"Every Which Way But Loose" is a 1978 American comedy film directed by James Fargo and starring Clint Eastwood. The film follows the adventures of Philo Beddoe, a trucker and brawler, and his pet orangutan, Clyde. Philo gets entangled in a series of misadventures, as he tries to win over his love interest, escape from a motorcycle gang, and participate in underground bare-knuckle boxing matches. The title, "Every Which Way But Loose," is a play on words that signifies the chaotic and unpredictable nature of Philo's journey. Throughout the film, Philo and Clyde find themselves going in various directions, encountering a colorful array of characters along the way. From battling bikers to bumbling law enforcement officers, Philo's life takes many unexpected turns.
From battling bikers to bumbling law enforcement officers, Philo's life takes many unexpected turns. One of the central themes of the film is Philo's search for love. He becomes infatuated with a country singer named Lynn Halsey-Taylor, played by Sondra Locke, and goes to great lengths to win her heart.
Every witcb way but loose
Fri, Oct 16, 2015 → Sat, Nov 21, 2015
- Opening reception: Fri, Oct 16, 6:00 - 8:00 pm
We're convicted of murder if abortion is planned.
Convicted of conspiracy if we fight for our rights.
And burned at the stake when we stand up to fight.
- Women's International Terrorist Conspiracy from Hell (W.I.T.C.H.), 1969
You keep playing where you shouldn't be playing
And you keep thinking that you'll never get burnt (HAH)
Well, I've just found me a brand new box of matches (YEAH)
And what he knows you ain't had time to learn
These boots are made for walking, and that's just what they'll do
One of these days these boots are gonna walk all over you
- Nancy Sinatra “These Boots are Made for Walking,” 1966
Margaret Meehan’s second solo exhibition at David Shelton Gallery reinvents the career of movie star Ruth Gordon. Referencing Gordon’s 1968 Oscar win for Rosemary’s Baby, and the cult classic film Harold and Maude (1971), Meehan casts the aging actress as the central character in David Lynch’s The Elephant Man. Gordon becomes a stand-in for American women fighting to be treated as neither devil nor angel, just human in a time of sexual liberation and second-wave feminism.
Born in the 1970s and educated in the 1990s during the emergence of third-wave feminism and the Riot Grrrl movement, Meehan is interested in cycles of representation, in particular, the tendency for women to be depicted as monsters. Recent protesters have shouted: “I can’t believe I still have to fight for this shit!” In Every Witch Way but Loose Meehan continues her investigation into otherness, teratology and forgotten histories linking a story based on the life of Joseph Merrick, a man born with physical deformities in nineteenth century London with two characters that Ruth Gordon actually played – one a rebellious iconoclast with a tragic past and the other a member of a satanic coven.
In a time of congressional witch-hunts, Meehan’s exhibition includes collaged and painted cabinet cards depicting suffragettes in updated attire and a video Box of Matches that is a mash up of Nancy Sinatra’s “These Boots are Made for Walking” with the theme song from Rosemary’s Baby to create an elegiac protest march. Other works in the exhibition include text drawings based on movie scripts, as well as film stills, costumes and props from the imagined set where Ruth Gordon is The Elephant Man.
Margaret Meehan (b. 1970, Philadelphia) works in a variety of media focusing on gender and revisionist history. Recent solo exhibitions include Artpace in San Antonio, Conduit Gallery in Dallas and Soil Art Gallery in Seattle. Her work was has been included in recent group exhibitions at the Dallas Museum of Art, the Modern Art Museum of Fort Worth and Centraltrak, Dallas. This past year she was awarded The Nasher Sculpture Center’s inaugural Artist Microgrant.
But. They finally brought in a supporting cast that really can do it! There's this girl from (shudder) PUNKY BREWSTER, Roxie, and she promises to be fun, fun, fun and a perfect foil. Also Elisa Donovan from CLUELESS (hey, almost half the cast is from CLUELESS, kidding) another welcome addition.
However, his journey to woo Lynn is anything but smooth, with relentless obstacles and rival suitors standing in his way. Another significant aspect of the film is Philo's involvement in underground fight clubs. Despite his initial reluctance and lack of experience, he proves to be a formidable opponent in these bare-knuckle brawls. The fight scenes in the film are energetic and full of action, showcasing Clint Eastwood's physical prowess as an actor. The inclusion of Clyde, the orangutan, adds a comedic and lighthearted element to the film. Clyde is Philo's loyal sidekick, and their bond is central to the story. Clyde's antics provide comic relief throughout, often stealing scenes with his mischievous behavior and clever tricks. "Every Which Way But Loose" was a commercial success upon its release, becoming one of the highest-grossing films of 1978. It was also praised for its blend of action, comedy, and heartwarming moments. The film's success led to a sequel, titled "Any Which Way You Can," which was released in 1980. In conclusion, "Every Which Way But Loose" is an entertaining and light-hearted comedy film that takes viewers on a wild and unpredictable journey. Clint Eastwood's portrayal of Philo Beddoe, combined with the inclusion of Clyde the orangutan, creates a delightful and memorable cinematic experience..
Reviews for "The Alchemy of Witchcraft: Every Witch Discovers Their Personal Magic"
1. John - 2/5 stars - I found "Every Which Way But Loose" to be a disappointing film. The plot was weak and the characters lacked depth. The comedic moments fell flat and the attempts at humor felt forced. The action scenes were also poorly executed and lacked excitement. Overall, I was left unimpressed and would not recommend this film.
2. Sarah - 1/5 stars - "Every Which Way But Loose" was an absolute bore. The storyline was predictable and cliché, offering nothing new or engaging. The acting was mediocre at best, and I found myself uninterested in the characters or their journey. The attempts at humor were cringeworthy and overall, the film felt like a waste of time. I would not recommend this movie to anyone looking for an enjoyable viewing experience.
3. Emily - 2/5 stars - I had high hopes for "Every Which Way But Loose" based on the cast and premise, but I was sorely disappointed. The film lacked cohesion and struggled to find its identity. The plot seemed disjointed and it was difficult to connect with the characters. Additionally, the film relied too heavily on crude humor, which hindered any chance of genuine laughter. Overall, this movie missed the mark for me and I would not watch it again.
4. Mike - 1/5 stars - I cannot understand the hype surrounding "Every Which Way But Loose". The film was filled with cheap, tasteless jokes that only served to offend rather than entertain. The script was weak and lacked any depth, making it difficult to invest in the story or the characters. The acting was subpar and the action sequences were poorly choreographed. I found myself waiting for the movie to end, and I would not recommend it to anyone looking for a quality movie experience.