Hello, I hope this message finds you well. I am writing to seek assistance from Magic Tilt Trailers customer support regarding an issue I am facing with my trailer. I recently purchased a Magic Tilt trailer and have been experiencing some difficulties with its operation. Despite my best efforts to troubleshoot and resolve the problem on my own, I have been unsuccessful and am now turning to the experts for guidance. The main issue I am encountering is . This problem has been causing me inconvenience and hindering my ability to properly utilize the trailer for its intended purpose.

Tilda Swinton: White Witch

Jadis The White Witch : [to Edmund] Tell me, Edmond. Are your sisters deaf? Edmund Pevensie : No. Jadis The White Witch : And your brother, is he unintelligent? Edmund Pevensie : Well, I think so. But Mum says. Jadis The White Witch : [shouting] Then how dare you come alone!

Jadis The White Witch : You know, Aslan, I'm a little disappointed in you. Did you honestly think by all this that you could save the human traitor? You are giving me your life and saving no one. So much for love. Tonight, the Deep Magic will be appeased, but tomorrow, we will take Narnia forever! In that knowledge, despair. and die!

Jadis The White Witch : You have a traitor in your midst, Aslan. Aslan : His offense was not against you. Jadis The White Witch : Have you forgotten the laws upon which Narnia has been built? Aslan : [almost a roar] Do not cite the Deep Magic to me, Witch. I was there when it was written. Jadis The White Witch : Then you'll remember well that every traitor belongs to me. His blood is my property Peter Pevensie : [pulls out his sword] Try and take him then. Jadis The White Witch : Do you really think that mere force will deny me my right little king? Aslan knows that in this, I had blood as the law demands. All of Narnia will be overturned and perish in fire and water. That boy will die on the stone table. as is tradition. You dare not to refuse me. Aslan : Enough. I shall talk with you alone.

Aslan : She has renounced her claim on the Son of Adam's blood. [Everybody cheers] Jadis The White Witch : How do I know your promise will be kept? [Aslan roars]

[the witch has discovered Edmund has been rescued by Aslan's forces, and Ginarrbrik tied to the tree in Edmund's place] Ginarrbrik : You're not going to kill me? Jadis The White Witch : Not yet.

Jadis The White Witch : Do you know why you're here, Faun? Mr. Tumnus : Because, I believe in a free Narnia. Jadis The White Witch : You're here because *he* turned you in. for sweeties.

[the White Witch is about to kill the Fox] Edmund Pevensie : Wait, no don't. Beaver said something about The Stone Table. And that Aslan had an army there. Jadis The White Witch : An army? Thank you, Edmund. I'm glad this creature got to see some honesty. before he dies! [Jadis turns the Fox into stone]

Jadis The White Witch : [slaps Edmund] You better think carefully about whose side you're on Edmund, [forcefully turns his head to face the stone fox] Jadis The White Witch : mine, or theirs.

Jadis The White Witch : If it's a war Aslan wants [turns a butterfly into stone] Jadis The White Witch : it's a war he shall get.

Jadis The White Witch : Edmund, I would very much like to meet the rest of your family. Edmund Pevensie : Really? They're nothing special. Jadis The White Witch : Oh. I'm sure they're not nearly as delightful as you are. [She grabs Ginarrbrik's hat and wipes Edmund's lips to remove the mess. Then she hands it back to him] Jadis The White Witch : But you see, Edmund, I have no children of my own. And you are exactly the sort of boy where I could see, one day, you becoming prince of Narnia - maybe even king. Edmund Pevensie : Really? Jadis The White Witch : Of course, you'd have to bring your family. Edmund Pevensie : Oh. Do you mean Peter would be king, too? Jadis The White Witch : No. No, no. But a king needs servants Edmund Pevensie : I guess I can bring 'em.

Tilda Swinton

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• Turner Classic Movies - Tilda Swinton
• AllMovie - Tilda Swinton
• Business of Fashion - Biography of Tilda Swinton
• British Independent Film Awards - Tilda Swinton
• BFI Screenonline - Biography of Tilda Swinton

• Tilda Swinton - Student Encyclopedia (Ages 11 and up)

While every effort has been made to follow citation style rules, there may be some discrepancies. Please refer to the appropriate style manual or other sources if you have any questions.

