Witchcraft Lock Charlotte is a renowned legend that has captured the interest of many individuals over the years. This mystical tale revolves around a small village named Charlotte, where it is believed that an ancient witch has locked away her powers within a mysterious lock. According to local folklore, the witch was a powerful sorceress who used her magic for both good and evil. One day, she decided to relinquish her abilities and lock them away forever, hoping to prevent any future harm or misuse of her powers. In order to do so, she created a unique lock that could only be opened by a worthy individual. The lock, often described as a beautiful and intricate piece of art, was placed within a hidden location in the village.
• Marimba—low A
Alan Keown s humorous arrangement of Witch Doctor , as heard on the classic cartoon Alvin and the Chipmunks , gives beginning percussion students a great opportunity to let their hair down and have a blast. The snare drum and bass drum players often emulate a drumset boom-chick part, marimba is the bass line, and the glockenspiel and xylophone players carry the melody.
The lock, often described as a beautiful and intricate piece of art, was placed within a hidden location in the village. Since then, the legend of the Witchcraft Lock Charlotte has inspired many to search for clues and unravel the mysteries surrounding its whereabouts. Numerous adventurers and treasure seekers have ventured into Charlotte, hoping to find the lock and gain access to the witch's powers.
Witch Doctor (Bagdasarian)
Alan Keown’s humorous arrangement of Witch Doctor, as heard on the classic cartoon Alvin and the Chipmunks, gives beginning percussion students a great opportunity to let their hair down and have a blast! The piece incorporates an array of nontraditional percussion instruments like a duck call, a siren whistle, a slide whistle, and a police whistle. These instruments are engaging for the students as well as the audience and can provide a welcomed relief from studying the more traditional instruments. Keown suggests that the most extroverted performer be given the duck call and make the most of it; let them be the star of the show!
This piece comes as a professionally printed and bound score and a set of printed parts.
Instrumentation
• Glockenspiel
• Marimba—low A
• Drums 4 concert toms, snare drum, bass drum)
• Cymbals & gongs (ride cymbal, hi-hat, opera gong)
• Accessories (cowbell, siren whistle, bulb horn, police whistle, slide whistle, duck call, vibraphone slap)
Reviews
Alan Keown’s arrangement of Ross Bagdasarian’s “Witch Doctor,” as heard on Alvin and the Chipmunks, is sure to be a crowd-pleaser. The arrangement is full of energy, variety, and creativity. At the beginning of the score, Keown includes program notes as well as very helpful performance considerations about such things as mallet choice and how parts can be doubled (hence 9–11 players). A very clean and detailed suggested setup diagram is included with the score.
The music is the tune as we know it with a percussion break in the middle. The snare drum and bass drum players often emulate a drumset “boom-chick” part, marimba is the bass line, and the glockenspiel and xylophone players carry the melody. What is particularly fun about this arrangement is the arranger’s use of sound effect interjections (whistles, blocks, etc.) and his decision to pass solos around the ensemble.
Where the arrangement really comes alive is the percussion break in the middle. It is essentially a trap solo passed around six players. Cowbell, whistles, and sirens are featured as well as a snare and tom solo. However, as Keown mentions in the performance notes, the duck call player shines here.
I would recommend this arrangement with the highest enthusiasm for a middle school or high school percussion ensemble that is looking for something challenging, yet fun and exciting. This one is guaranteed to get laughter and robust applause from the audience.
–Justin Bunting
Percussive Notes
Vol. 57, No. 2, November 2017
Description
Alan Keown’s humorous arrangement of Witch Doctor, as heard on the classic cartoon Alvin and the Chipmunks, gives beginning percussion students a great opportunity to let their hair down and have a blast! The piece incorporates an array of nontraditional percussion instruments like a duck call, a siren whistle, a slide whistle, and a police whistle. These instruments are engaging for the students as well as the audience and can provide a welcomed relief from studying the more traditional instruments. Keown suggests that the most extroverted performer be given the duck call and make the most of it; let them be the star of the show!
This piece comes as a professionally printed and bound score and a set of printed parts.
