Carnival Magic New York is a popular annual event that takes place in New York City. It is a magnificent carnival that brings joy and excitement to both locals and tourists. This carnival is known for its vibrant atmosphere, extravagant costumes, and impressive performances. One of the highlights of this carnival is the parade. The parade features colorful floats, talented dancers, and lively music. It is an incredible sight to behold as the streets fill with people dancing and celebrating.
I Married a Witch (René Clair, 1942) is a comedic trifle that makes fine use of Veronica Lake’s impish charms. Lake plays Jennifer, a 17th century witch who returns to contemporary times to get revenge on Wallace Wooley, a descendant of the Puritan who killed her. Jennifer is not aggressive, but playful: witchcraft is a game to her. Early on, we see her wearing Wooley’s pajamas, eyebrows raised and arms crossed protectively. She doesn’t try to look like a witch, which may add to her power. She’s more like a sprite, joking around and mostly wearing light-colored clothes.
The series presents witches from a variety of decades, at a variety of ages, using their powers in any number of ways often for love, but also, often, to punish. But, best of all, when it comes to making a homemade witch costume, the options are nearly endless whether you want a look that s silly or scary, simple or sophisticated.
It is an incredible sight to behold as the streets fill with people dancing and celebrating. The parade route is filled with spectators who come from all over to witness this fantastic event. Another major attraction of Carnival Magic New York is the carnival games and rides.
Costume Party: Witches and Their Wardrobes
Witches, sometimes seductive, sometimes scary, have long been an intriguing onscreen force. BAM’s “Witch’s Brew” series, running through the end of this month, pays tribute to some of cinema’s most memorable witches. The series presents witches from a variety of decades, at a variety of ages, using their powers in any number of ways (often for love, but also, often, to punish). Everyone knows the old cliché of how witches dress: black pointy hats and long, shapeless black robes. While there’s no shortage of black in the films in this series, witch fashion seems to adapt to its time and can be quite glamorous. After all, glamour itself can cast a spell. I Married a Witch; Bell, Book and Candle; Suspiria; and The Craft are just a few of the films featured, and each of them offer witches clad in memorable ensembles (striped pajamas here, a leopard print coat there) with nary a pointy hat in sight.
I Married a Witch (René Clair, 1942) is a comedic trifle that makes fine use of Veronica Lake’s impish charms. Lake plays Jennifer, a 17th century witch who returns to contemporary times to get revenge on Wallace Wooley, a descendant of the Puritan who killed her. Jennifer is not aggressive, but playful: witchcraft is a game to her. Early on, we see her wearing Wooley’s pajamas, eyebrows raised and arms crossed protectively. She doesn’t try to look like a witch, which may add to her power. She’s more like a sprite, joking around and mostly wearing light-colored clothes.
Compare this to Bell, Book and Candle (Richard Quine, 1958) where Kim Novak, as Gillian Holroyd, a modern-day witch in New York City, wears sleek black turtlenecks and cropped pants. The all-black ensembles nod to the classic witch, but the proportions and louche posture are pure 50s beatnik.
Suspiria (Dario Argento, 1977) features witches that aesthetically conform the most to our mythological conceptions. The witches who run an elegant ballet academy look at first like stern older women, but as the plot becomes increasingly sinister and violent, the contrast between their outfits and the filmy frocks and flowing scarves worn by the young women who attend the academy become all the more apparent.
The young protagonists of The Craft (Andrew Fleming, 1996) want to look like witches, and looking the part seems integral to being able to cast spells. The girls initially gain power in the high school hallways simply by scaring people and looking goth. The witch look here is enhanced by the girls always being in a group, seeming like a force of weaponized femininity.
It comes as no surprise when the gothest one of all, Nancy (Fairuza Balk) ends up being the evilest. Her black lipstick, black ensembles, and subversive crucifix jewelry go further than the tamer sundresses and button-downs of her fellow witches. All the girls, though, have a bad girl attitude that makes even 90s catalog staples look somewhat fashionable.
The sexuality of the witch, of course, is often a subject of fascination. In Bell, Book and Candle, Gillian is seen wearing a dark velvet dress with a surprisingly revealing back.
At one point she wears a dramatic leopard print cape over a red cowl neck and gloves. She’s dressed here as an extremely stylish and urbane predator.
I Married a Witch features costumes by the legendary Edith Head, and her signature here is the black gown with a sheer overlay that Jennifer wears late in the film. While Jennifer is not fearsome the way The Craft’s Nancy or the witches in Suspiria are, this long decadent ensemble gives her power, and the sheer, billowing sleeves reveal more than those impish pajamas did.
There’s no uniform look for a witch. A witch may wear black with confidence, but she can just as easily swan about in red or white. No matter what, she’ll cast a spell on someone.
There are various games and rides for people of all ages to enjoy. From thrilling roller coasters to classic carnival games such as ring toss and dart games, there is something for everyone. The carnival games offer fun and entertainment, and visitors can win prizes as well. Food is another significant aspect of Carnival Magic New York. The carnival is filled with food stands offering a wide variety of delicious treats. From traditional carnival favorites like cotton candy and funnel cakes to international cuisines, the options are endless. Visitors can indulge in mouthwatering food while enjoying the carnival atmosphere. In addition to the parade, games, rides, and food, Carnival Magic New York also features live performances by talented artists. There are music concerts, dance shows, and circus performances that showcase the incredible talents of performers. These performances captivate the audience and add to the overall magical experience of the carnival. Carnival Magic New York is a must-visit event for anyone looking to have a fun-filled and magical time. It brings together people from all walks of life to celebrate and enjoy the festivities. The carnival creates lasting memories and is an experience that should not be missed..
Reviews for "The Rich History of Carnival in New York City"
1. John Smith - 1 star - I was extremely disappointed with the "Carnival Magic New York" show. The performances were lackluster and uninspiring. The magicians seemed amateurish, often fumbling their tricks and failing to engage the audience. The overall production value was also low, with cheap-looking props and a poorly planned stage setup. I regret spending my money on this show and would not recommend it to anyone looking for a captivating and thrilling magic experience.
2. Emily Thompson - 2 stars - I had high hopes for the "Carnival Magic New York" show but sadly, it fell short of my expectations. The magic tricks performed were predictable and unimpressive, leaving me underwhelmed. The magicians lacked charisma and stage presence, making the whole show feel detached and uninspired. The support crew also seemed disorganized, with frequent technical glitches and delays in the performance. I left the show feeling unsatisfied and would not attend another "Carnival Magic" event in the future.
3. Robert Davis - 1 star - The "Carnival Magic New York" show was a complete waste of time and money. The magicians relied heavily on cheesy jokes and cliched tricks that I had seen a hundred times before. There was nothing original or innovative about the performance. Additionally, the pacing of the show was off, with awkward transitions between acts and a lack of flow. I was disappointed with the lack of professionalism and creativity displayed by the performers. Save yourself the disappointment and avoid this show.