Exploring the Different Variations of the Amulet of Ranging

By admin

The Amulet of Ranging is a powerful accessory in the world of fantasy and role-playing games. Its primary purpose is to enhance the accuracy and effectiveness of ranged attacks. It is often coveted by archers, hunters, and other long-range combat specialists. The amulet is typically crafted from magical materials, such as enchanted metals or rare gemstones. These materials imbue the amulet with special properties that augment the user's ranged abilities. For example, it may grant improved aim, increased critical strike chance, or enhanced projectile speed.


A “spirit mirror” believed to have been used by Queen Elizabeth I’s famed political advisor John Dee was crafted in Aztec Mexico around 500 years ago, reinforcing the idea that the mirror was used by the Elizabethan occultist in his attempts to communicate with angels.

A black mirror used by Queen Elizabeth I advisor John Dee to speak with angels was originally a prophetic Mesoamerican artifact, new research reveals. Resolute in his grief, his tears gave sustenance to Mayahuel, and the spire transformed into a Maguey so beautiful it overwhelmed the Aztecs when they saw it.

Country magic Aztec

For example, it may grant improved aim, increased critical strike chance, or enhanced projectile speed. One of the most common features of the Amulet of Ranging is its ability to increase the range of projectile attacks. This allows the wearer to strike enemies from a greater distance, giving them an advantage in combat.

'Magic' mirror in Elizabethan court has mystical Aztec origin

A black mirror used by Queen Elizabeth I advisor John Dee to 'speak' with angels was originally a prophetic Mesoamerican artifact, new research reveals.

By Tom Metcalfe Published October 6, 2021 • 5 min read Share Tweet Email

A “spirit mirror” believed to have been used by Queen Elizabeth I’s famed political advisor John Dee was crafted in Aztec Mexico around 500 years ago, reinforcing the idea that the mirror was used by the Elizabethan occultist in his attempts to communicate with angels.

Dee was an advisor in the court of the 16th-century queen, as well as an accomplished alchemist, astrologer, cartographer and mathematician. It’s thought he may have been the model for Prospero, the magician in Shakespeare’s The Tempest.

A portrait of John Dee (1527-1608). “Dee initially straddled the fine line between natural ‘magic’, which was considered a science, and demonic magic, which was considered a perversion of religion – but the one into which he eventually crossed,” the researchers write.

Courtesy Ashmolean Museum, University of Oxford Please be respectful of copyright. Unauthorized use is prohibited.

Tales abound of Dee’s occult exploits, including his practice of skrying, or conjuring angels and spirits through clairvoyant tools such as crystals and mirrors. This particular “spirit mirror,” attested in the 1650s as part of John Dee’s skyring collection, was eventually purchased in the 1700s by the writer Horace Walpole, who believed it belonged to the English Renaissance polymath and was used by him in magical rituals.

The British Museum purchased the mirror in the late 1800s; it is currently on display in museum’s Enlightenment Gallery.

Researchers used a portable x-ray fluorescence scanner to examine John Dee’s mirror, as well as three other obsidian objects—two almost-identical circular mirrors and a polished rectangular slab—acquired by the British Museum from collectors in Mexico in the 1800s. The research was first published in published in the journal Antiquity in 2021.

Because chemical elements glow differently under x-rays, the scanner was able to determine a geochemical “fingerprint” for each obsidian object based on the proportions of titanium, iron, strontium, and other substances each contained. The results show the obsidian in John Dee’s mirror and one of the other mirrors could only have come from the Pachuca region of central Mexico. The other mirror and the obsidian slab, likely a portable altar, came from the Ucareo region, about 150 miles farther west.

Aztec codices, like the 16th-century Codex Tepetlaoztoc shown here, depict obsidian mirrors. Ancient Mesoamericans believed such mirrors could serve as portals to spiritual worlds.

Courtesy The Trustees of the British Museum Please be respectful of copyright. Unauthorized use is prohibited.

Both regions were ruled by the Aztecs, who had a tradition of making obsidian mirrors for magical purposes, says archaeologist Stuart Campbell of the University of Manchester, the lead author of the Antiquity study. Circular obsidian mirrors are depicted in Aztec codices written soon after the time of the Spanish conquest in the early 16th century, and in depictions of the deity Tezcatlipoca (“Smoking Mirror”) who had powers of divination. The Aztecs believed the mirrors could show smoke, which would then clear to reveal a distant time or place.

