The black magic studio camera is a professional-grade camera that is widely used in the film and television industry. It is known for its high-quality image capturing capabilities and versatility, which makes it a favorite choice among cinematographers and filmmakers. One of the standout features of the black magic studio camera is its ability to capture video in 4K resolution. This ultra-high-definition video format offers superior image quality and detail, which is essential for creating captivating visuals. The camera also has an impressive dynamic range, which means it can capture a wide range of colors and tones accurately. This feature is crucial in achieving a cinematic look and feel and adds depth and richness to the final output.
Constant Quality storage rates quoted are indicative only.
The Studio Camera 4K Pro can be powered three different ways, 12v DC adapter, standard 12v four-pin XLR, or Power Over Ethernet POE when paired with the soon-to-be-released studio converter. The camera also provides features you d expect to find in larger studio cameras, such as tally indicators, talkback, XLR audio connections, and 12G-SDI and optical fiber video inputs outputs.
This feature is crucial in achieving a cinematic look and feel and adds depth and richness to the final output. Another advantage of the black magic studio camera is its flexible design. It can be used in both studio and remote shooting setups, making it suitable for various production requirements.
Blackmagic Studio Camera 4K
The Blackmagic Studio Camera 4K is a compact and lightweight broadcast camera designed for live production. Constructed from a magnesium alloy body, the camera is light even for travel, yet durable enough for use in the field. It has a large 10″ LCD screen with detachable sunshade and an active Micro Four Thirds lens mount for compatibility with a wide range of lenses. The camera also provides features you’d expect to find in larger studio cameras, such as tally indicators, talkback, XLR audio connections, and 12G-SDI and optical fiber video inputs/outputs.
The camera offers Ultra HD resolutions at frame rates of 23.98, 24, 25, 29.97, and 30p. It also offers 1080i and 1080p resolutions at frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94, and 60. It outputs 10-bit 4:2:2 video via its 12G-SDI or optical fiber outputs. For power, the camera has a built-in battery that lasts up to 4 hours on a single charge. The camera can also provides a standard 4-pin XLR power input for external power sources. The internal battery provides the added benefit of being able to hot swap external batteries without having to power off or interrupt recording.
The camera control buttons have been placed right below the viewfinder, letting you easily make adjustments without taking your eyes off your subject. The camera can also be controlled via ATEM switchers with a future update. The update will be available as a free download for both the camera and the ATEM switchers, and will send camera control commands down the SDI program feed to the camera to control focus, iris, gain, and more straight from any ATEM production switcher.
*No Battery Included
Compact and Lightweight Design
The Blackmagic Studio Camera features a compact magnesium allow chassis that is both lightweight and strong, making it well suited for use in the studio or in the field. The camera body features a rubberized coating that gives extra grip when changing lenses. It’s lightweight and compact size makes it easy to transport and be used in tight spaces.
Integrated 10″ LCD Screen
The large 10″ screen has a resolution of 1920 x 1200, letting you easily view your shots while operating the camera. The large detachable sunshade protects the screen from glare and creates your own private viewing space. With a wide viewing angle, you’ll have a clear view of your image even when panning to extreme angles.
Control Panel
For easy operation, all of the most important control buttons are placed right below the LCD screen, letting you make adjustments without having to scroll through complicated menus. You can instantly turn on overlays, adjust focus and iris settings, activate talkback, and even select return program video.
Micro Four Thirds Lens Mount
The Blackmagic Studio Camera uses an active Micro Four Thirds lens mount. Choose from available MFT lenses, or use third party adapters to mount anything from common DSLR lenses to PL-mount cinema lenses, or even B4 ENG broadcast lenses.
Broadcast Connections
Connections are grouped on both sides of the camera with video in and out (12G-SDI and optical fiber) and power on side, and XLR audio inputs, headphones, and LANC on the other. This lets you quickly setup and change cables as needed, while keeping them out of the way and protected during your production.
Bi-Directional Optical Fiber
The Blackmagic Studio Camera includes a built-in optical fiber connection, allowing you to use a single thin tether cable to connect cameras to your live production switchers. The optical fiber connection is bi-directional and carries HD or Ultra HD video with embedded audio, talkback, tally, and even camera remote control. And because it uses standard, low cost fiber optic cable, you can connect cameras over large distances even at the largest outdoor venues.
