Ardyss Body Magic is a popular shapewear product that is designed to help women achieve a slimmer and more sleek appearance. It is often touted as a way to instantly transform the body by cinching in the waist, lifting the buttocks, and smoothing out any trouble areas. Many women swear by the Body Magic and credit it with boosting their confidence and giving them a more streamlined silhouette. One of the major benefits of Ardyss Body Magic is its accessibility. Unlike other body shapers that require complicated measurements and fittings, the Body Magic can be conveniently purchased within walking distance. This means that women can easily find a retailer or distributor in their local area and try on the shapewear before making a purchase.

The Fall - Live At The Witch Trials LP

The first full-length album of The Fall, Live At The Witch Trials, is not actually a live album. Emerging out of a two-day studio session at Camden Sound in North West London during a sickly December of 1978, Witch Trials amounts to the sinister foundation of the band's diverse sound. Every song explores drastically different styles and wild terrain, leaving much to decipher over its eleven tracks.

"Frightened" has magnetic attraction / repulsion that shifts between Martin Bramah's skeletal guitar, Yvonne Pawlett's plastic keyboards and the lurching rhythm section of Marc Riley and Karl Burns. Mark E. Smith's mesmerizing bark and eerie lyrics warp the cosmic context with each repeated non-chorus. "Rebellious Jukebox" takes yet another turn and showcases the band's more melodic leanings.

One gets the sense that The Fall are in a time-travel hallucination (from 19th century witch trials to a scathing critique of the late-70s punk scene) where the band's snot-nosed scrabble afflicts the shape of pop to come. As Smith dictates, "We are The Fall, northern white crap that talks back."

Superior Viaduct's edition is the first time that Live At The Witch Trials has been available on vinyl domestically since its initial release in 1979. Liner notes by Brian Turner.

Track Listing:

1. Frightened
2. Crap Rap 2 / Like To Blow
3. Rebellious Jukebox
4. No Xmas For John Quays
5. Mother-Sister!
6. Industrial Estate
7. Underground Medecin
8. Two Steps Back
9. Live At The Witch Trials
10. Futures And Pasts
11. Music Scene

Live at the Witch Trials

New reissues of the Fall’s first two albums find the band hungry, angry, and taking switchblades to a grim future.

Featured Tracks:

When the Fall’s “Industrial Estate” plays during the closing credits of High-Rise–Ben Wheatley’s new big-screen adaptation of J. G. Ballard’s classic novel–it’s more than a case of similar subject matter. True, the film is about urban malaise, and so is the song. But Ballard’s vision of a tower block turned hermetic, ingrown, incestuous, and cannibalistic unfolds with a clinical exactitude. On the other hand, “Industrial Estate” is a spew of dissonant chaos, fugue-state chants, and malfunctioning carnival organs that inhabits the liminal space between punk and post-punk–just like the rest of album it appears on, the Fall’s 1979 debut Live at the Witch Trials. At the time, the first wave of post-punks were taking Johnny Rotten’s “no future” rant and parsing it like surgeons, laying it bare and reducing it to its components like Ballard. The Fall were no exception but, where many of their contemporaries used anesthetic and scalpels, they packed switchblades.

Witch Trials came out in the spring of 1979, Dragnet in the autumn of 1979. Accordingly, these albums (newly reissued) are very much spring and autumn records, inasmuch as such acutely urban records can have ties to nature. The Fall came together in Manchester in 1976, the year punk conflagrated across England. Its working-class founder Mark E. Smith and his crew immediately hopscotched over punk, delivering an EP in 1978 (Bingo-Master’s Break-Out!) that tapped into everything from the Seeds’ keyboard-slathered garage rock to Can’s elemental clatter.

Witch Trials was both a step ahead and a step back with true punk bangers like “Futures and Pasts,” two-and-a-half minutes of eye-gouging and haranguing that unravels in hyperventilating gasps. That deconstruction quickly morphs from cheeky to sinister. “Rebellious Jukebox”—one of the first self-aware Fall anthems—churns and stutters, thrown into each successive moment by a serpentine bassline that coils like inside-out dub. Smith is all sneers and snarls, delirious as he struggles against and succumbs to rock’n’roll entropy. “We are The Fall/Northern white crap that talks back,” he taunts, chewing the microphone on “Crap Rap 2/Like to Blow.” Soon after, he takes a leap into the cosmic void: “We are frigid stars.” By the time the eight-minute closer “Music Scene” crawls its way into oblivion—en route, beating Public Image Ltd’s similarly distended “Theme” and “Fodderstompf” to the punch by months—the Fall had already established themselves as something far more wobbly and toxic than the emerging post-punk mass.