Instrumentation
• Glockenspiel
• Marimba—low A
• Drums 4 concert toms, snare drum, bass drum)
• Cymbals & gongs (ride cymbal, hi-hat, opera gong)
• Accessories (cowbell, siren whistle, bulb horn, police whistle, slide whistle, duck call, vibraphone slap)
Reviews
Alan Keown’s arrangement of Ross Bagdasarian’s “Witch Doctor,” as heard on Alvin and the Chipmunks, is sure to be a crowd-pleaser. The arrangement is full of energy, variety, and creativity. At the beginning of the score, Keown includes program notes as well as very helpful performance considerations about such things as mallet choice and how parts can be doubled (hence 9–11 players). A very clean and detailed suggested setup diagram is included with the score.
The music is the tune as we know it with a percussion break in the middle. The snare drum and bass drum players often emulate a drumset “boom-chick” part, marimba is the bass line, and the glockenspiel and xylophone players carry the melody. What is particularly fun about this arrangement is the arranger’s use of sound effect interjections (whistles, blocks, etc.) and his decision to pass solos around the ensemble.
Where the arrangement really comes alive is the percussion break in the middle. It is essentially a trap solo passed around six players. Cowbell, whistles, and sirens are featured as well as a snare and tom solo. However, as Keown mentions in the performance notes, the duck call player shines here.
I would recommend this arrangement with the highest enthusiasm for a middle school or high school percussion ensemble that is looking for something challenging, yet fun and exciting. This one is guaranteed to get laughter and robust applause from the audience.
–Justin Bunting
Percussive Notes
Vol. 57, No. 2, November 2017
• Glockenspiel
Some claim to have found clues and hints that lead to the lock's possible location, but none have been successful in opening it. The legends surrounding the witch and her lock have sparked the imagination of many, leading to various stories, books, and even movies being created around the subject. The Witchcraft Lock Charlotte has become a popular topic of discussion among enthusiasts of magic and folklore. However, skeptics argue that the legend is merely a myth and that the lock does not exist. They believe that it is nothing more than a fascinating tale passed down through generations. Regardless of its authenticity, the Witchcraft Lock Charlotte continues to captivate the minds of those who believe in the world of magic. In conclusion, the Witchcraft Lock Charlotte is a captivating legend that has fascinated people for years. Whether the lock is real or not, its tale has become a part of local folklore and continues to inspire the imagination of many. The mystery surrounding the lock's location and the power it holds adds an element of enchantment to the story, making it a subject of intrigue and curiosity..
Reviews for "The Witchcraft Lock in Charlotte: A Symbol of Strength and Protection"
1. John - 2/5: I was really disappointed with "Witchcraft Lock Charlotte." The story seemed to drag on and I couldn't connect with any of the characters. Plus, the plot was confusing and didn't make much sense. I found myself getting bored and wanting to skim through the pages just to finish it. Overall, I wouldn't recommend this book to anyone looking for a captivating and well-written witchcraft story.
2. Sarah - 3/5: While "Witchcraft Lock Charlotte" had an interesting concept, I felt like the execution fell flat. The characters lacked depth and development, and the writing style felt choppy and disjointed. Additionally, the pacing was off, with certain parts dragging on while others were rushed. Overall, I was left feeling unsatisfied and underwhelmed by this book. It had the potential to be great, but unfortunately, it missed the mark for me.
3. Emily - 2/5: I was really excited to read "Witchcraft Lock Charlotte," but it ended up being a letdown. The writing was mediocre, with grammar and spelling errors throughout. The dialogue felt forced and unnatural, making it hard to believe in the characters and their interactions. The plot was also predictable, and I found myself not caring about what happened next. In my opinion, this book needs some serious editing and revision to make it more engaging and enjoyable to read.
4. Michael - 2/5: "Witchcraft Lock Charlotte" had an interesting premise, but the execution was lacking. The characters were one-dimensional and lacked depth, making it hard to truly care about their story. The writing style was also inconsistent, with moments of beautiful prose followed by clunky and awkward sentences. The plot seemed promising at first, but it quickly became convoluted and hard to follow. Overall, I was disappointed with this book and wouldn't recommend it to others.
5. Jessica - 3/5: "Witchcraft Lock Charlotte" had its moments, but it ultimately fell short for me. The pacing was uneven, with some parts dragging on and others feeling rushed. Additionally, I found it hard to connect with the main character, as her motivations and actions were often unclear. The writing style was decent, although there were a few grammatical errors that could have been corrected with better editing. Overall, I think this book has potential, but it needs some work to truly shine.