Built-In Talkback
Built-in talking lets the camera operator and crew communicate at all times during production. The Blackmagic Studio Camera is compatible with general aviation headset connections, letting users choose from a wide range of available headsets. And because talkback is embedded in the optical or SDI video connection to the camera, you don’t have to run separate talkback cables.
Illuminated Tally
The Blackmagic Studio Camera supports the tally SDI standard used on the ATEM range of live production switchers. This means that tally from the switcher is broadcast to all cameras from all video outputs of the ATEM switcher and it’s sent to the camera via the program video connection. Tally lights illuminate automatically when your camera is live, and will stay illuminated during multiple cameras transitions. With a light on the front for talent, and a light above the viewfinder for the operator, cast and crew can easily see which cameras are on air.
View Program Video
View program video from your live production switcher at the press of a button. Simply press the camera’s PGM button and the viewfinder will display the program video feed from your switcher, turning the viewfinder into a large SDI monitor. You can even use the program SDI input to view playback from a local HyperDeck recorder when using the Blackmagic Studio Camera for recording.
Multiple Mounting Points
A variety of mounting points lets you customize your rig to suit your product needs. The Blackmagic Studio Camera includes two 3/8″-16 mounting points on the bottom, and ten 1/4″-20 mounting points on the side and the top.
Hot Swappable Power
The large built-in battery lets you shoot for up to four hours on a single charge. There is also a standard 4-pin XLR power connector for external 12 to 24V power supplies. Because of the built-in battery, external batteries can be hot swapped without having to turn off the camera.
ATEM Camera Control Update
This update, which will be available as a free download for both the ATEM switchers and Blackmagic Studio Camera, allows for control of the camera from any ATEM production switcher. It works by sending the camera control commands down the SDI program feed to the camera and lets you adjust focus, iris, gain, and more. Blackmagic has also taken the primary color corrector from DaVinci Resolve and built it into the camera, which can be controlled from the ATEM switcher. This means you can control a full primary color corrector from the camera itself, letting you do more creative corrections than simple color balancing.
Reviews
There are no reviews yet.
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
The camera is lightweight and compact, allowing for easy transportation and setup. The black magic studio camera also offers a range of connectivity options, including SDI and HDMI outputs, which enable seamless integration with other production equipment. This ensures smooth workflow and efficient post-production processes. Furthermore, the camera has advanced focus and exposure controls, allowing cinematographers to have more creative freedom and achieve their desired visual style. There are also various lens mount options available, enabling the use of different types of lenses to achieve different aesthetic effects. Overall, the black magic studio camera is a powerful tool for professional filmmakers and cinematographers. Its high-resolution capability, dynamic range, and flexibility make it an ideal choice for capturing stunning visuals and bringing creative visions to life on the screen..
Reviews for "Cinematic Magic: Creating Movie-Quality Footage with the Black Magic Studio Camera"
1. John - 2/5 stars - I was really disappointed with the Black magic studoo camera. The image quality was subpar and the colors were washed out. Additionally, the camera was quite bulky and difficult to handle, making it uncomfortable to use for extended periods of time. The autofocus was also quite slow and often missed the mark, resulting in blurry shots. Overall, I wouldn't recommend this camera for serious photographers or videographers looking for high-quality, professional results.
2. Sarah - 1/5 stars - The Black magic studoo camera was a complete waste of money for me. The battery life was abysmal, barely lasting a couple of hours, even with minimal use. The camera also had a tendency to overheat quickly, which was incredibly frustrating and hindered my ability to shoot for longer durations. The interface was clunky and confusing, making it difficult to navigate through the various settings and modes. I regret purchasing this camera and wish I had invested in a more reliable and user-friendly option.
3. Alex - 3/5 stars - While the Black magic studoo camera had a few redeeming qualities, overall, I found it lacking compared to other cameras in its price range. The image quality was decent, but it struggled in low-light situations, producing grainy and noisy photos. The build quality of the camera also left much to be desired, with cheap plastic materials that felt flimsy and prone to damage. In terms of usability, the camera was quite slow in terms of startup time and in-between shots, which hindered my ability to capture fleeting moments. Overall, I think there are better options available for the same price or even lower.