Our editors will review what you’ve submitted and determine whether to revise the article.

• Turner Classic Movies - Tilda Swinton
• AllMovie - Tilda Swinton
• Business of Fashion - Biography of Tilda Swinton
• British Independent Film Awards - Tilda Swinton
• BFI Screenonline - Biography of Tilda Swinton

• Tilda Swinton - Student Encyclopedia (Ages 11 and up)

Richard Pallardy received a B.A. in English from Illinois State University in 2005. He was a research editor with Encyclopaedia Britannica, Inc. from 2008 to 2016 and worked on Britannica Blog from 2010.

Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. They write new content and verify and edit content received from contributors.

awards and honors: Academy Award (2008) Academy Award (2008): Actress in a Supporting Role (Show more)

This problem has been causing me inconvenience and hindering my ability to properly utilize the trailer for its intended purpose. I have thoroughly reviewed the user manual, followed all recommended maintenance procedures, and conducted a visual inspection of the trailer to rule out any obvious issues. However, the problem still persists.

Recent News

Tilda Swinton (born November 5, 1960, London, England) Scottish actress and performer known for her daringly eclectic career and striking screen presence.

Swinton was born into Scottish nobility. Her father was a major general and formerly headed the queen’s Household Division. She acted in student productions at the University of Cambridge, from which she graduated (1983) with a bachelor’s degree in social and political sciences and English literature. She performed with the Traverse Theatre in Edinburgh and with the Royal Shakespeare Company prior to transitioning to cinema in 1985.

Swinton collaborated closely with artist and director Derek Jarman, who cast her in her first film, Caravaggio (1986), an anachronistic biopic of the Renaissance painter. Owing to the improvisational, unstudied nature of her work during that period, she rejected being categorized as an actor. She appeared in eight of Jarman’s films, including The Last of England (1988), a commentary on the state of the United Kingdom under Prime Minister Margaret Thatcher, and an adaptation of Christopher Marlowe’s Edward II (1991).

She came to greater prominence with her turn as the title character in Orlando (1992), director Sally Potter’s adaptation of the Virginia Woolf novel about a man who transforms into a woman during the course of 400 years. Swinton played both the male and female roles, presaging a preoccupation with the fluidity of gender in her later work. She soon attracted the attention of Hollywood. She appeared in a small supporting role in the thriller The Beach (2000) before starring as the fiercely protective mother of a young gay man in The Deep End (2001).

Swinton alternated between appearing in such commercial fare as the thriller Vanilla Sky (2001) and independent films, including Teknolust (2002), Young Adam (2003), and Thumbsucker (2005). She capitalized on her androgyny with her rendition of the traditionally male archangel Gabriel in the action movie Constantine (2005).

Tilda Swinton as the White Witch in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005). (more)

Swinton was lauded for her chilling portrayal of the White Witch in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005) and its two sequels (2008 and 2010). She won an Academy Award for best supporting actress for her turn as a ruthless corporate lawyer in Michael Clayton (2007). She chewed the scenery in a wide-ranging assortment of movies, ranging from the wrenching drama We Need to Talk About Kevin (2011) to the dystopian thrillers Snowpiercer and The Zero Theorem (both 2013). Her performances in Burn After Reading (2008), Trainwreck (2015), and Hail, Caesar! (2016) revealed a talent for broad comedy as well.

Swinton’s preoccupation with aesthetics led her to work on several films with the notoriously style-conscious director Jim Jarmusch, among them the impressionistic thriller The Limits of Control (2009) and the lavish vampire drama Only Lovers Left Alive (2013). She was equally at home in the sensuous visual world of Italian director Luca Guadagnino, who cast her in Io sono l’amore (2009; I Am Love) and A Bigger Splash (2015). Director Wes Anderson cast her in several of his movies, including the coming-of-age comedy Moonrise Kingdom (2012), the arch caper The Grand Budapest Hotel (2014), and the stop-animation feature Isle of Dogs (2018). She later appeared as an art critic in his The French Dispatch (2021), about the last edition of a newspaper’s magazine supplement.