You can pogo to Witch Trials; you can’t to Dragnet. Where Witch Trials is wiry, Dragnet is weighty. The eight months separating the release of the two albums saw a huge lineup change, setting the pattern of perpetual upheaval that would become the Fall’s constant. Most notably, guitarist Martin Bramah left, and his empty space was filled by existing bassist Marc Riley and new recruit Craig Scanlon. On Dragnet, Riley and Scanlon echo each other just out of sync, rezoning the rhythmic domain of the songs. “Before the Moon Falls”—an eerie track that hints at such contemporaries as Pere Ubu and Swell Maps—jangles with urgency and decay. “I must create a new scheme,” Smith vows, a dirtbag urchin with a brain too big for his skull.

Dragnet can be overwhelmingly dense, folding in viola-like guitar like John Cale’s queasiest recursion (“Muzorewi’s Daughter”) and then Krautrock-leaning funk spiked with garbled demands and harsh glossolalia (“Put Away”). But the heavy hand lightens by “Choc-Stock,” a singsong slice of feral nonsense akin to Syd Barrett with a head cold and a hangover. There’s an answer to Witch Trials’ “Music Scene” in the form of “Spectre vs. Rector,” but it’s nothing like its predecessor; its sludge and subliminal menace practically invented post-rock as an afterthought. The track is visceral, reeking of spilled pints and machine oil, evoking the industrial scum-scape that incubated it.

In a 2011 interview, Smith said that Ballard’s 1962 post-apocalyptic novel The Drowned World was the only book by the author that he liked. Even then, he referred to it only as “that one where the world’s underwater.” Erudition in the formal sense is never what Smith or the Fall were about, and that’s made plain on Witch Trials and Dragnet, where Smith’s loathing of cultured, mannered learning oozes from every fracture. Instead, the albums are celebrations–if not exhortations–of working-class precocity and street-smart intellectualism cobbled together from thrift stores bookshelves and stolen snatches of philosophy. Hungry, angry, and ugly: that’s the post-punk proclamation of the Fall’s first two albums, a flag that would fully unfurl with the release of band’s masterpiece, Hex Enduction Hour, three years later. But for a fleeting few seasons in 1979, in the hands of Smith and his gang of urban mutant malingerers, all that mattered was feeding the future to itself and seeing what got puked back up.

Live At The Witch Trials

Scrobbling is when Last.fm tracks the music you listen to and automatically adds it to your music profile.

Recent Listening Trend

External Links

Don't want to see ads? Upgrade Now

This means that women can easily find a retailer or distributor in their local area and try on the shapewear before making a purchase. This is particularly beneficial for those who prefer to see and feel the product in person before committing to it. Another advantage of purchasing Ardyss Body Magic within walking distance is the opportunity to receive personalized assistance.

Shoutbox

Javascript is required to view shouts on this page. Go directly to shout page

Retailers and distributors are often knowledgeable about the product and can provide guidance and recommendations based on a woman's specific needs and body type. They can help with proper sizing and offer suggestions on how to wear and care for the shapewear. In addition to convenience and personalized assistance, buying Ardyss Body Magic within walking distance also allows for quick and easy exchanges or returns if needed. If a woman finds that the size or fit is not quite right, she can easily return to the retailer or distributor to make an exchange or request a refund. This eliminates the hassle of shipping items back and waiting for a replacement or reimbursement. Overall, Ardyss Body Magic is a popular shapewear product that many women find effective in enhancing their body shape. Being able to purchase it within walking distance offers convenience, personalized assistance, and the ability to quickly resolve any size or fit issues. So, if you are considering trying out Ardyss Body Magic, it may be worth checking if there is a retailer or distributor nearby before making your purchase..

Reviews for "The Magic of Ardyss Body Shapers: Empowering Women to Embrace Their Bodies"

1. Jennifer - 2 stars - I was really disappointed with the Ardyss Body Magic within Walking Distance. I had high hopes for this product after reading all the positive reviews, but it did not work for me at all. I found it uncomfortable to wear and it did not provide the desired level of support for my body. Additionally, the sizing was way off and it did not fit me properly, which made it even more uncomfortable to wear. Overall, I was not satisfied with this product and would not recommend it.

2. Martin - 1 star - I had a terrible experience with the Ardyss Body Magic within Walking Distance. Not only did it not give me the results I was expecting, but it also caused discomfort and irritation to my skin. The fabric felt cheap and caused itching and redness on my body. I tried adjusting the fit, but it just didn't work for me. I ended up returning the product and would not purchase it again.

3. Emily - 2 stars - I bought the Ardyss Body Magic within Walking Distance hoping it would help me achieve a slimmer look for a special event. However, it fell short of my expectations. The design was not as flattering as advertised, and it did not provide the level of support I needed. I also found it difficult to put on and take off, which made it impractical for everyday use. Overall, I was disappointed with this product and would not recommend it to others looking for a body shaper.

The Ultimate Confidence Boost: How Ardyss Body Magic Can Help You Feel and Look Amazing