Danielle was always a curious and imaginative child. She had a knack for delving into supernatural and mystical worlds, often captivating her friends and family with tales of wonder. As she grew older, her fascination with magic and witchcraft intensified, leading her down a path of exploration and self-discovery. Danielle immersed herself in books and research, devouring everything she could find about witches and their craft. She experimented with spells, potions, and incantations, eager to unlock the secrets of the mystical arts. Her dedication and tireless efforts began to bear fruit, as she started witnessing inexplicable phenomena and experiencing the power of her own magic.
Danielle is the director and producer of A Choreographer’s Vision, a theatrical belly dance salon that promotes the exploration of human connection through dance. Danielle recently shifted her focus to her own work, offering 1 on 1 Creative Development sessions as well as solo performances, classes and workshops. Connect with Danielle on thedancerwitch.com
Originally from La Grange, Texas, East was born in 1997 and lived the majority of her life around her family in particularly her grandmother and in the rural areas of Fayette County, Texas. As short term goals, East plans to continue her education and get her masters from a university in Texas, continue creating art, and curate opportunities for marginalized artists of color.
Her dedication and tireless efforts began to bear fruit, as she started witnessing inexplicable phenomena and experiencing the power of her own magic. However, Danielle's newfound abilities did not go unnoticed. Rumors began to circulate in her small town, gossiping tongues whispering in disbelief and fear.
Transfiguration of a Black Girl’s Magic
West Texas-based installation artist, Danielle Demetria East has been honing her skills as a found-object sculptor and mixed-media assemblage artist for the past few years. Originally from La Grange, Texas, East was born in 1997 and lived the majority of her life around her family (in particularly her grandmother) and in the rural areas of Fayette County, Texas. Recently, East was a graduate of the University of Mary Hardin-Baylor with a degree in Studio Arts where she studied abroad in Prague, Czech Republic and received the Austin-Burks Award for Most Outstanding Art Major. Currently, she is an artist-in-residence at the Charles Adams Studio Project where she is exploring Afrofuturism, Black Girl Magic, and African-American Vernacular English. As short term goals, East plans to continue her education and get her masters from a university in Texas, continue creating art, and curate opportunities for marginalized artists of color.
“The common thread running through my work is the similarities between the Black woman and that of practitioners of magic. In my installations and performance work, I experiment with the values and beliefs systems, along with the levels of persecution of the Black female community and that of witches, rootworkers, and shaman. I am influenced by the works of Betye Saar, Wangechi Mutu, and Renee Stout. The catalyst for my work is the Black Girl Magic movement, Beyonce’s visual album Lemonade, Louisiana practitioner Marie Laveau and Tituba, an enslaved black woman of Salem first accused of witchcraft.
Across societies, the witch is seen as a metaphor of femalehood. As with witches, Black women are also caricatured as being ugly, hypersexual, and as superpredators. Despite the pain and persecution, these two emblems of feminine power actually parallel meanings of being a matriarch, a healer, and a representative of a higher being. Because of this discrimination, in my work, I want to embody this pain along with the process of healing and growth as a woman. By doing this, I am highlighting the Black woman and the practitioners core values such as, sacrifice, healing, and seduction.
In my installations, I intersect motifs of occult culture and important aesthetics of the Black female experience. The found objects in my pieces are primarily sourced from my homestead. I choose to use these items because they are reminiscent of my childhood as a Black girl and of culturally classed materials such as synthetic hair, black hair care tools, and my grandmothers possessions.
My performance work are pieces that connect the audience to the artist. Through this medium I want to enhibite a vulnerability between the audience while also carrying on the traditions and beliefs of my grandmothers. It is as if the the audience will be a client or guest entering into my coven.”
Danielle wrote: "Pulling together my Red Witch routine."
Some viewed her as a threat, while others saw her as a source of intrigue and intrigue. Regardless of public opinion, Danielle remained steadfast in her pursuit of knowledge and embraced her identity as a witch. Her rituals and ceremonies became more elaborate, blending ancient traditions with her own unique twist. She formed a coven with like-minded individuals who shared in her passion for the craft, fostering a supportive and empowering community. Together, they exchanged spells and rituals, expanding their understanding of the art and weaving their own tapestry of enchantment. Yet, the path Danielle had chosen was not without its challenges. She faced criticism and skepticism from those who deemed her practices as nothing more than illusions or trickery. Furthermore, there were instances where the very forces she attempted to harness backfired, resulting in unforeseen consequences. But Danielle remained undeterred, learning from her mistakes and adapting her craft along the way. As time went on, Danielle's reputation as a powerful witch spread far and wide. People sought her out for advice, guidance, and even miracles. She became a beacon of knowledge and wisdom, using her magic not only for her own personal gain but also to help those in need. She mastered the delicate balance between using her abilities responsibly and respecting the natural order of the universe. Through her incredible journey, Danielle discovered that witchcraft was not merely about casting spells and wielding supernatural powers. It was about embracing one's true self and connecting with the vast energies that surround us all. It was about finding harmony within oneself and the world, using magic as a tool to bring about positive change and transformation. In the end, Danielle's story of performing witchcraft was not one of dark secrets or evil intentions. Instead, it was a tale of self-discovery, empowerment, and the enduring belief that magic exists within us all if we dare to tap into it..
Reviews for "The Intersection of Danielle's Witchcraft and Tarot Readings"
1. Sarah - 1 star
I was extremely disappointed with Danielle's performance of witchcraft. It felt like a cheap theatrical act rather than a real representation of the craft. The spells were lackluster and the rituals seemed forced and scripted. There was no genuine connection with the audience or any sense of spirituality. It all seemed like a gimmick to make money rather than something truly spiritual. I would not recommend Danielle's witchcraft performance to anyone.
2. Brian - 2 stars
I attended Danielle's witchcraft performance with high expectations, but unfortunately, it fell flat for me. It felt more like a staged show rather than an authentic exploration of witchcraft. The whole performance lacked depth and genuine insight into the craft. It seemed more like a superficial display of theatrics rather than a meaningful experience. While the visual effects were impressive, the content was lacking. I left feeling underwhelmed and wishing for more substance.
3. Emma - 1 star
I thought Danielle's performance of witchcraft was nothing short of a disappointment. It lacked authenticity and depth. The spells and rituals felt forced and cliche, lacking any originality or genuine spiritual connection. Throughout the performance, I couldn't shake off the feeling that it was all for show, with no real substance behind it. If you're looking for a true, meaningful experience with witchcraft, I would suggest looking elsewhere. Danielle's performance fell short of my expectations.