left fpr dead

The Washington Bullets, a professional basketball team based in Washington, D.C., had a team mascot named "Hooper" who wore a unique and eye-catching uniform. This mascot uniform was designed to represent the team's name and identity and to entertain and engage the fans during games and events. The mascot uniform featured the team's iconic colors, red, white, and blue, which are also the colors of the American flag. The uniform was predominantly red, with white and blue accents and details.

The uniform was predominantly red, with white and blue accents and details. It included a jumpsuit or bodysuit that covered the mascot's entire body, including the head, arms, and legs. The mascot's headpiece was the most distinctive element of the uniform.

Richard Brome

One of the leading playwrights of the 1630s, his career cut short by the closure of the theatres in 1642. Seen in his day as a natural successor to Jonson and Shakespeare. Neglected since. This page keeps tabs on various interesting Brome-related things.

Love, Where is now thy deity

Love, where is now thy deity,
When Fortune alters thy decree
In making of another blessed
With her thou plantedst in my breast?
And, Fortune, where is thy despite,
That gavest another my delight,
When Death has ta'en from him and thee
The precious prize, as well as me?

Of Love I blame th'inconstancy;
Of Fortune curse the cruelty;
Death, my revenger, yet, shall scape
Though he has done the greatest rape
For he is kindest of the three:
In taking her he calls for me.
His kindness carries yet a blot:
For though he calls he takes me not.

- "Love, where is now thy deity" is a song sung in Act Four of The English Moor, its lyrics preserved in the manuscript version of the play, and first published by Sara Jayne Steen in 1983. This MIDI file contains the music to a contemporary setting of the lyric, printed and discussed by John P. Cutts in 1986, and transcribed to MIDI by me.

Newly published: Richard A. Cave, gen. ed., Richard Brome Online (2010). Scholarly editions of every Brome play, illustrated with video clips of performance. I'm a contributor to the edition, so I'm biased, but - it's marvellous. Transforms our ability to say things about Brome.

Richard Brome - a selective bibliography

1. Texts:

• Brome, Richard. Richard Brome Online (2010), gen. ed. Richard A. Cave. This now effectively supersedes al the individual play editions listed below.
• Brome, Richard. The Dramatic Works of Richard Brome, ed. John Pearson, 3 vols. 1873; New York, AMS Press, 1966. Now
• Brome, Richard. The Antipodes, ed. Ann Haaker. Lincoln, Nebraska: Regents, 1966.
• Brome, Richard. The Antipodes, ed. David Scott Kastan and Richard Proudfoot. London: Nick Hern books, 2000.
• Brome, Richard. The English Moore; or the Mock-Mariage, ed. Sarah Jayne Steen. Columbia: Missouri University Press, 1983.
• Brome, Richard. A Jovial Crew, ed. Ann Haaker. London: Edward Arnold, 1968.
• Brome, Richard. A Critical Old-Spelling Edition of Richard Brome's A Mad Couple Well Match'd, ed. Steen H. Spove. New York: Garland, 1979.
  Brome, Richard. The Northern Lasse, ed. Harvey Fried. New York: Garland, 1980.
  
• Brome, Richard. A Critical Edition of Richard Brome's The Weeding of Covent Garden and the Sparagus Garden, ed. Donald S. McClure. New York: Garland, 1980.
  
• Brome, Richard, and Thomas Heywood. The Late Lancashire Witches, ed. Laird H. Barber. New York: Garland, 1979.
  
• Brome, Richard, and Thomas Heywood. The Witches of Lancashire, ed. Gabriel Egan. . London: Globe Quartoes, 2002. [the play edited by Barber as The Late Lancashire Witches].

2. Secondary material (books):

• R.J. Kaufmann, Richard Brome: Caroline Playwright (New York: Columbia UP, 1961).
• Catherine M. Shaw, Richard Brome (Boston: Twayne, 1980).
• Martin Butler, Theatre and Crisis 1632-1642 (Cambridge: Cambridge UP, 1984).
• Ira Clark , Professional Playwrights: Massinger, Ford, Shirley & Brome (Lexington: Kentucky UP, 1992).
• Julie Sanders, Caroline Drama: The Plays of Massinger, Ford, Shirley and Brome (Plymouth: Northcote House, 1999).
• Matthew Steggle, Richard Brome: Place and Politics on the Caroline Stage (Manchester: Manchester University Press, 2004). "Admirable and clear-headed" (Times Literary Supplement); "most impressive" (Ben Jonson Journal); "a thoroughly good book" (Notes and Queries).

STill so hard-hearted? what may be

It was shaped like a bullet, symbolizing the team's name. The headpiece had the team's logo and a face-like design, complete with eyes and a mouth. The eyes were often designed to be large and expressive, enabling the mascot to interact with fans and create a fun and engaging atmosphere. The uniform also included accessories such as gloves and shoes, which matched the overall color scheme. The shoes were usually designed in the team's colors and featured the team's logo or name. Overall, the Washington Bullets team mascot uniform was designed to be visually appealing and in line with the team's image. It represented the team's name, colors, and identity, and helped create a lively and spirited atmosphere during games and events. The unique design of the mascot's headpiece, shaped like a bullet, added to the overall impact and recognition of the mascot..

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