Swinton’s credits from 2019 included the superhero blockbuster Avengers: Endgame; The Souvenir, an acclaimed drama—which starred Swinton’s daughter, Honor Swinton Byrne—about the relationship between a film student and a drug addict; and The Personal History of David Copperfield, a film adaptation of Charles Dickens’s novel. Swinton also appeared as a samurai-sword-wielding mortician in Jarmusch’s The Dead Don’t Die (2019), a wry take on the zombie movie genre. She then had the lone role in Pedro Almodóvar’s The Human Voice (2020), an adaptation of Jean Cocteau’s play. The short movie premiered at the 2020 Venice Film Festival, where Swinton also received a lifetime achievement award. In Memoria (2021) she was cast as a woman who hears unexplained noises. In 2022 she appeared in several films, including George Miller’s Three Thousand Years of Longing, in which she played a scholar who encounters a djinn (Idris Elba) and is offered three wishes.

In 2013 Swinton appeared at the Museum of Modern Art in New York City lying in a glass case, asleep. She had originally performed the installation piece, titled The Maybe, in London (1995) and Rome (1996) to honour Jarman following his death from AIDS. She later curated a photography exhibition, “Orlando” (2019), inspired by Woolf’s novel of the same name, at the Aperture Foundation in New York. An avid fashionista who gained favourable notice on the red carpet for her avant-garde ensembles, Swinton collaborated with the fashion house Viktor & Rolf, among others.

White Witch role cast a spell on Swinton

When considering whether she wanted to play the role of the evil White Witch in “The Chronicles of Narnia,” Tilda Swinton remembered what Margaret Hamilton once said about being the Wicked Witch of the West in “The Wizard of Oz.”

“She was talking about waiting for a subway train in New York and noticing, out of the corner of her eye, little children backing away from her,” Swinton recalls. “And I thought, ‘Is this what I want? Children shying away from me for the rest of my life?’ ”

The Scottish-born Swinton, an indie-filmmaker favorite for such films as “Broken Flowers,” “The Deep End” and “Orlando,” took the role, of course, knowing what all actors know – playing the baddie is great fun.

“What I loved about the White Witch is that she’s not a stereotypical villain with the whole mustache-twirling thing,” Swinton says. “Her evil is more unfathomable. It’s a kind of coldness, an emotional remove. She’s quiet.”

In the film, the White Witch has cast a spell over Narnia, creating a winter that never ends. The four children who venture through the wardrobe door into Narnia must summon their strength to join with the mystical lion Aslan and break the witch’s curse.

“It’s intense,” Swinton says. “My children (twin girls, age 7) don’t want to see it. I think they’re very wise.” As for other children who have seen it, Swinton says she already has had her subway moment.

“After a recent screening, there was a question-and-answer session, and this tiny child – way too young for the movie, I would have thought – was bursting to come up to me,” Swinton says.

“She couldn’t get close enough. So there you have it – the insatiable masochism of the child. Or her exceptional good taste.”

Double Vision: Tilda Swinton and Cate Blanchett

Are Tilda Swinton and Cate Blanchett the same person? Look at witchy ice queen Swinton in The Chronicles of Narnia (left) and witchy elf queen Blanchett in The Lord of the Rings (right), and you'll surely agree. Have you ever seen these two otherworldly redheads in a room together? Nor have I. Hmmmm…

Still, there are subtle differences:

Swinton: Plays chilly, ruthless, pale queen Jadis in Narnia

Blanchett: Plays chilly, ruthless, pale queen Elizabeth I in Elizabeth

Swinton: Starred in Orlando

Blanchett: Costarred with Orlando Bloom (in LOTR)

Swinton: Costarred with Bill Murray in his midlife crisis film Broken Flowers

Blanchett: Costarred with Bill Murray in his midlife crisis film The Life Aquatic with Steve Zissou

Swinton: Grapples with lion in Narnia

Blanchett: Grapples with lyin', cheatin' husband in Pushing Tin

Swinton: Known for playing androgynous roles (Orlando, Constantine)

Blanchett: Known for playing Katharine Hepburn (The Aviator)

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