Ancient Mesoamericans believed mirrors were spirit doorways to alternate worlds, “much like Alice in Through the Looking Glass,” anthropologist Karl Taube of the University of California Riverside writes in an email. “Once you deeply gaze in, you have opened up that connection.” Taube has studied Aztec mirrors but was not involved in the new research.

The finding that the British Museum “spirit mirror” is of Aztec origin reinforces the theory that Dee used it as a skryer to conjure angels and spirits, Campbell says. It’s likely that Dee, who was very interested in the exploration of the New World, knew about the mirror’s reputed magical properties when he acquired it, probably during his travels around Europe in the late 1500s. Records show that several Aztec mirrors were shipped from Mexico to Europe soon after Hernán Cortés and his troops took the Aztec capital of Tenochtitlan in 1521. And like the Aztec, Europeans of the period also believed in the magical powers of mirrors, a belief that may have led Dee to try to communicate with angels through the spirit mirror.

Dee’s reputation as an Elizabethan proto-scientist remains strong in the United Kingdom (he’s the subject of an opera composed by Blur frontman Damon Albarn, for example). And his presence persists in a variety of historical accounts from the time.

“You can be reading something where you don’t expect to see him, and John Dee’s name suddenly pops up,” Campbell says. “He was involved in so many areas, and in the early stages of so many different approaches to the natural world.”

Amulet of rangimg

It can be particularly useful when facing foes that are resistant to close-quarters combat or have dangerous melee attacks. In addition to its offensive benefits, the amulet may also provide defensive bonuses. Some versions of the amulet can offer increased evasion or damage reduction against ranged attacks, providing the wearer with added protection against enemy projectiles. The process of acquiring an Amulet of Ranging can vary depending on the game or narrative. In some cases, it may require completing a challenging quest or defeating a powerful enemy. It could also be obtained through trading with other players or purchasing from vendors within the game world. Overall, the Amulet of Ranging is a highly sought-after accessory for characters who rely on ranged attacks. Its unique abilities and enhancements make it an indispensable tool for long-range combat specialists. Whether it's a medieval archer, a futuristic sniper, or a magical bowman, the Amulet of Ranging is an invaluable asset that can greatly improve their effectiveness on the battlefield..

Reviews for "Optimizing Your Ranged Gear with the Amulet of Ranging"

1. John - 2/5 - I was really disappointed with "Amulet of Ranging". The plot felt disjointed and confusing, and I struggled to connect with the characters. The pacing was also incredibly slow, and it took me forever to finish the book. Overall, I feel like it just didn't live up to the hype for me.
2. Emily - 1/5 - I couldn't even make it through "Amulet of Ranging". The writing was so dull and lifeless, and I found myself constantly skimming just to get through the pages. The characters were one-dimensional and the world-building was incredibly lacking. I had high hopes for this book, but it was a complete letdown for me.
3. Sarah - 2/5 - "Amulet of Ranging" had potential, but it fell flat for me. The story had some interesting concepts, but they were poorly executed. The dialogue was clunky and unrealistic, and the romance felt forced and unnecessary. I was really hoping for a captivating and engaging read, but unfortunately, I was left feeling underwhelmed.
4. David - 3/5 - I didn't hate "Amulet of Ranging", but I definitely didn't love it either. The pacing was uneven, with moments of action followed by long stretches of inactivity. The world-building had some interesting elements, but they were overshadowed by a lackluster plot. Overall, it had its moments, but it didn't fully capture my attention or leave a lasting impression.
5. Jessica - 2/5 - I struggled to get into "Amulet of Ranging". The writing style was convoluted and overly descriptive, making it difficult to truly immerse myself in the story. The characters felt flat and lacking depth, and I found it hard to care about their fates. While the concept had potential, the execution left much to be desired. Sadly, this book just wasn't for me.

Increasing Your Accuracy and Damage with the Amulet of Ranging

The Amulet of Ranging: A Must-Have for Skilled Archers

We recommend