A grasping rune bag is a type of bag often used by practitioners of magic and rune casting. It is typically made of a durable fabric or leather material and is designed to hold a set of rune stones or runes. The bag is specially crafted with an opening or flap that allows easy access to the runes inside. The purpose of a grasping rune bag is to securely hold and protect the runes while also allowing for easy transportation and use. The bag serves as a container to keep the runes safe from damage or loss, ensuring that they can be used for divination or magical purposes whenever needed. The runes themselves are small, flat stones or tiles that are marked with ancient symbols known as "runes.
Levi’s work so impressed and influenced other occultists that he was one of the few French experts to be translated into English. Arthur Edward Waite, a principal in the Hermetic Order of the Golden Dawn, translated his works so that he could better study them himself. Waite called Levi a magus of light. Levi also influenced the English author Lord Bulwer Lytton, whom he met during a trip to London in 1853. Levi taught Lytton various magical rituals and procedures that Lytton incorporated into his fictional works, A Strange Story (1862) and The Haunted and the Haunters (1857), in which Levi served as the model for the magus.
It was probably not until after she left him that he launched his study of the occult sciences; his writings previous to this time show little trace of occult influence. Chauliac The Abb é Constant, for a second time repudiating his name, assumed the title of the Magus É liphas L é vi, giving consultations in great number to credulous clients, who paid as much as twenty-five francs a time for a prediction from Lucifer.
The runes themselves are small, flat stones or tiles that are marked with ancient symbols known as "runes." These symbols are typically engraved or painted onto the surface of the rune, representing different concepts or meanings. Rune casting is a practice that involves selecting and interpreting specific runes to gain insight, guidance, or answers to particular questions or situations.
Levi, Eliphas
Eliphas Levi (1810–1875) French occultist who was a leader of the occult revival of the 19th century. Eliphas Levi has often been called the last of the magi. He is said to have coined the term occult.
He was born Alphonse Louis Constant in Paris in 1810. His father was a poor shoemaker and had no means to provide for his son’s education. Young Constant was schooled at a local Catholic parish at the church of Saint Sulpice. He became a deacon and aspired to be a priest, even taking a vow of celibacy. But his tendency to speak his mind and not stick to teaching the doctrines of the church led to his expulsion.
Constant then became involved in radical politics, for which he was imprisoned several times. He married a 16- year-old girl named Madamoiselle Noemy, who gained fame in her own right as a sculptor. The couple had two children, who died in either infancy or childhood. After seven years Noemy left Levi and succeeded in getting the marriage nullified on the grounds that she had been a minor when they were wed.
In the wake of his marital breakup, Levi immersed himself in a study of the occult, teaching the kabbalah, magic, and alchemy. He quickly became famous throughout Europe. His studies focused on the kabbalah, the tarot , and the writings of Swedish mystic Emanuel Swedenborg. He was the first to draw a connection between the kabbalah and the Tarot. During this time, Constant called himself Abbé Constant and dressed in clerical garb, though it is doubtful that he was ever ordained a priest. He earned his living teaching magic. He was inspired by Francis Barrett ’s book The Magus (1801), which was a derivative of Three Books on Occult Philosophy by Henry Cornelius Agrippa.
In the mid-1850s, he took the Hebrew equivalent of his name, Eliphas Levi, and wrote under the name Magus Eliphas Levi. His best-known work is Transcendental Magic, published in 1860, which presents his own system of magic, based in part on the grimoire known as the Greater Key of Solomon. Other significant works by Levi are The History of Magic, The Mysteries of the Qabalah, The Great Secret, and The Book of Splendours. Levi’s works were a focus of the French occult revival, which gained momentum in the several decades following his death.
Levi’s work so impressed and influenced other occultists that he was one of the few French experts to be translated into English. Arthur Edward Waite, a principal in the Hermetic Order of the Golden Dawn, translated his works so that he could better study them himself. Waite called Levi a magus of light. Levi also influenced the English author Lord Bulwer Lytton, whom he met during a trip to London in 1853. Levi taught Lytton various magical rituals and procedures that Lytton incorporated into his fictional works, A Strange Story (1862) and The Haunted and the Haunters (1857), in which Levi served as the model for the magus.
Aleister Crowley, who was born in the same year that Levi died, claimed to be a Reincarnation of Levi. Crowley translated Levi’s book The Key of the Mysteries. According to Levi, two things are necessary to acquire magical power: “to disengage the will from all servitude, and to exercise it in control.”
FURTHER READING:
- Levi, Eliphas. The History of Magic. 1860. Reprint, York Beach, Maine: Samuel Weiser, 2001.
- ———. Transcendental Magic. 1896. Reprint, York Beach, Maine: Samuel Weiser, 2001.
When using a grasping rune bag, the practitioner typically holds the bag in one hand and uses the other hand to draw out the desired rune from the bag. The rune is then either placed on a specially-designed cloth or table or held between the fingers for interpretation and analysis. The grasping rune bag also adds an element of mystery and reverence to the process of rune casting. The act of grasping the bag and intuitively selecting a rune can help create a ritualistic atmosphere and focus the practitioner's mind on the task at hand. Overall, a grasping rune bag is an essential tool for practitioners of rune casting, providing a secure and convenient way to store and transport the runes while also adding a touch of ritual and reverence to the practice..
Reviews for "Using the grasping rune bag to tap into your intuition and inner wisdom"
1. Jacob - 2 stars - I was really disappointed with the "Grasping rune bag". The bag itself feels very cheap and poorly made, and the runes inside are not of good quality either. The bag started falling apart after just a few uses and the runes started chipping and cracking. I would not recommend this product to anyone looking for a durable and reliable rune bag.
2. Emily - 1 star - The "Grasping rune bag" was a complete waste of money. The bag came with a strong plastic smell that wouldn't go away, even after airing it out for days. The runes inside were also very flimsy and felt like they would break with minimal use. Additionally, the bag had a difficult time keeping all the runes inside, with some falling out through the loose stitching. Overall, I was extremely dissatisfied with this purchase.
3. Sarah - 2 stars - I bought the "Grasping rune bag" expecting a high-quality product, but I was sorely disappointed. The bag itself looks great, but the material is really thin and doesn't hold up well. The runes inside were also smaller than expected and lacked the intricate detailing shown in the product images. I ended up returning it because it just didn't meet my expectations in terms of both durability and aesthetics.
4. Michael - 2 stars - The "Grasping rune bag" turned out to be a letdown for me. The bag had a strange chemical smell that lingered even after multiple washes. The runes inside were also of poor quality, with some of them appearing faded and others having visible scratches. Considering the price of this product, I expected much better craftsmanship and material quality. I would not recommend purchasing this rune bag.