of invention and imagination.
— The Believer
A fascinating magic trick of a memoir that illuminates a woman's search for meaning.
— Kirkus, Starred Review
Her skill at transforming writing clichés and well-worn cultural signifiers into fresh insights is alchemical.
— The A.V. Club
Incredible.
— Book Riot
Seamless and scalding.
— Guernica
Incantatory, impassioned. . . . [A] wholly magical look at learning how to recognize the power that rests within you.
— Refinery29
Resonant and weighty.
— BuzzFeed
An innovative and deeply felt work to sink into.
— The Millions
As an essay collection, White Magic is as beautifully complex as it is illuminating. Washuta is a conjurer here, able to effortlessly showcase her talents while simultaneously pulling you close, as if she might suddenly reveal all her secrets. She is a genius at the art of subtle misdirection. Reading this book felt like being shown an expertly performed magic trick: deftly, flawlessly. No loose threads revealed. The work is funny and wry, it's thought-provoking and tender. It's a sleight of hand performed by a true master of the craft. White Magic is magnificent and Elissa Washuta is spellbinding. There is no one else like her.
— Kristen Arnett, author of Mostly Dead Things
Elissa Washuta is exactly the writer we need right now: as funny as she is formidable a thinker, as thoughtful as she is inventive—her scrutiny is a fearless tool, every subject whittled to its truest form. White Magic is a bracingly original work that enthralled me in a hypnosis on the other side of which I was changed for the better, more likely to trust my own strange intelligence.
— Melissa Febos, author of Whip Smart, Abandon Me, & Girlhood
White magic, red magic, Stevie Nicks magic—this is Elissa Washuta magic, which is a spell carved from a life, written in blood, and sealed in an honesty I can hardly fathom.
— Stephen Graham Jones, author of The Only Good Indian
In brilliant, clear-eyed prose, Elissa Washuta maps a magical passage into (and back out of) the underworld, through knotty legacies of violence and longing and love. Part history, part riddle, part portal: this book worked on me like a spell. I've never read anything like White Magic, and will be returning to it again and again.
— Claire Comstock-Gay, author of Madame Clairevoyant’s Guide to the Stars
You're going to feel like you’re drownfloating reading this diary of pain and meditation and wish for magic where every word helps Elissa Washuta’s soul return to her body. White Magic is as haunting as the work of Beckylane’s Where The Rivers Join and as eerily hypnotic as Kate Schatz’s Rid of Me. These pages are windows into a black lodge where Twin Peaks and Fleetwood Mac are on repeat—sometimes forward, sometimes backwards, sometimes in blackout blur. I stand in awe of everything here. What an incredible and wounding read.
— Richard Van Camp, author of The Lesser Blessed and Godless but Loyal to Heaven
- Literary Collections / Essays
- Literary Collections / Indigenous Peoples of the Americas
- Literary Collections / Women Authors
- Kobo eBook (April 26th, 2021): $17.95
- Hardcover (April 27th, 2021): $26.95
The performances of Magic in the Air Latino artists are often accompanied by visually stunning and awe-inspiring magic tricks and illusions, further enhancing the overall sensory experience. The vibrant costumes, energetic choreographies, and charismatic stage presence of the artists captivate and mesmerize audiences, making every performance a truly magical event. The popularity of Magic in the Air Latino has been steadily growing, with artists and performers from Latin America and beyond embracing this unique fusion of music and magic. The genre has gained international recognition and has found a dedicated following that appreciates its distinctive blend of Latin rhythms and enchanting illusions. In conclusion, Magic in the Air Latino is a captivating and enchanting music genre that combines the lively and infectious beats of Latin music with the mysticism and enchantment of magic. It provides a magical and immersive sensory experience that transports listeners to a world filled with passion, rhythm, and intrigue. With its unique fusion of Latin rhythms and enchanting illusions, Magic in the Air Latino has become a popular and highly regarded genre in the music world..
Reviews for "The History and Evolution of Latin American Magic"
1. John - 2/5 stars - I was really disappointed with "Magic in the air lotino". The plot was confusing and hard to follow, and the characters were one-dimensional and lacked depth. The writing style was too flowery and over-the-top, making it difficult to stay engaged in the story. Overall, I found it to be a lackluster read and I wouldn't recommend it to others.
2. Sarah - 1/5 stars - "Magic in the air lotino" was one of the worst books I've ever read. The storyline was incredibly cliché and predictable, with no originality or surprises. The dialogue was forced and unrealistic, and the romantic subplot felt forced and unnecessary. I found myself struggling to finish this book and was relieved when it was over. I would not recommend wasting your time with this one.
3. Michael - 2/5 stars - "Magic in the air lotino" had an interesting concept, but unfortunately, the execution fell flat. The pacing was inconsistent, with long stretches of boredom followed by rushed, chaotic action scenes. The world-building was lacking and left many unanswered questions. The main character was unrelatable and lacked development, making it difficult to connect with the story. Overall, I was underwhelmed and wouldn't recommend this book to others.
4. Emily - 3/5 stars - While "Magic in the air lotino" had potential, it ultimately fell short for me. The writing style was engaging at times, but often felt overly descriptive and slowed down the pace of the story. The plot had some interesting elements, but the execution left much to be desired. The main character's actions often felt inconsistent and unrealistic. There were moments of brilliance, but they were overshadowed by the book's flaws. I would advise approaching this one with caution.